CALIFICACIÓN DE IMDb
5.4/10
1.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaLearning of an ancient Moroccan legend, three friends summon a powerful female entity with an insatiable thirst for revenge.Learning of an ancient Moroccan legend, three friends summon a powerful female entity with an insatiable thirst for revenge.Learning of an ancient Moroccan legend, three friends summon a powerful female entity with an insatiable thirst for revenge.
- Premios
- 1 nominación en total
Mathilde La Musse
- Amélie
- (as Mathilde Lamusse)
Nassim Lyes
- Abdel
- (as Nassim Si Ahmed)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- ErroresLegend said that Kandisha will claim six men, yet when they went back to see the rector to know the second way to vanquish the demoness, Amelie said two more lives will be claimed when in that moment there were already five deaths: Farid, Ben, Ako, Erwan, and Abdel.
- ConexionesReferences Tres espías sin límite (2001)
Opinión destacada
A girl abused by her ex-boyfriend summons an ancient demon to exact revenge, but the revenge gets out of control.
Interesting scenario that begins in the multi-ethnic high-rise community of a French city, with plenty of cultural tropes thrown in, from graffiti artistry to inter-racial banter to a variety of American music. Fast dialogue, so the sub-titles are on full duty during the first act.
Unfortunately, this is horror-by-numbers, with zero psychology, as a creepy curse comes out of the past to affect modern urban dwellers. All been done before to better effect, the model being Candyman, which the movie actually references. The demon has some interesting reveals, particularly when the hoofs come out, but a big set piece is spoiled by poor editing at 1:09, in which the poor actors have to REACT! Without any suspense built into the event.
The only thing that could have stirred it up for me is if the final scene had been fast-forwarded into the middle of the second act - now that would have been interesting: set a demon to catch the original demon.
The production quality is good, but with such uninspired material I got the impression everyone involved lost conviction as the inevitable conclusion approached. You may know how to put a movie together, but a good horror needs some soul.
Overall: Starts out energetic, but ends up flat as a jumper's corpse on a pavement.
Interesting scenario that begins in the multi-ethnic high-rise community of a French city, with plenty of cultural tropes thrown in, from graffiti artistry to inter-racial banter to a variety of American music. Fast dialogue, so the sub-titles are on full duty during the first act.
Unfortunately, this is horror-by-numbers, with zero psychology, as a creepy curse comes out of the past to affect modern urban dwellers. All been done before to better effect, the model being Candyman, which the movie actually references. The demon has some interesting reveals, particularly when the hoofs come out, but a big set piece is spoiled by poor editing at 1:09, in which the poor actors have to REACT! Without any suspense built into the event.
The only thing that could have stirred it up for me is if the final scene had been fast-forwarded into the middle of the second act - now that would have been interesting: set a demon to catch the original demon.
The production quality is good, but with such uninspired material I got the impression everyone involved lost conviction as the inevitable conclusion approached. You may know how to put a movie together, but a good horror needs some soul.
Overall: Starts out energetic, but ends up flat as a jumper's corpse on a pavement.
- begob
- 25 jul 2021
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- EUR 3,283,000 (estimado)
- Total a nivel mundial
- USD 472,092
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 2.39:1
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