Un niño y su hermano abandonados a su suerte tras la muerte de sus padres. Wyoming huye con su abuelo, del que hace tiempo que no se acuerda, después de que éste sea condenado a la horca por... Leer todoUn niño y su hermano abandonados a su suerte tras la muerte de sus padres. Wyoming huye con su abuelo, del que hace tiempo que no se acuerda, después de que éste sea condenado a la horca por el asesinato accidental de un ranchero local.Un niño y su hermano abandonados a su suerte tras la muerte de sus padres. Wyoming huye con su abuelo, del que hace tiempo que no se acuerda, después de que éste sea condenado a la horca por el asesinato accidental de un ranchero local.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Opiniones destacadas
I get the politics around the release of the film, but this review is about the film, not any particular point of view.
If you don't agree with it being released, then don't watch it. But don't give it a poor rating because you don't agree with something that has nothing to do with the film itself.
Story: I think it was fine. It might not be the most compelling of story, but it was good enough for me - meaning it was engaging for the most part. There were some things that didn't make sense to me, but it's not a major gripe.
Acting: I liked everyone is this film. Even the kid(s) were ok. Shout out to Travis Fimmel - I'm glad he's getting better roles since the Viking series - Richard Gunn, and Francis Fisher. I felt that their portrayals were outstanding.
Directing: Also good, IMO. There weren't any fillers or wasted shots, I thought. The actions were quite good, as well - I knew where everyone was at all times and what was happening. As were the dialogues and the quieter moments.
Cinematography: Montana is simply beautiful. I wished there had been more wide vista shots, but it's a quibble. Generally, what we had were good and established well the period and locations.
Overall: 7.5.
Alec Baldwin, in the lead role, delivers a performance that is both weathered and weary, embodying the grizzled outlaw with a palpable sense of history and regret. His portrayal anchors the film, providing a focal point for the unfolding drama and the grandson's coming-of-age journey amidst perilous circumstances. The supporting cast, while perhaps overshadowed by the film's production context, contributes to the authenticity of the setting, populating the frontier with believable and often desperate individuals. The film's visual style emphasizes the natural environment, utilizing wide shots to capture the vastness and isolation of the setting, contrasted with close-ups that highlight the emotional toll on its characters.
However, it's impossible to divorce the viewing experience from the tragic on-set incident that resulted in the death of cinematographer Halyna Hutchins. This shadow inevitably hangs over the film, coloring every scene and performance with a layer of unintended poignancy. While Souza bravely returns to complete his vision, the film's artistic merits are constantly juxtaposed with the real-world tragedy that occurred during its making. This creates a complex and often uncomfortable viewing experience, where appreciation for the filmmaking is intertwined with a profound sense of loss and the ethical considerations surrounding its release.
Despite the inherent challenges, Rust as a film showcases moments of genuine cinematic merit. Souza's commitment to telling this particular story of familial bonds and survival in the Old West is evident in the film's pacing and atmosphere. There are sequences that effectively build tension and capture the brutality of the era. The performances, particularly Baldwin's, offer glimpses of the intended emotional depth. Yet, the pervasive awareness of the tragedy remains an undeniable element of the film's reception, shaping its legacy in ways that no artistic critique can fully address.
Ultimately, Rust is a film that exists in a complex space, its narrative achievements forever intertwined with the real-life tragedy that marred its production. While Joel Souza manages to deliver a Western with moments of compelling storytelling and strong performances, the film's release serves as a stark reminder of the human cost of filmmaking. It's a viewing experience that demands not only critical assessment but also a degree of somber reflection on the events that overshadowed its creation.
¿Sabías que…?
- TriviaProduction was halted on October 21, 2021 after Alec Baldwin, while filming, shot and killed the cinematographer, Halyna Hutchins, as well injuring the director, Joel Souza. Before that incident, six camera department union workers had walked off the set due to unsatisfactory housing, after which they were replaced by non-union workers. Several days prior, another firearm incident had occurred and a firearm safety complaint had been made.
- ErroresWhen sheriff Wood lets Lucas go in the dry creek, Lucas mounts a horse and rides up the creek bank. When the camera follows him over the top, contrails from a passing jet airliner are visible in the sky.
- Citas
Harland Rust: You tell any son of a bitch who comes after me that he will shake hands with the devil himself.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: The Corrosion of Rust (2021)
- Bandas sonorasRest
Performed by Decant
Written by Lilie Bytheway-Hoy, Joey Verdian, and Van Jackson-Weaver (as Van-Jackon Weaver)
Selecciones populares
- How long is Rust?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Случайный выстрел
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 25,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 25,000
- 4 may 2025
- Total a nivel mundial
- USD 26,831
- Tiempo de ejecución2 horas 19 minutos
- Color
- Relación de aspecto
- 2.39:1