Landscapers

I never much post reviews on series here, but this one really caught my attention. Was very surprised the score wouldn't be higher.

I have to applaud the director and writers, for bringing such a creative story telling, of a very simple murder case, in some way. They focussed on all the back stories, dug deep in the past of the characters and done a great job on finding a different way to bring it to the screen. Although the last episode was a bit confusing and symbolic to me.

All the performances are outstanding. Special mentions to Kate O'Flynn and David Thewlis. Colman was good, but... I would start to like seeing some less typical Colman tweeks. I have seen this character before in other work of you.

I absolutely would recommend to see this... it's quite dark, but also funny and disturbing. But it also carries a lot of heart and emotions. Very smart story telling, and I can't wait to see the first movie of Will Sharpe now.

My Review - Landscapers

My Rating 9/10. On Stan

This Crime Drama I found fascinating for a number of reasons from the very beginning we discover that it's based on a true life crime and that the devoted and mild-mannered British couple Susan and Christopher Edwards who are the focus of this extraordinary story are still serving a long 25 year old prison sentence for murdering Susan's dysfunctional and abusive parents and burying them in their back yard . ( it's not a spoiler that's made known to the viewer from very early on.

What's more extraordinary is that they both still proclaim their innocence even though they were were found guilty .

The verdict was passed on the couple in 2014 for the crime of killing Susan's parents, with the judge calling Susan "an accomplished liar and a fantasist".

The sensational acting from Olivia Coleman as Susan and David Thewlis as Christopher is spellbinding as we see the story unfold from their perspective . The story left me feeling some sympathy and empathy when you consider the background story of the couple as presented in the fine Screenplay by Ed Sinclair and Will Sharpe .

Ed Sinclair the Co Creator of this 4 part drama series is actually Olivia Coleman's husband so who better to write a role that I think is one of the finest of her career so far.

Olivia Coleman's portrayal of this mousey and insecure woman who is obsessed by the Golden Years of Hollywood and French Cinema . She especially loves romantic movies and the Western films of Gary Cooper . Her performance is so sensitive and touching in parts no wonder I related to her love of Cinema.

Her obsessive collecting even goes to the extent of buying a poster for over £200 when her husband is practically penniless and out of work . Her love and dependence on husband Christopher is so complex and fascinating and even leads to a wonderful plot twist that involves the famous French Cinema Star Gérard Depardieu.

A woman who can be gentle and sweet one moment and then erupt like a benevolent volcano when harshly criticised or feeling confused or betrayed.

David Thewlis is equally fascinating as the stoic and loyal husband Christopher Edwards . His wife as he correctly describes to police is a fragile woman who freely admits she is the cause of their dilemma . Even before their arrest after returning and surrendering he advises Susan to be calm and just tell the truth according to him anyway and not divert from their account of the incident that they both have agreed to.

I really enjoyed the technique that Director Will Sharpe uses of mirroring the plight of the couple in total fantasy Western movie scenes it sounds bazaar but it works beautifully in my opinion as it also lets us enter into Susan's cinematic imagination.

This series was a real surprise and pleasure for me as it more psychological than psychotic with more character development than I've seen in many a Crime drama the creators have cleverly combined a crime murder story with a sad but touching love story top marks to all involved.

The best way I can think to describe this show is an artisanal docudrama, and it works. The scene cuts are flawless and the cinematography dark and vivid. The characters are well cast and well acted, Coleman slays as usual. It's an interesting story, if not a bit odd.

To say that this is a quirky version of a true crime event is putting it mildly. Comparing it to Fargo is a fair assessment, but not entirely. The dark humor of Fargo is very American in flavor, while that same humor is very British in this series. There are distinct differences. Olivia and David, portraying married couple, the Edwards, carry this series firmly and fascinatedly on their shoulders. Their ability to portray a couple who are both appealing and creepy is the mark of great acting. In the end, you are left wondering if the real Mr. And Mrs. Edwards are guilty, not guilty, or only partially guilty or innocent of the crime that they are accused of.

"Landscapers" four episode HBO miniseries tells the desperate, surreal, and very human love story surrounding a grisly double murder found fifteen years late. While based on a true story, and ultimately containing chilling elements, "Landscapers" remains a complex and touching dramatization however it might lean into the overly ideal. But it's an artful idealism which also reflects the character of the perpetrators and which may factor into the nature of the crime just as much as "mercenary" motives might.

Whatever was the truth behind the crimes of Susan and Chris Edwards (they maintain their innocence until this day), the version this TV drama does tell a meaningful and multifaceted story that sheds light on compulsions, brokenness, and unconscious choices which may lead people to choose prison over the struggles of their lives, even while not necessarily meaning to either.

Whether or not the portrayal of this true crime is accurate doesn't undermine that this is a very earnest attempt to find some decency in what is two people linked by sadness, care and a terrible secret, all while being too hapless to manage their affairs or their own trial. The question might always be would the crime of the Edwards remain undetected after elapsing fifteen years if not for the betrayal of a troubled conscious, or the lack of wherewithal to make ends meet?