Transmisiones siniestras

Not enough meat on the bone for this script, seemed like a decent setup but it never really got out of the first act and failed to establish any kind of "stakes" to help ramp up the tension. Overall production values were decent and the acting fine for the most part. I suggest giving this one a miss however as even the "creepy pasta" subject-matter is unfulfilling.

Despite '60's supernatural soap 'Dark Shadows' making an appearance or two, and a villain that looks like 'Texas Chainsaw Massacre: The Next Generation's Leatherface, this is a very talky, turgid affair.

The film goes through all the beats of being fascinating - vaguely arthouse direction, intense performances, much grandstanding - but really, it isn't. There's nothing for the viewer to latch on to and becomes frequently incomprehensible. As a result, it seems to go on for far longer than its 102 minutes.

A couple of creepy moments exist in a vacuum but aren't enough to generate much interest. When it ends, you'll wonder why you stuck it out for so long. My score is 4 out of 10.

Not sure what to say, it felt like I've wasted time on a incomplete mess of a movie that tackles conspiracy theories the same way a creepypasta parodies the dangers of the dark web. I'm pretty sure that this film was inspired by the ''I feel fantastic'' robot woman video that surfaced on youtube many years ago, on paper that sounds like a great idea but in reality what we have here is a movie that has nothing to be thrilled about.

I know I'm sounding harsh and someone out there probably enjoyed this and the people behind it had great ideas, but at the end of the day, I was bored, couldn't get invested in the actors and a plot that had potential but kept stumbling, slowing the movie to a snails phase.

Had high hopes for this mystery-horror. The real life BSI phenomenon has always intrigued me. The movie draws inspiration from the (still unsolved) real life 1987 Max Headroom US signal hijackings, and the 2004 'I Feel Fantastic' internet videos, featuring Tara the android. The performances of Harry Shum Jr as lead character James, and Kelley Mack as his mysterious helper, Alice, are very good. The rest of the cast are pretty solid. Jacob Gentry's direction and Scott Thiele's cinematography create a strong sense of unease. The idea of James coming to terms with a recent loss whilst at the same time tracking the source of a series of mysterious broadcasts he stumbles across whilst cataloguing archive VHS recordings is one that pulls you in. The meetings with mysterious figures offering tantalising crumbs of information along the way wouldn't be out of place in The X-Files, whilst the sense of disassociation and other-worldliness put me in mind of The Last Broadcast (1998), Banshee Chapter (2013), and Censor (2021).

But despite looking great and having an interesting hook I found it a letdown. I like slow-burn thrillers/horrors - but they need a payoff. This... kinda did, but what exactly happens and the real answer to the mystery are never explained. Some movies lead you to a place where you have to work it out. This doesn't do that; it leaves you guessing - which isn't the same thing. There are a ton of fan-theories online about what it all means, what's/who's real, what/who isn't; but they're just that - fan-theories. There's nothing that fits perfectly. And despite some strong imagery that stays with you, I was left feeling I'd wasted my time. I'm sure the director can justify every choice he made, but for me he missed the mark. Good acting, premise, and atmosphere get it a 5/10.

'Broadcast Signal Intrusion' is a strange movie. It's based around a character who is obsessed with a conspiracy he has stumbled upon, however we don't really understand his motives or obsession, and so it can be quite hard to stay invested in it with him. Where it all ends up actually turns out to be reasonably interesting, but we don't know that's going to be the case, and so the journey can be an arduous one.

The movie does a good job of feeling like it is set in the 90s. It doesn't just feel like a movie set then, it feels like one that was made then. It also does a good job of utilising its clearly minimal budget.

The film's biggest problem is that it is lacking a hook. It isn't particularly scary, and it isn't always captivating in its narrative, so the audience may find itself drifting along purposeless at times. It's not a terrible film, but is reasonably forgettable. 6/10.