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IMDbPro

People Just Do Nothing: Big in Japan

  • 2021
  • R
  • 1h 37min
CALIFICACIÓN DE IMDb
6.8/10
4.1 k
TU CALIFICACIÓN
Steve Stamp, Allan Mustafa, and Asim Chaudhry in People Just Do Nothing: Big in Japan (2021)
Kurupt FM innit the rest is irrelevant. After Brentford's largest pirate radio station has ended, the boys from Kurupt FM find their way to Japan on an epic adventure in search of fortune and fame.
Reproducir trailer2:28
1 video
12 fotos
ComediaMúsica

Después de que terminó la estación de radio pirata más grande de Brentford, los chicos de Kurupt FM encuentran su camino a Japón en una aventura épica en busca de fortuna y fama.Después de que terminó la estación de radio pirata más grande de Brentford, los chicos de Kurupt FM encuentran su camino a Japón en una aventura épica en busca de fortuna y fama.Después de que terminó la estación de radio pirata más grande de Brentford, los chicos de Kurupt FM encuentran su camino a Japón en una aventura épica en busca de fortuna y fama.

  • Dirección
    • Jack Clough
  • Guionistas
    • Lily Brazier
    • Asim Chaudhry
    • Allan Mustafa
  • Elenco
    • Allan Mustafa
    • Hugo Chegwin
    • Asim Chaudhry
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    4.1 k
    TU CALIFICACIÓN
    • Dirección
      • Jack Clough
    • Guionistas
      • Lily Brazier
      • Asim Chaudhry
      • Allan Mustafa
    • Elenco
      • Allan Mustafa
      • Hugo Chegwin
      • Asim Chaudhry
    • 56Opiniones de los usuarios
    • 12Opiniones de los críticos
    • 63Metascore
  • Ver la información de producción en IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:28
    Official Trailer

    Fotos12

    Ver el cartel
    Ver el cartel
    Ver el cartel
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    + 8
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    Elenco principal46

    Editar
    Allan Mustafa
    Allan Mustafa
    • MC Grindah
    Hugo Chegwin
    • DJ Beats
    Asim Chaudhry
    Asim Chaudhry
    • Chabuddy G
    Steve Stamp
    • Steves
    Daniel Sylvester Woolford
    • Decoy
    Marvin Jay Alvarez
    • Fantasy
    George Keywood
    • Craig
    Lily Brazier
    • Miche
    Olivia Jasmine Edwards
    • Angel Zografos
    Ruth Bratt
    • Roche
    Pearl Rumbelow
    • Robyn
    Leigh Hughes
    • Passport Controller
    Megan Heffernan
    Megan Heffernan
    • Air Stewardess
    Mitsutoshi Hamazaki
    • Artist Driver
    Naomi Hoshi
    • Record Company Security
    Hitomi Sono
    • Miki
    Ken Yamamura
    Ken Yamamura
    • Taka
    Kazuhiro Muroyama
    Kazuhiro Muroyama
    • Kaito
    • Dirección
      • Jack Clough
    • Guionistas
      • Lily Brazier
      • Asim Chaudhry
      • Allan Mustafa
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios56

    6.84.1K
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    Opiniones destacadas

    7coombsstephen

    Went in with low expectations but pleasantly surprised

    I have never seen the TV show but went on the strength of the adverts thinking it would probably be poor but I would take a chance.

    I was very wrong, the film is very funny in places and well worth a watch. It never takes itself seriously and the laughs keep coming.

    Good British humour and I am now going to find the series to watch.
    8Rob-O-Cop

    Bang on!

    Having experience in both UK music culture and Tokyo life this film isn't as far off the mark as some people seem to think it is.

    The Tokyo locations, mostly Shinjuku and easily recognisable to locals are well chosen, the language and culture barrier details are multilayered and well observed, and not done in a way to be actually stereotypical or derogatory.

    The music industry is heavily managed in Japan, and image can be meticulously sculpted, just like in the US/UK manufactured pop scene.

    Faded and fallen acts can have surprise success in Japan, - 90s wash outs Kula shaker playing festivals just a few years back!!, and that success is often devoid of it's original scene context, ie Japan will like mohawked punk without knowing about thatcher govt and the social and political scene that created it, they just like the look and sound of it and enjoy it on that level.

    So this film got all of that right and delivered it with good humor, although it did cherry pick its cultural points specifically to forward the story, so practically none of the amazing positive things about Tokyo were shown; it's vibrancy, respect, deep culture and history, generous and deeply funny and fun people, self aware, smart, creative, that stuff doesn't really get much of a look in here, but that's fine, it's not the story they're telling.

    So too it gets the deluded low level musicians of the electronic music scene. So many clever details (why have I got a guitar in my hand??), only got 2 songs, Beatles etc, And then the social commentary is great.

    "I've never received a salary in my whole life".

    "I didn't enjoy it, but I loved it" "It tastes normal" etc

    A lot of this rings true and is pretty funny.

    I know the Japan portrayed is supposed to play on that trope "oh those crazy japs " etc but, it's not that crazy when you live amongst it.
    7bob-the-movie-man

    As a PJDN virgin, I still laughed a lot!

    It's brave that such a relatively niche UK TV show should have a go at 'jumping the shark' onto the big screen. Would fans like it? And, just as importantly, would newcomers to the characters, like me, be able to enjoy the film as a standalone entity? The answer to the last question is a qualified "yes".

    Positives:
    • It well-surpasses the "6 laugh test" for a comedy. There are some scenes that I found extremely funny, with others that rated highly for me on the David Brent / Alan Partridge scale of cringiness.


    • I've seen comment that the story is "silly" and "unbelievable". But having experienced the crazy clash between English and Japanese culture first hand, it strikes me as very true to form! The way in which the Japanese music execs try to stylise the ground as a 'boy band' ("Bang Boys"!), which Grindah greedily goes along with, is a nice satire on the music industry asserting its brand over musician's art.


    • A subplot of a love story between the inept Steves and the cute Japanese translator Ishika (Ayumi Itô) is nicely done and strangely touching.


    • The good news is that you don't need any previous experience of the characters to get fun out of the movie: you can jump right in. That being said though, I'm sure fans of the series will get more out of this than I did.


    Negatives:
    • While the ending was uplifting, I was itching to know what fallout (or success?) there was from the event we witnessed. Perhaps if its a box office success (unlikely I think!) then there will be a sequel.


    Summary Thoughts on "People Just Do Nothing: Big in Japan": IMDB is littered with disastrous reviews of British TV shows that have tried and failed to make the leap from the small screen to the big screen. "On the Buses"; "Are You Being Served?"; "Steptoe and Son"; "Please Sir"; "Love Thy Neighbour" - the list is endless. They are mostly all horribly unfunny. Even the great "Morecambe and Wise", although showing occasional moments of brilliance, struggled to fully land any of their three big-screen outings.

    The 'go-to' of many of these efforts was to "go abroad": take the well-loved characters and put them into a 'bigger' and stranger pool. So "People Just Do Nothing: Big in Japan" was following a well-trodden path here. It's a tribute to the team and their TV-series director Jack Clough, in his feature debut, that they pretty much pull it off.

    I'd like to agree with Kevin Maher of "The Times" that the movie is full of "Japanese stereotypes... drunken businessmen, passive giggling women etc". But having travelled extensively on business in Japan, it seems pretty close to the mark with its observations to me! More importantly, the film never seems to be particularly derogatory or disrespectful of the culture. For example, they take their shoes off too much!

    Key to its box office success will be whether or not it can attract an audience outside of its niche TV fan-bases. As a member of that sub-group, I really wasn't expecting to enjoy this one, but I actually did. It was good fun, and if you want a good laugh at the cinema - a pretty rare thing - then I'd recommend this one, even if - like me - you haven't seen the original TV show.

    (For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks!)
    8lucaspierregreen

    Dripping in ironic British comedy

    I loved the commentaries on Brits going abroad and doing things they would do back home, which is comical in itself; and also how big labels in the music industry can exert their power over smaller artists and coerce them into doing things they may not have originally wanted to. If you're a fan of People Just Do Nothing or the mockumentary genre as a whole, then I'd recommend giving this film a watch as it provides those moments of cringe-humour and it's great to see the characters of the show in a completely different setting to their usual Brentford estate. Honestly, a fun film that provided some much needed escapism.
    7benmclewee

    Well done and thank you to all involved.

    PJDN is the best TV comedy of the last decade.

    It's incredibly difficult to transition a show to the big screen and I thought they did a really good job of it. Having seen it now it makes sense WHY they did another chapter as a movie.

    Some have said they were just happy to see them again and I think that sentiment is really on point. Having another chapter and having it being bold enough to add what they did should be commended.

    I really dislike 'purists' for TV shows who will try and show they are the real fan or something by saying that it was only good in the beginning.

    It must be very difficult to keep things fresh and move things along. That can't be done by just staying the same, and so do you want more than the first series or would you rather repeatedly watch the first minute of the first episode?

    I was sceptical about the attempt at a film but was never going to just bash what they tried. I expected a certain amount of enjoyment from it whatever it was like and I got that. It could definitely have been worse.

    I laughed quite a lot, and was never bored as the story flowed.

    I wasn't disappointed by the ending and them not performing at the concert. It was GOOD that Grindah doesn't sell-out, and that they eventually keep it real by simply performing the track among themselves together and happily.

    They went on a journey (not just literally) and ended up who they really are.

    Chabuddy was not quite right in it and his usually hilarious character didn't quite work for me and it felt like he had become a bit of a caricature.

    I am not criticising though as obviously he had to be in it and it had to be ridiculous that he was there with no actual purpose. I get it, but it's where the film does suffer a bit.

    Overall a worthy addition and just nice to have had something more that could never be accused of being the same thing as the series all over again.

    Some fans will definitely love it and that means it's a success, some will be purists and hate it but who cares, and others will have a balanced perspective and ultimately appreciate it regardless of any flaws to nitpick in either the concept or the content.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      DJ Beats (Hugo Chegwin) is the nephew of Keith Chegwin, sadly deceased, a much loved British TV personality.
    • Conexiones
      Featured in Kurupting the Industry: The People Just Do Nothing Story (2021)
    • Bandas sonoras
      Dry Your Eyes
      Written by The Streets

      Performed by The Streets

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    Preguntas Frecuentes

    • How long is People Just Do Nothing: Big in Japan?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 18 de agosto de 2021 (Reino Unido)
    • País de origen
      • Reino Unido
    • Sitio oficial
      • Roughcut Films (PJDN) Limited
    • Idioma
      • Inglés
    • También se conoce como
      • Big in Japan
    • Productoras
      • BBC Film
      • Roughcut Films (PJDN)
      • Twenty First City
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 3,226,473
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 37 minutos
    • Color
      • Color

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