When the Screaming Starts

There is one scene I love above all others. It caught me by surprise and I've watched it over and over again. I hope you love it too. It is set in a park and was totally unexpected. Yet, it provides the motivation for what preceded it. Yes, this next comment is out of context but I enjoyed the film's soundtrack. See the film and the forgoing will make sense.

The film starts out as a documentary. Aidan is the subject of Norman Graysmith's documentary. Graysmith explores the world of Aidan. Aidan is the man who approaches you in a pub and chats and you think ... I'll make an excuse and leave, with a mixture of pity and fear. The film follows the adventures of Aidan and his girlfriend and his 'family'. They form an eclectic mixture of the loveable through to the frighteningly scary. Okay, I thought the acting was superb. I imagine this was not the easiest film to direct with such a mixture of comedy and horror, yet, it is done masterfully.

One moment I was captivated by the humour of the interaction within the group ... the next hands shielding my face in terror. Get your popcorn and your choice of beverage, turn off the phone - this is a treat.

When the screaming starts is a horror comedy film directed by Conor Boru.

When Norman Graysmith is invited to the home of aspiring serial killer Aidan Mendle, he thinks he has found the subject of a documentary that will save his failing career.

I have read some viewers in which the reviewers are praising the dark comedy of the film, there is no doubt that the film has some funny elements and to some extent entertains but can't be called as an outright dark comedy film.

The execution of the film is average and apart from some comedy here and there the film is largely flat. Although the plot is largely unpredictable and the actors did a great job.

The screenplay of the film is unpredictable and that's works in the favor of the film. Cinematography is good and climax of the film is superb. Overall an average entertaining film.

Attempting to find a new outlet in his life, a wannabe serial killer enlists a documentarian to follow him on a quest to find enough followers to lead a cult of like-minded killers through a home invasion, forcing him to question his interests in continuing his career to follow the psychopath.

There's a lot to like with this one. One of the finest efforts here is the rather strong sense of comedy injected into the setup that keeps this one going quite nicely with the darkness of the material present. The formula of the cameras following the killer around and showing the various attempts at going through with killing someone features a rather nice amount of commentary on the nature of being a serial killer since this goes for the odd turn of having the women be the more bloodthirsty while the men are the more hesitant to carry it out. This gives the first half quite a lot to enjoy about it as the goofy atmosphere established at this point carries on throughout this one here that gives everything a solid touch. There were only a few issues to be had here, with the film feeling incredibly odd with the glamorization of a serial killer. The fact that this one tends to focus so heavily on the idea of trying to gain fame for being able to commit these gruesome murders tends to really come off in the wrong formula. This comes off quite oddly in the sense of generating a strange fascination with the killers which feels counter-productive to how this is expected to play out. Still, there's plenty of fun to be had here in the final half where it turns into a bit more of an obvious slasher film with the rampage being carried out in a goofy atmosphere that's all carried along with the same type of comedy repeated throughout here.

Rated Unrated/R: Graphic Violence and Graphic Language.

Very obviously written, acted, and directed by local theater types, whose desire to act and be on stage or in film surpasses anyone's entertainment needs. The characters are cliche from conception to execution. Performances are competent, but nothing special. Very weak concept and the comedy is half hearted and middling. Hits every British sitcom comedy trope like knocking down bowling pins or checking boxes one at a time. Musical score is canned and intrusive. Just not funny or original. Works best at keeping the participants busy with their just barely on the right side of competent theater group aspirations, and worst at being engaging or entertaining, much less surprising or challenging an audience. Some of the ideas are not bad, and even get close to being interesting or clever, but the concept is so silly and underwhelming it gets in the way of scenes which on their own might be lightly amusing if not presented as part of such a weak, absurd and goofy concept.

There is a fine line between laughing and crying. When The Screaming Starts straddles this line, gently rocking itself side to side, possibly whilst holding it's knees.

At a time when serial killer fetishism seems to be at an all time high, When The Screaming Starts pokes fun at the nature of the mastermind killer whilst making us ask questions of ourselves as the audience for why we find more interest in the murderers tale than the victims.

A deep reverence for horror is abundent throughout the film, whilst rarely falling into the outright horror genre itself.

FFO: What We Do In The Shadows, Deathgasm, Creep 2.