Antoinette dans les Cévennes

Between a beautiful postcard from the Cévennes, a donkey road trip, and a nice slice of life that begins as a farce on adultery. I had a great time in this universe, far from the fat and heavy lines of a lot of films released these days. Try it.

Of course,it's not a masterpiece,but this kind of movies are know what they are and aware of what they want to show to the viewers.

This is not as symbolic as other movies in cannes(i know the last year film festival was canceled) so basically everyone can watch it and understand the point of the movie and still,have a good time with their family.

A sweet little movie and a couple of things you may not know about Robert Louis Stevenson, the author of Treasure Island and Dr. Jekyll and Mister Hyde. Beautiful landscapes and gentle people all around in this dreamy production.

In kanopy, it's listed as my donkey, my lover and i; in imdb, it's antoinette dans les cévennes. When vlad can't go away with antoinette on a vacation, she decides to follow him anyway. But there's one problem. Vlad's vacation will be spent with his own wife and daughter.... on a long, difficult hike in the french mountains. And the group antoinette is in disapproves. (why would she tell them anyway?) things go okay. Until vlad's wife confronts her on the trail. And then her donkey starts acting up. It's simple but cute. Moves quite slowly. Part of the charm is the beauty of the countryside. Not a lot happens, but antoinette learns a few things before it's over. Beautiful scenery of les cévennes in françe. For the details of stevenson's actual journey, see the travels with a donkey entry in wikipedia. Directed by caroline vignal. Inspired by robert L stevenson's book.

A comedy that takes the journey as a metaphor for life, almost like a Road Movie, but on a donkey, through the beautiful countryside of the Cévennes. The big difference, to the typical Road Movie, is that the path here is constructive, invites reflection, the enjoyment of life, the moment, the company, and not destructive, nihilistic, terminal, as happens when traveling by car on the tarmac.

Laure Calamy has a distinct presence, pleasant and relaxed, almost sensual. Patrick, the donkey, also acquires an unexpected role, as the unlikely companion on this journey of self-knowledge and vital rebalancing, in contact with nature and animal life.

A pleasant and surprising film, insofar as it offers more than what it promises.