Juniper

Greetings again from the darkness. A tale as old as time. No, this first feature film from writer-director Matthew J Seville is not a new spin on 'Beauty and the Beast', however it is a story that has a familiar feel, and one made more meaningful through terrific acting and expert cinematography. We are engaged through characters rather than plot, and in fact, we grow to care about two of these people after initially finding both a bit abrasive.

Charlotte Rampling stars as Ruth, aging mom to Robert (an underutilized Marton Csokas). The two have never been especially close as Ruth's career as a war photographer allowed her to escape traditional parental duties. With a recent broken leg set in a cast and brace, Ruth finds her wings clipped and Robert senses an opportunity. By moving Ruth into the house during recovery, he can have his son, Sam (George Ferrier), help Nurse Sarah (Edith Poor). Sam is a party boy recently expelled from his boarding school and wants nothing to do with the convalescing grandmother he barely knows.

Dad's ulterior motive gets off to a rough start. Both Ruth and Sam are hard-headed and rebellious. In fact, it's these traits that end up drawing them closer. Ruth seems to survive on her all day gin-binges as her vile vocal spewings are those of a woman whose world has shrunk to the point of feeling captive. Sam is one who doesn't take direction well as he tries to hide his depression and grief driven by the death of his mother. Adding to this mess is Nurse Sarah's consistent attempts to inject some religion into Ruth before the bell tolls.

What we have is self-destruction times two. Ruth and Sam are rude and self-centered, and those shared traits end up thawing the icy relationship and improving their much different circumstances. George Ferrier is a relative newcomer from New Zealand, and he has the looks and on-screen charm to build a nice career. Of course, Charlotte Rampling is in her seventh decade of acting, and she instinctively knows how far she can push this character and still keep us engaged. It's a terrific performance that probably deserved an Oscar nomination. The cinematography of Marty Williams works in the enclosed spaces of the house, as well as the beautiful landscape when the characters head outdoors. Some of the scenes may be a bit too much 'on the nose', but the humor and acting allows for the desired impact.

Opens February 24, 2023.

A slow moving film,more a study in character and acting.charlotte rampling the sixties icon not afraid to show her age.her study in age and truth,things lost roads not taken is dealt with great aplomb.the small but valuable supporting cast is very good.her vinegary put downs and side swipes hide a very brittle person.very reminiscent of Mrs havisham the way she manipulates people around her like chess pieces.death is also dealt with in the physical and mental acceptance of it.the choice of music good but not intrusive.an overall small independent film that deserves a better release.well worth an hour and half of your time.

A little gem with a good script and good acting. The star is the great Charlotte Rampling as Ruth the grandmother and young actor George Ferrier is the grandson Sam. Ruth and Sam have some funny interactions and dramatic ones too.

It's the story of an unresolved emotional loss by a father (Robert) and son (Sam) and then the father's mother (Ruth) shows up. Ruth is an alcoholic addicted to gin, which I think gives the movie it's title, juniper berries are the main flavoring in gin.

There have probably been movies with similar plots, but this one set In New Zealand is well acted. A real treat to see Charlotte Rampling in a movie.

It's a relationship drama set in New Zealand in the mid-1990s. It follows a troubled teenager still reeling from his mother's death from cancer and alienated from his father and grandmother.

Sam Stevenson (George Ferrier) is a teenage boy placed in a boarding school by his father, Robert (Marton Csokas), soon after the death of Sam's mother. Sam feels abandoned and has acted out his frustration in various ways. Robert brings Sam home from school when Robert's mother, Ruth (Charlotte Rampling), comes from England to recuperate from a fall and a slow-healing broken leg. Ruth was a famed wartime photographer but has alienated her son and grandson for years. Nurse Sarah (Edith Poor) accompanies Ruth to New Zealand. Sarah, a devout Catholic, hopes to save Ruth from her heavy drinking (a bottle of gin daily) and alienating personality.

The film follows Sam's relationship with his grandmother, especially when Robert leaves for England to look after some of his wealthy mother's estate issues. We learn more about Sam's trauma around his mother's death and the reasons for Ruth's alienation from her only son. We also understand the real reason Ruth came to New Zealand.

"Juniper," which gets its name from a key ingredient in gin, is a film about life and death and the healing of family relationships. It is not maudlin and features excellent performances by Ferrier and Rampling. A few scenes stretch credulity, including the logistics of managing Ruth's last decision. A white horse plays a crucial role in the story. In sum, "Juniper" is an outstanding film.

A lonely young man struggling with his mother's death is confronted by the visit of his acerbic alcoholic grandmother.

I found this very moving. With very real characters whose lives you can feel right into and performances to match, with George Ferrier looking very good beside veterans Charlotte Rampling and Martin Csokas. I empathised strongly with the protagonist's situation: his grief, his inability to communicate it, his feelings of isolation and hopelessness, and also how the slightest hint of positive attention from someone new, unlike anyone else in your world, can change your whole perspective. A character study with vulnerable honesty and an underplayed depth of feeling.