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I mean he didn't kill any animals, so that's great. But yeah this movie is not thrilling at all (the genre is there for some reason..). It's a slow-burn drama about a kid who is "different". He asks questions and wants to know why and what or how things are. He is curious but devoid of emotion or compassion. The movie itself is like I wrote in the title, a study and a pretty lame one at that, but still overall is pretty interesting. The atmosphere is the same as the main character, so as the soundtrack. I didn't get the ending or the other story in the movie. Though I overstand the idea and meaning of the movie, because it has an underlying message about families. I don't really recommend this movie to watch in cinema or if you have something better to see, only if you have nothing and/or are depressed and want to turn your brain off. Because yeah, the dialogues in the movie are so fking bland and boring.

I don't know how I made it through til the end?

In an attempt to create mood and atmosphere the creators decided to minimise dialogue, add dreadful music with sombre characters who nobody would care about.

Avoid this movie is my recommendation.

Oak Cliff Film Festival 2021 Greetings again from the darkness. Why would anyone be surprised that the actions of a teenager make no logical sense? Thirteen year old John (an excellent Charlie Shotwell, CAPTAIN FANTASTIC, 2014) comes across as a shy kid, and a curious one as well. He's a talented tennis player, enjoys going head-to-head in video games with his online friend, and even plays piano. Despite his upper class family life, we sense there is something a bit off about John - although his busy parents are supportive and his banter with his older sister is pretty normal. But his emotionless demeanor sends our mind to dark, uncertain places ... places we hope John doesn't go, although we kind of expect him to.

This is the first feature film directed by Pascual Sisto, and the script comes from Oscar winner Nicolas Giacobone (BIRDMAN, 2014). You should know it's not the typical narrative arc. One day John, with the help of his shiny new drone, locates a long-forgotten unfinished bunker in the nearby woods. The next thing we know, John has drugged his family and dumped them in that hole. That's not a spoiler, as it's shown in the trailer. When Mom (Jennifer Ehle, SAINT MAUD, 2020), Dad (Michael C Hall, "Dexter"), and sis (Taissa Farmiga, "American Horror Story") awaken in the mucky pit, they are frightened and confused. When John appears to deliver food and blankets, he offers nothing in the way of an explanation.

As movie watchers, we have been conditioned to expect this type of situation will lead to significant violence. Instead, we watch as John steps into his newfound freedom. His image of adulting is what he's observed from his parents: classical music, wine, cooking, milking the ATM, and driving the car. He has bypassed the coming-of-age stage, passed "go", and moved directly into his version of adulthood. We know this can't end well, but John is thirteen and isn't mature enough, regardless of this manufactured freedom, to plan ahead.

This is a wealthy family living in a glass house ... an unmistakable metaphor. A sense of entitlement and pursuit of money has distracted the parents from focusing on the importance of teenage years. Whether they realize this looking up at him from the bunker is debatable. John's story is told by a mother to her daughter, an unusual sequence that acts as an awkward framing device. Cinematographer Paul Ozgur delivers terrific camera work with the house, the bunker in the woods, and John's odd demeanor. This is an unsettling film that is more psychological drama than thriller or character study. It clearly borrows from two masters, Michael Haneke and Yorgos Lanthimos, but falls short of their best work (as you'd expect). Still, the film has a certain style, and reminds us that the moral to the story of a teenager's actions often boils down to "don't do that".

Opens in select theaters and On Demand August 6, 2021.

JOHN AND THE HOLE is a fascinating look into the feeling of nothingness, and existence without empathy. "What does it feel like to be an adult," asks John, because he just can't imagine living that long. A strange tale of swapping power dynamics and unexpected connection, when the film is good, it's great. It's hard not to feel held at arm's length, however, wanting to embrace what's happening but not being fully able to. It's the small, almost missable, moments that are the most chilling. But it's a little too hollow at its core. Charlie Shotwell impressively intimidates, while Taissa Farmiga shines in a limited role.

John and the Hole is elevated by its methodical pacing, pretty cinematography, and engaging performances from the entire cast; but the film is ambiguous to the point of frustration, and all these aforementioned strengths can't make up for the fact that it tests the audience's patience over and over again and never rewards them for it.

There are several scenes in the movie in which a VERY intriguing character motivation or plot element will be introduced, and every single one of these moments is immediately forgotten and never mentioned again.

I was never bored because I kept wondering where the story was going to go next and why John was doing the things he did; what role did his family play in driving him to his breaking point, if any? But my intrigue never payed off.

I won't spoil anything because there isn't anything to spoil. There are no revelations, twists, or anything of the sort. The movie just plods along introducing a bunch of red herrings, and then it ends.

This ends this film and my memory of its existence.

The end.