La casa Gucci

There were quite a number of reasons for wanting to see 'House of Gucci'. The advertising did intrigue and did suggest a film that would be over the top but entertaining in its own way. Ridley Scott's filmography is hit and miss, brilliant at his best like with 'Alien' and 'Blade Runner' though some of his films, such as 'GI Jane' and 'Robin Hood' ('Legend' is underrated in my view), are not too great. The main draw though was the cast, with Lady Gaga (an immensely gifted performer and inspirational person) being a big selling point for many.

For me though, bigger selling points were seeing two of my favourite actors Al Pacino and Jeremy Irons again (and reunited after 'A Merchant in Venice'). Jared Leto has always been very take and leave. 'House of Gucci' turned out to be one of those difficult to rate and review sort of films for me, it is going to be one of those films that some are going to love and others are going to hate (with some in between). It is a hugely flawed film, but there was also a lot to enjoy at the same time. As far as Scott's films go, it's a middling effort. Neither one of his best or worst.

'House of Gucci' has a lot that is good in my view. Have very little to complain about when it comes to how it looks, apart from some editing being in need of a tightening in the final act. The Italian scenery and the costumes are truly stunning though and the camerawork is similarly sumptuous. Scott's direction is uneven dramatically but is very impressive on a technical level, especially in his use of multiple cameras (which must make it easy for actors to know where to look). The soundtrack is also wonderful and beautifully operatic in scope, though not always well placed, but from a standalone point of view there are no complaints here.

Despite the very all over the place accents, with a mix of exaggerated (Leto, to almost cartoonish effect in his case) or barely there (Irons, am a huge fan of Irons but will never deny about accents not being a forte of his), most of the acting is fine. Lady Gaga kills it as Patrizia, who is a very interesting and well fleshed out character here, bringing charm, effortless charisma and menace to her. It has been said that her accent isn't great, as far as the cast goes it's actually the most convincing one along with Salma Hayek's. Adam Driver is a good deal more understated, one of the few in the cast to play it very straight, but he is also compelling and his character growth/decent is believable. They have great chemistry together.

The supporting cast on the whole support them well, Pacino coming off best having a whale of a time as Aldo. Irons brings vulnerability and authority to patriarch Rodolfo and Salma Hayek gives some of her best acting in years. Really liked the chemistry on the whole, Lady Gaga and Driver are great together as are Lady Gaga and Hayek, while that between Irons and Pacino is a joy. 'House of Gucci' does have a few great individual scenes, and one of the best is the magnificent encounter between Irons and Pacino. Personally thought the first half was fine and that it set up the intrigue and characters extremely well. As well as a few funny moments, Rodolfo's verbal brutalising of Paolo was gold and sums up the viewer's opinion of him and his work perfectly.

On the other hand, 'House of Gucci' has a number of shortcomings. One performance didn't work for me and that was Leto. Unrecognisable in much talked about(the talk of social media when advertising was first revealed) makeup that deserves its own film, he overplays his role, especially when the comic relief becomes more dominant, and belongs in a completely different film. Yes the film is very over the top in tone, but Leto's performance veered on excess and too much of a Super Mario Brothers caricature. There are pacing issues, the rather underdeveloped family business stuff drags, sometimes to the point of stalling, due to the lack of tension and gravitas that was not there enough. And other parts come over as very choppy and incomplete feeling, like the final act. The second half needed a tightening up, which would have made the film less overlong (and it is a film that could have been 25 minutes shorter easily).

Also found the ending very rushed and anti-climactic, handled with too much of an indifferent shrug. After spending so long on the family stuff (and not developing that enough) and the increasingly uneasy spurts of comedy, the event that caused such a sensation is just too throwaway in treatment. Tonally, 'House of Gucci' is messy, the comedy going for the campy approach that goes too far into pantomime in the second half and some of the serious moments being too melodramatic. Tonal shifts can be uneasily abrupt.

The script has some funny and intriguing moments, but is on the whole too overwritten in tone (Leto's comedy increasingly gets too much), bland emotionally (the descent into revenge is not examined enough) and also too much of a trying to include as many iconic lines as possible. Some of the line delivery has to be heard to be believed, can imagine right now the amount of reaction gifs online in regard to some of the more comedic lines and Leto's body language.

Concluding, hugely flawed but also quite fun when taking it for what it is. 5.5/10 (was struggling which score of 5 or 6 to give it but decided to go in between and round it up)

House of Gucci is probably the most stylish film of 2021, it looked awesome, this was beautifully made, the quality of production and direction is phenomenal. It isn't just style over substance though, it's well made, generally well acted, it tells a fascinating and twisted story.

The main issue about this film for me, was the pacing, it was somewhat uneven, at times it felt frustratingly slow, fortunately it did pick up at its conclusion. The running time was overlong, what is it with films in 2021? Why the need for everything to be almost three hours? Is there some deal for cost per minute at cinemas? Ninety minute films work too.

If you ever think your family has problems, just watch this, and you'll see what family problems really are. Scandal, betrayal and murder, it's a rags to riches story with a twist.

The acting, for the most part I thought it was great, Jeremy Irons was the standout for me, as he so often is, but Lady Gaga was awesome as Patrizia, she did a great job. Adam Driver on the other hand, I'm not sure why, but I felt as though he was a little uninterested, perhaps a little bored?

6/10.

"House of Gucci" is a beautifully shot picture with great people involved. It is somewhat underwhelming and a tad too long, but there are great moments sprinkled throughout the movie.

The film is based on the real murder of Maurizio Gucci and the downfall of the Gucci family. It all begins when Patrizia Reggiani marries into the Gucci family and the rest is history.

Lady Gaga is great as the ambitious Patrizia Reggiani but she is also inconsistent with her performance. Pacino, Driver and Leto are good per usual. It is however a daring choice by the filmmakers to have the actors speak in English with an Italian accent. It is not a huge problem, but it does occasionally take the viewer out of the experience.

The first forty minutes of the movie are great. The characters are well introduced, and the plot is intriguing. The rest of the movie does not maintain this standard. The last 30 minutes are beyond underwhelming and the climax is cold and emotionless.

There are issues with "House of Gucci" but the production design is not one of them. The film is beautifully shot and the locations look great. "House of Gucci" is very stylish and the costume department really outdid themselves.

With everything said, "House of Gucci" is a decent film with outstanding visuals and great acting. If you like fashion, then you should give this movie a watch. It is beautiful and quite enjoyable despite its excessive runtime.

I was a little bit afraid of diving into this movie as it has an extensive running time of 154 minutes, which is a lot for a biographical drama, but I was pleasantly surprised by how immensely intriguing the story was.

The best part of the movie for me was its visual appeal. "House of Gucci" has something breathtaking in practically every frame and just for that it deserves a watch.

The second Ridley Scott film of this year is here! After his medieval epic The Last Duel flopped brilliantly at the box office, he can expect more in this respect with House of Gucci. Not only is Gucci one of the most famous and prestigious fashion brands, Lady Gaga is also in the lead role. I guess the strong fanbase of the singer will not be asked a second time. In the film, she suddenly finds herself part of the Gucci dynasty and becomes the protagonist of a toxic power struggle.

Yet Gaga is still a relative unknown in Hollywood-speak. She made her big breakthrough in the 2018 music film A Star is Born. Scott, as he did in The Last Duel, has assembled an incomparable star ensemble. Adam Driver, who seems to be establishing himself as the director's new darling, evergreens Al Pacino and Jeremy Irons and an unrecognisable Jared Leto embody the key roles in the Gucci clan. In addition, Salma Hayek emerges as a kind of mentor for Gaga's character. But who is Gaga playing anyway? She is the young and rebellious Patrizia Reggiani. An extroverted perennial who worms her way into the millionaire family with charm and fascination. She is courted by the ambitious Maurizio Gucci, played by Driver, who actually wants to leave the intrigues and sometimes shabby business dealings of his predecessors behind. Once he falls in love with Patrizia and marries her, he is left with no choice but to get involved again. Driver and Gaga share a very passionate chemistry in the first act, which you fully buy into with little dialogue and through pure body language. While Driver plays rather reserved and shy, this quality emanates especially from Gaga, who doesn't hold back in any of her intimate scenes. At least the two characters are able to unfold their own approaches here. But when Al Pacino's character Aldo Gucci, Maurizio's uncle, insists on his nephew's re-entry into the family business, the two lose all closeness to each other. Rather, it is only an extremely manipulative relationship that both actors have to show in a few scenes. All the more Aldo and his son Paolo Gucci, portrayed by Leto, come to the fore. From this point on, the film lapses into a few minutes of megalomania, largely due to Leto's performance. He is exclusively eccentric and desperate and all in all a tragic figure. Whether you find this Super Mario caricature brilliant or miserable is a matter of interpretation.

House of Gucci begins extremely quietly and shows the rise of the lovers in well-done visual sequences. The performances are generally fitting and although the film seems anti-Italian, I love it when Adam Driver cruises through Milan on his Vespa. But as interesting as the pecking order and hierarchy within the Gucci family is, from the second act onwards the film devolves into an overplayed and hyperactive tragedy that, despite the craziness of its scenes and actors, actually manages to be long-winded. Fashion, creativity and the business idea are not a theme at all, which in no way brings us closer to this brand that is so present. In the end we have a family epic (the film lasts 2 ½ hours), with exclusively unsympathetic characters. One more request to Ridley Scott: just let your actors speak English and don't embarrass them with Italian stereotypes with accents.