CALIFICACIÓN DE IMDb
6.4/10
3.5 k
TU CALIFICACIÓN
1940, Thom y Mars han construido una máquina, LOLA, que intercepta las emisiones de radio y televisión del futuro, sin saber los cambios devastadores que tendrá para el futuro del mundo comp... Leer todo1940, Thom y Mars han construido una máquina, LOLA, que intercepta las emisiones de radio y televisión del futuro, sin saber los cambios devastadores que tendrá para el futuro del mundo compartir estos mensajes, sino también para ellos.1940, Thom y Mars han construido una máquina, LOLA, que intercepta las emisiones de radio y televisión del futuro, sin saber los cambios devastadores que tendrá para el futuro del mundo compartir estos mensajes, sino también para ellos.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 10 nominaciones en total
Cha Cha Seigne
- Lola Hanbury
- (as Chacha Seigne)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Wonderful!
We're told it's all going to go wrong -- that is no spoiler -- and it's intriguing to wonder exactly how things will go wrong. (There's a short headline in a newspaper which gives a hint of what might go wrong.)
One of the strengths of the screenplay is that everything goes perfectly right -- ignoring one hiccough -- for the first 30 minutes. We need to see just how wonderful their invention is, so we're fully emotionally engaged when things start to go wrong.
The wartime footage is used very effectively. Stefanie Martini gives an excellent performance as Martha. And it's strange to think that Spandau Ballet might never have existed.
We're told it's all going to go wrong -- that is no spoiler -- and it's intriguing to wonder exactly how things will go wrong. (There's a short headline in a newspaper which gives a hint of what might go wrong.)
One of the strengths of the screenplay is that everything goes perfectly right -- ignoring one hiccough -- for the first 30 minutes. We need to see just how wonderful their invention is, so we're fully emotionally engaged when things start to go wrong.
The wartime footage is used very effectively. Stefanie Martini gives an excellent performance as Martha. And it's strange to think that Spandau Ballet might never have existed.
Love a good time conundrum, though most are a bit of a letdown.
This, however, was a bit of fun, and I did appreciate the obvious effort put into both the genuine Newsreel edits and the prop-builds.
Not surprisingly, there's a bit of "It's the 40's" pomposity, but that seems to be a common denominator of many period films.
A few anachronisms (namely using a camera which was not released until 1952, and which was as noisy as a chaff-cutter!), but overall, a bit of fun.
Annoying as they were, the characters fit the found-footage stage play feel quite convincingly, particularly the character of the soldier who discovers where they are.
Clever, and not reliant on grandiose effects (which tend to put me off...).
Worth a look, when you have a free hour or two.
This, however, was a bit of fun, and I did appreciate the obvious effort put into both the genuine Newsreel edits and the prop-builds.
Not surprisingly, there's a bit of "It's the 40's" pomposity, but that seems to be a common denominator of many period films.
A few anachronisms (namely using a camera which was not released until 1952, and which was as noisy as a chaff-cutter!), but overall, a bit of fun.
Annoying as they were, the characters fit the found-footage stage play feel quite convincingly, particularly the character of the soldier who discovers where they are.
Clever, and not reliant on grandiose effects (which tend to put me off...).
Worth a look, when you have a free hour or two.
OK not travel but viewing into the future, then making decisions in the present based on future knowledge.
My 7/10 is generous, I know, but that's for what the filmmakers achieved at the budget point and for a compelling idea. Historical future fiction is a weakness of mine, and whilst this isn't Azimov, it manages to get the time travel aspects "right" in-universe. Nothing annoys me more than a film which sets up rules then breaks them.
Another (very different) modest budget British time travel film which gets its timeline "right" which viewers may wish to try is "Frequently Asked Questions About Time Travel".
My 7/10 is generous, I know, but that's for what the filmmakers achieved at the budget point and for a compelling idea. Historical future fiction is a weakness of mine, and whilst this isn't Azimov, it manages to get the time travel aspects "right" in-universe. Nothing annoys me more than a film which sets up rules then breaks them.
Another (very different) modest budget British time travel film which gets its timeline "right" which viewers may wish to try is "Frequently Asked Questions About Time Travel".
Odd little found footage film. These kinds of films tend to be a mixed bag, to put it mildly, but this one is a little bit inventive taking place in the past with two women who invent a mechanism that can see into the future and at first it's great fun. However, they then see a war coming and they interfere and it changes events as is usually the case when one plays around with time. While this is a little unusual and well acted, it's also extremely illogical, but you can have some fun with it if you don't take it too seriously. This is an ultra low budget film that has two very good female leads in Stefanie Martini & Emma Appleton who are both new to me. I also thought Rory Fleck Byrne. This is super short!
.
.
After seeing the trailers online but sadly it didn't come anywhere near where I live. That it received a very limited release is such a shame as this is truly a unique, smart, entertaining and wonderfully made film which kept me glued to the screen - tv screen :(( - so much so, I forgot I was watching a film and was totally and utterly immersed. The performances are outstanding - each and every one. The direction is smart and doesn't waste a frame on filler and the atmosphere is spot on, it feels so much like war time. The special effects are worthy of any blockbuster and the script/story is tight and very clever. I like the way it is shot although I guess some people might not but if you turn it off due to that, you are making a huge mistake. I have a feeling this will achieve cult status and hopefully finds its way onto SKY and the like and then enjoys the audience it so deserves. It would be such a shame if it wasn't widely seen as, for me, it is probably the movie of the year so far and will rightly take a place in my all time favourite list. I will be watching it again very soon.
I am adding to this having read some of the reviews written since I last looked. UI'm afraid I find the negative opinions ridiculous - maybe it's just you have to have imagination, intelligence and a heart to get this movie and not be a mysoginistic halfwit who doesn't understand of you fast forward through a movie, you miss most of it... sigh.
I am adding to this having read some of the reviews written since I last looked. UI'm afraid I find the negative opinions ridiculous - maybe it's just you have to have imagination, intelligence and a heart to get this movie and not be a mysoginistic halfwit who doesn't understand of you fast forward through a movie, you miss most of it... sigh.
¿Sabías que…?
- TriviaFilmed using genuine pre-war cameras and black and white film, which even though coloured film was available in the period, it would have been too expensive for ordinary budgets to afford.
- ErroresIn Thom's discussion with Cobcroft it's implied that U-boats travel underwater and surface in order to attack. It's actually the opposite. WWII era subs ran mostly on diesel, which needed to be vented to the outside, and stayed on the surface most of the time. They only submerged when they were about to attack, running on comparatively limited battery power.
- ConexionesFeatures Woodstock: 3 días de paz y música (1970)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Lola?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Lola
- Locaciones de filmación
- Inglaterra, Reino Unido(archive footage, world war two)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 206,037
- Tiempo de ejecución
- 1h 19min(79 min)
- Color
- Relación de aspecto
- 4:3
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta