El baile de los 41

This is a very nice well made movie with a beautiful sad heartbreaking important true story that is beautifully written and told. Performances are superb and real. The film also has great production design and amazing costumes. Dance Of The 41 is a must see biography and it's on Netflix now, you have no excuses.

The movie is well made but there is definitely a lack of vision. It seems like every shot if an hommage of everything that has already been done before and by someone who has an extensive background on advertisement. It's pretty but it feels empty. It is extremely obvious the way they want to punctuate the "stiff" life and the "joy" of the underground life but it never feels authentic. Many of the performances feel wooden as if they were making sure we understand what they want to convey, instead of pulling us into the story. We don't even get to extensively see the joy of the dance and we don't see the consequences and humilliation inflicted in them either. It's not terrible but it is not a movie that successfully tells an engaging and believable story and the never-ending parade of "artsy" shots are just too much.

Excelent film, but to say this is the "true history" is a slight exaggeration, there being very little documentation (and that skewered by the journalism of the era) about the event or the supposed "club of 42". While the incident was and is well remembered here in Mexico, how much is the "real truth" and how much is speculation (we don't know that Ignancio de la Torre was actually at the dance, although his sexuality was well established... fun fact, because Emilio Zapata was one of de la Torre's more important employees -- his horse trainer -- Zapata was "smeared" by his opponents as an allegedly gay man). That de la Torre was a self-indulgent elitist snob and oppresive member of the Mexican "one percent"... as were the other 41... had the unfortunate side effect of perpetuating the stereotype of gay men as a bunch of rich cross-dressing hedonists.

It's not often I sit through the credits at the end of a film. Usually I'm up and out of the armchair to make a cup of tea or whatever. This film was different and the ending was mundane but devastating for the viewer and the main male character.

The film is a heavily fictionalised version of a real event, that of a police raid on a party held by high society homosexuals. Ignacio de la Torre, the son-in-law of the then President, was meant to have been one of the participants. This much is known to history and from IMDB's résumé. From these bare bones, a whole film is woven as a prelude to the raid.

Ignacio holds a high position in society partly through his own wealth and partly through the patronage of his wife's father. Some things about his true life are known, that he and his wife led separate lives, for example, and were only together in public; in private they occupied different wings of their mansion. From this gossamer thread a love story emerges that may not even be true - we cannot be sure that Evaristo Rivas had a relationship with Ignacio or was even present when the ball was busted as the names of the participants were withheld. It doesn't matter. A whole, tender story of forbidden love is recounted by the film, a love that is unacknowledgeable in Mexican society at the time.

The film doesn't hold back. It shows the horror of a gay man trying to sleep with his wife. It shows the hatred that slowly grows out of resentment on both sides of a chaste marriage. It shows how happiness can be shattered in an instant by bigotry and ignorance.

The two male leads were stupendous and didn't skimp their roles. Those kisses were real. Their glances, their interaction, their physical moments together were the opposite of contrived. Mabel Cadena playing Amada, Ignacio's wife, visibly aged during her time of calvary. Her face and bearing changed convincingly from those of a pretty young bride to those of a bitter and spurned woman.

The sets and costumes were magnificent. I actually wondered if some of the scenes were filmed in real buildings, so convincing were the locations. The minor characters, even, were somewhat fleshed out rather than simply being drivers of the plot.

I loved this film and would recommend it.

As a mexican LGBTQ+ member in my early thirties, I've known this story ever since I can remember, and to see it portrayed on the big screen, with such quality production, with a compelling narrative, and that can make straight people understand a little bit of our brotherhood excites me a LOT!

I'm so thankful that Director David Pablos took a chance to make this film, and to make such relevant characters, the main arch is so powerful, I have to confess the female characters surprised me for good, Amada en Luz are so relatable Mexican women, and the secondary characters from the "Club" gave so much depth to the story.

I hope this film will remember everyone why is important to keep fighting for our rights, our right to be a normal person within society.