CALIFICACIÓN DE IMDb
6.4/10
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TU CALIFICACIÓN
Unos hombres armados secuestran un metro en Nueva York, retienen a los pasajeros como rehenes a cambio de un rescate y convierten el trabajo de un día normal para Walter Garber en un enfrent... Leer todoUnos hombres armados secuestran un metro en Nueva York, retienen a los pasajeros como rehenes a cambio de un rescate y convierten el trabajo de un día normal para Walter Garber en un enfrentamiento con el autor intelectual del crimen.Unos hombres armados secuestran un metro en Nueva York, retienen a los pasajeros como rehenes a cambio de un rescate y convierten el trabajo de un día normal para Walter Garber en un enfrentamiento con el autor intelectual del crimen.
- Premios
- 1 premio ganado y 7 nominaciones
Luis Guzmán
- Phil Ramos
- (as Luis Guzman)
Ramón Rodríguez
- Delgado
- (as Ramon Rodriguez)
Aunjanue Ellis-Taylor
- Therese (Garber's Wife)
- (as Aunjanue Ellis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJohn Travolta chose not to promote the film with the rest of the cast because he was still reeling from the loss of his son Jett.
- ErroresWhen Garber is instructed by Lt. Staley in the use of the Walther PPK .380 he is told that the safety is on when the lever is up and off when it is down. This is the opposite of the safety's actual operation. When the lever is up, exposing a red dot, the safety is off. When down it is in the SAFE position.
- Créditos curiososThe film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel.
- ConexionesFeatured in The 81st Annual Academy Awards (2009)
- Bandas sonoras99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay-Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Opinión destacada
THE TAKING OF PELHAM 123 is Tony Scott's flashy and expensive remake of a stone-cold classic of 1970s cinema. The original had Walter Matthau and Robert Shaw as hero and villain respectively, while this remake sees Scott regular Denzel Washington and bad-guy-for-hire John Travolta stepping into those lofty shoes. And, unsurprisingly enough, this turns out to be a redundant remake that can't hope to better - or, indeed, even come close - to the quality of the original.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
I'm not a hater of remakes per se. Occasionally certain films will be flawed or dated and the remake works better than the original; I found this with THE HILLS HAVE EYES. However, the original PELHAM is a great film and anyone who's seen it will end up just watching this version and criticising it by comparison. I'm sure if the original didn't exist I would have enjoyed the updated PELHAM a lot more, but as it stands it's a waste of time.
It's not all bad. Washington is the slick master of professionalism as always and never disappoints this viewer. Travolta gives another fun villainous turn, following on from FACE/OFF and BROKEN ARROW. Scott certainly knows how to make a fast-paced movie and this is a thriller that's never dull. But compared to the original, it's vapid, shallow, and way too superficial.
- Leofwine_draca
- 28 jul 2016
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Taking of Pelham 123
- Locaciones de filmación
- Lower Bay Station, Toronto, Ontario, Canadá(as several different NYC subway stations)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 65,452,312
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,373,102
- 14 jun 2009
- Total a nivel mundial
- USD 150,166,126
- Tiempo de ejecución1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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