Ripley

This masterpiece of a series is completely unique from the movie, and really elicits its own distinctive film noir vibe both in cinematography and dialogue. Purposeful yet subtle performances by all involved; Andrew Scott is absolutely perfect for this role.

I haven't seen a TV series interpreted from a film source this well since Hannibal, where Mads Mikkelsen was also perfectly cast and gave an unforgettable performance.

What else can be said about this series? A bit of a slow burn, but the pacing is completely suitable, and allows for a bit more fleshing out and development of the characters. Although I love the vibrant colors along the coast of Italy as much as anyone, I feel the choice to use a monochromatic palette here really enhanced the mood and atmosphere of the story.

Top notch production in all aspects!

I am struggling to find the words to describe how brilliant this show is. It took me two episodes to find my feet with it, but once in, oh my goodness. The film photography is stunning, it is like watching liquid art. I didn't like the black and white to begin with, but loved it by the end. Light and shade has never been better used. Andrew Scott puts in a masterful performance in the lead role. He does that wonderful trick of being able to have you rooting for him even though you know morally you shouldn't. The supporting cast are excellent, with a particular nod to Eliot Sumner who I had never heard of before, but they are mesmerising.

This is not a fast, bang buzz type of show, but like a lot of the finer things in life, if you are prepared to invest yourself, it will reward you in measures.

The cat saw it all, the looks exchanged between him and Ripley were unbelievable. Such Cinema Noir. 'Ripley" is a masterclass in tension, intrigue, and psychological depth. From its captivating performances to its meticulously crafted plot twists, each episode leaves you craving more. With lush cinematography and a haunting score, it's a mesmerizing journey into the complexities of identity.

I just loved it all, the B&W, the acting, the adaptation, directing and soundtracks.

I will watch some more work of the director for sure. Well done to all especially Lucio .

I definitely recommend this to everyone.

Andrew Scott gives a deeply neurotic and disturbing impression of one of the most beloved psychopaths in movie history. He's a great actor and he knows exactly what he's doing, sharp, precise, intense, on top of his acting skills.

Zaillian stretches the story out here, (sometimes a little bit too much in the last three episodes), taking 8 hours, compared to shorter former versions. I must say I like all versions, because Highsmith's original story is of genius quality, and it allows to open a lot of doors to different interpretations. I loved Alain Delon in the Rene Clement classic, as well as Matt Damon in the luscious Minghella version, but comparing the different interpretations in detail would take to long.

About this one: Yes, I loved that it was shot in atmospheric black and white (fantastic cinematography, every frame a piece of art!), I loved that this version was slow, I loved that it was so dark, I loved the sardonic humour.

I could have easily given this version 10 stars, but, I am sorry to say, the characterization of Freddie Miles didn't work for me here.

Black and white never looked so beautiful. I doubt even early 1960s Italy was this beautiful. This was the most visually stunning project I have seen in decades.

The performances were excellent as well as the direction. The writing was a bit drawn out. This really could have been two hours shorter, but you really don't mind it.

If Netflix could come up with something half this good on a semi monthly basis they'd be in the black again. This wasn't just visually appealing it was actually mature and reasonably cerebral. Miles above their usual offerings.

Warning: If you watch this, you will become addicted.