La casa del dragón

No emotional connection whatsoever with characters, and this is why it is not working. In 'House of the Dragon,' the narrative struggles to engage viewers on a deeper level. The characters, while visually striking and well-portrayed, lack the development needed to foster genuine attachment. Unlike 'Game of Thrones,' where complex backstories and evolving relationships drew audiences in, 'House of the Dragon' fails to provide sufficient depth. Without this emotional investment, viewers find it challenging to care about the fates and motivations of the characters. The intricate political plots and spectacular battles cannot compensate for the absence of heartfelt connections. Consequently, the show risks becoming a mere spectacle, losing the compelling human element that once captivated fans. For 'House of the Dragon' to succeed, it must cultivate richer character arcs and more intimate storytelling. Adding more personal stakes and emotional dilemmas could help bridge this gap, making the audience genuinely care about the characters' journeys.

The first season was so good-amazing world-building, layered characters, and every episode built momentum until that unforgettable cliffhanger finale. Leaving me thinking that Game of Thrones is back!

But then came Season 2, and I couldn't help but ask: what went wrong?

Game of Thrones gave us some of the most fascinating female characters in TV history-Cersei, driven by trauma, ambition, and family; Daenerys, evolving from a powerless slave to a liberator and queen. These characters were complex, flawed, and compelling.

Now, we have a queen who complains about the men around her while making questionable decisions behind their backs. Instead of delving into the nuances of her choices, the writing reduces her to frustration when she's confronted. Meanwhile, Daemon-arguably the most captivating character-has been sidelined, left to have a mental break down. Aemond, who commands attention in every scene, has been reduced to barely any screen time even though every scene he's in is left with intensity.

It feels like the writing has lost its edge. I never thought I'd say it, but I'd rather rewatch Game of Thrones' final season than sit through this again. Season 2 deserves better writing, and so do we.

Despite the high anticipation surrounding the series, it's unfortunate that the only captivating element is the presence of dragons. The actors lack charisma, failing to bring their characters to life in a way that engages the audience. This deficiency in performance makes it nearly impossible to form any emotional connections with the characters. The narrative, which could have been enriched by strong, memorable personalities, instead falls flat, leaving viewers disinterested and detached. The dragons, while visually impressive, aren't enough to carry the entire show and redeem its shortcomings.

First of all, I don't want to give this series a 10/10, especially right now, but I'm going to keep it at 10 because I still have hopes for a third season, and that's only because it's a Game of Thrones spin-off, and I hope the directors don't screw it up. The funny thing is, they still have a source book and writer alive! Wow, this is a complete and utter disaster. The reason I'm so upset is because they're dragging out a second season just to make money, making scenes from the books pointlessly ineffective and absurd. That's the only thing that bothers me, and I feel like the first season is slowly losing its quality.

This work has reached an unparalleled level of awfulness, the worst episodes are in the second season.

I'm tired and angry at this work and the stupid games the writers are playing. I didn't expect the series to reach such a level of triviality and disgust that has reached its peak. In reality, this is the price of GRRM selling the rights to his world after spending a long period of his life on it. You write and leave, and it ends up in the hands of a network that doesn't care about quality, and they team up with some bad writers, who I'm too embarrassed to call them writers, and then HBO put them in an animal barn instead of a writing room.

This ugly quality only comes from an animal barn, and I believe even if you were in an animal barn, you would be able to produce better ideas and writings, better than the work of the writers of House of the Dragons who think they can write innovative and new lines better than the original source... Unfortunately, this is the painful result.