Clerks III

I did not expect 'Clerks 3' to be one of the heaviest movies I watched in 2022. I love the 'Clerks' movies and consider the second one to be one of the all-time great comedies. It feels crazy to think that was 16 years ago. We finally got the third one and it was a very different experience to what I was expecting.

I would describe this movie as a love letter to nostalgia. It isn't always subtle about it, but it is hilarious about it. If you know the back story behind 'Clerks' then you are going to get a lot more of the jokes and references this movie is making.

I knew I'd laugh in this movie, however I didn't realise how upsetting it was going to be. I feel like Kevin Smith hit me with a sledge hammer - in the best (and worst) way possible.

The opening sequence in this movie is amazing. So much so that I had to go back and watch it again after the film was finished. I don't think 'Clerks 3' will be as rewatchable as the first two (I'm not even sure I'll be able to work up the courage to watch it again) but it may just be that little bit more memorable. 9/10.

Yes, I was the guy who was practically sobbing during the finale of "Clerks III." If I wasn't so embarrassed to weep while sitting next to one of my best friends, I can tell you with full confidence that I would have been ugly crying before this film drew to a close. And that fact is what makes "Clerks III" one of the most unorthodox comedy films in recent years, but also one of the most emotionally satisfying ones.

Admittedly, I am a huge Kevin Smith fan - admiring him more as a person than as a filmmaker, I think Mr. Smith is a hilarious, humble person whose storytelling techniques make for funny anecdotes and engaging narratives. His question and answer sessions are legendary in terms of their comedic value, and I find myself enjoying the man so much that I can't help but look forward to his movies. And - unlike his abilities to recite the spoken word - his filmmaking skills do seem to be hit or miss. While I have enjoyed a majority of his films, I do recognize that many of them suffer from a lack of focus; relying too much on overindulgent humor and overly drawn out editing that lingers on jokes and scenes so much so that they wear out their welcome, Kevin Smith movies can be diamonds in the rough. Granted, bits of dialogue and drama that border on genius are always sprinkled throughout Smith's films, always elevating his movies, risking making them great if only these sequences weren't in between sequences of crude humor that, no doubt, alienate mainstream audiences. And "Clerks III" is no different, except for the fact that it contains a surprising emotional punch that shows Kevin's newfound maturity.

Yes, "Clerks III" has all the juvenile humor your precious heart could ever want, but it's all wrapped around a touching story of friendship and loss that will manage to cut deep into the souls of even the most jaded viewers. My theatre was full of uproarious laughter, but also of sniffles and nose-blowing, demonstrating to me that Kevin finally struck the perfect balance of drama and comedy - making "Clerks III" a dramedy, if you will. But that's exactly what makes this movie so good. Cleverly subverting expectations after giving audiences exactly what they expect, Smith created an emotional and simultaneously laugh out loud film that is sure to crowd please while also forcing viewers to come face to face with their own mortality.

So, if you're a fan of the previous movies in this series, you'll certainly find a lot of entertainment value from the sharp dialogue and witty gags that Smith has written into this film. While the humor doesn't hit as hard as it did in the first two movies, it still offers enough chuckles and belly laughs to tickle the funny bone of most viewers. The humor is more outrageous than the first film, but more subdued than the second, finding its footing in between stretches of emotional resonance.

When watching "Clerks III", you'll be privy to weed humor and potty-mouthed adults, but you'll also witness a very human story about friendship and coming to terms with life. I'm telling you, I didn't expect to practically break down in the theatre, but as tears rolled down my face I began to realize that I was watching Smith's most thoughtful movie since "Chasing Amy." And it is exactly this thoughtfulness that makes "Clerks III" work on multiple levels; you can walk into the theatre expecting a raunchy comedy, and you'll get it. You can walk into the theatre expecting an adult drama, and you'll get it. By giving audience members what they want in various different ways, this movie is a truly satisfying experience. That works for both Smith and non-Smith fans alike.

The more I think about this movie, the more I love it. With a wholly satisfying and life affirming ending, "Clerks III" is the drama wrapped in a comedy that I never knew I needed. If you are a Kevin Smith fan in the slightest, you owe it to yourself to watch this movie - and even if you're not a fan of Smith, I'd still recommend this film based on its dramatic merits. Not interested in seeing it? That's okay - after all, you weren't even supposed to be here today.

I am a big fan of Kevin Smith, the person. In the early-mid 90's his underdog comedies were perfect to me. Jay and Silent Bob Strike Back was a perfect blend of everything he had made up until that point. Then he started doing his speaking tours. The first Evening with Kevin Smith was hilarious! I watched the second one, and while not nearly as good as the first, it was still entertaining. Then Clerks 2 came out, and I heard a whole bit that he already did, almost verbatim, as an argument from one of the characters. Also, Jason Mewes getting sober, was a major plot point for his character as well.

I have heard Kevin talk about his heart attack, quite thoroughly. So it was kind of disappointing when his story played out almost exactly how it happened, in what was supposed to be something I hadn't seen. Also, most of the stories that went in to the movie, were also written almost verbatim, how he mentioned they happened when making Clerks, which he talked about in 2004's An Evening With Kevin Smith. It feels like Kevin is creatively bankrupt these days. That doesn't mean I don't enjoy hearing him talk about things. It just means that everything he talks about usually ends up in his next movie. Kevin is a humble, likable, friendly, intelligent guy. It just seems like if you've listened to his stories he's personally told on his, or other people's podcasts, you have heard everything he has to say, and seeing his latest movie will only be a rehash of what he has already said. It's hard to be critical of someone I like and respect, but his movies nowadays, are mostly autobiographical parts of his life, put in to his old IP. Sorry Kevin :(

It's mawkish, messy, not particularly clever about its meta commentary, and some of the jokes fall incredibly flat... but you know what? A good deal of this really works. The emotional stuff feels like it's straining, but it still got to me when it needed to. Emotions were felt.

I'm truly thankful I liked this for the most part, as I thought Kevin Smith's last two movies were genuinely awful. I can safely say that it's a huge improvement on Yoga Hosers and Jay and Silent Bob Reboot. It may be that I just have a soft spot for Clerks, but either way, I thought this was really good in parts, to the point where I can overlook some (but certainly not all) of the obvious flaws.

The Clerks franchise, being the one that launched Kevin Smith's whole career off, is clearly his most personal and dearest to his heart out of all of his IP. Therefore it's no stretch to assume each Clerks entry is an amalgamation of what Smith himself is feeling or reflecting on in his personal life at the time of creating it.

And this time around, with Kevin Smith fresh off of a heart attack in his real life, it's no accident that themes of mortality heavily seep into every pore of this film. And what happens when we're smacked in the face with our own mortality? Much like the trope of our "life flashing before our eyes", it's very commonplace to look backwards into the past at good times and view them under a different, more appreciative lens.

This film is exactly that: the artist looking back at Clerks 1 (mostly 1, but a little bit of 2 as well) through that nostalgic lens. Smith's reflection on his own mortality bleed through to the characters flashing back on their lives in the same manner. Smith called this film his "Jersey version of Cinema Paradiso", but I saw it more as his version of Fellini's 8 1/2, especially given that he is literally holding a camera in the film.

The trilogy is now thematically complete: Clerks 1 embodied youth, part II aging, part III dying. While Clerks III may be an interesting enough art piece for these reasons, it's just nowhere near as funny as the other 2. To be fair, it's not really trying to be most of the time with the heavy themes it's taking on. But still, it is a Clerks film and a comedy, therefore it does have humorous lines and moments all throughout, even in the more morose moments. And these were simply nowhere near as funny as the other 2 Clerks films.

Overall this film did an excellent job on the nostalgia & fan service if Clerks means a lot to you personally, but otherwise it is the weakest entry in the series in terms of comedic substance.