Un vendedor ambulante de cuchillos se ve obligado a esperar en un área de descanso rural. De repente, se encuentra en medio de una violenta situación con rehenes a la llegada de dos atracado... Leer todoUn vendedor ambulante de cuchillos se ve obligado a esperar en un área de descanso rural. De repente, se encuentra en medio de una violenta situación con rehenes a la llegada de dos atracadores de bancos que están huyendo.Un vendedor ambulante de cuchillos se ve obligado a esperar en un área de descanso rural. De repente, se encuentra en medio de una violenta situación con rehenes a la llegada de dos atracadores de bancos que están huyendo.
- Premios
- 3 premios ganados y 3 nominaciones en total
Matt McVay
- Radio Host
- (voz)
Alexandra Essoe
- Sarah
- (as Alex Essoe)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Short review: I enjoyed 'The Last Stop in Yuma County', however I feel like there was room for me to enjoy it even more. I typically love these single-setting mystery/thrillers. I felt like the film was consistently good throughout, but it was never quite able to take a step up and reach that next level to make it something truly great.
The film is a lot of fun though. There are all the usual rag-tag misfits in terms of characters. Some nice dashes of humour along the way and some good menacing villains that are not to be messed with. The ending was also pretty wild and made sure things ended on a reasonably memorable note. 7/10.
The film is a lot of fun though. There are all the usual rag-tag misfits in terms of characters. Some nice dashes of humour along the way and some good menacing villains that are not to be messed with. The ending was also pretty wild and made sure things ended on a reasonably memorable note. 7/10.
At an isolated rest stop in Yuma County, Arizona in the 1970s, several characters are forced to wait at the nearby diner after the resupply truck for the gas station is running late including two bank robbers who stole $700,000.
The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.
The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.
The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.
The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.
The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.
The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.
You've seen this movie before, this doesn't really do anything new that those haven't done. It's well acted, tightly and competently written, and rather predictable. They try to throw a wrench at the end, but eh, I've seen enough of these types of movies before. The "sweater unraveling movie".
You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.
Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.
You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.
You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.
Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.
You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.
Summary:
The movie is entertaining with a theme of western slow burner. But does not go beyond a good one time watch.
Details:
Details:
- The western vibe with desert, dust, heat, guns, bad guys, is all spot-on and gets you hooked into the story
- In the beginning the slow-burn is good but soon the movie picks up pace and there are lot of small twists and turns
- But you dont really feel bad for any character or emotionally moved/attached(except maybe for the scenes with baby) or have deep philosophical state of mind at any point in the movie or in the end.
- it has traces of Tarantino style western, coenesque theme of idiocy meeting evil with surprising coincidences/accidents but fails to match up to their level.
- Basically its a movie about greed which keeps you glued when its on but after watching the movie you are underwhelmed and forget this movie quickly.
Nice interesting take on the heist take genre. Lots of inspiration from obviously Quintin, spaghetti westerns especially The Good the Bad and the Ugly. The story unfolds in this wild paranoid situation that can blow up at any moment. You will sit on the edge of the seat during this one.
This film is also set in what looked to me the 60s, so you get a great bit of Americana here and who doesn't love that? The small town in the middle of know where where the gas truck is late an the gas station is out of gas sets up the plot for the entire movie, which is great story telling device. Very possible scenario out west especially in the 60s. I also, love that everyone has a gun on them, which isn't that out of the ordinary in a small American town...though I am only speaking from a current modern perspective of living is small town USA.
Some of the negatives, is sort of basic Hollywood trope on how guns work, which is rather silly, but at least in this movie the unrealistic gun battle, is very important to set up the morality of the characters.
We all believe we are good people, but when the opportunity is there to get away with a crime, this is what really sets apart from the good the bad and the ugly.
This film is also set in what looked to me the 60s, so you get a great bit of Americana here and who doesn't love that? The small town in the middle of know where where the gas truck is late an the gas station is out of gas sets up the plot for the entire movie, which is great story telling device. Very possible scenario out west especially in the 60s. I also, love that everyone has a gun on them, which isn't that out of the ordinary in a small American town...though I am only speaking from a current modern perspective of living is small town USA.
Some of the negatives, is sort of basic Hollywood trope on how guns work, which is rather silly, but at least in this movie the unrealistic gun battle, is very important to set up the morality of the characters.
We all believe we are good people, but when the opportunity is there to get away with a crime, this is what really sets apart from the good the bad and the ugly.
¿Sabías que…?
- TriviaWhen Gavin is making small talk with Robert and Earline he asks why their grandson moved to Waco, Texas. She replies that he sings and plays guitar at a church in Mount Carmel. David Koresh did just that as the leader of the Branch Davidians.
- ErroresThe Deputy officer bumps into the second robber when leaving the diner and the robber gets coffee spilled all over the front of his t-shirt. Surely the coffee is hot, yet the robber does not feel his skin burn.
- Créditos curiososA radio advert for the knives Jim Cummings character is selling plays during the credits
- ConexionesFeatured in Half in the Bag: 2024 Mid-year Catch-up (part 2 of 2) (2024)
- Bandas sonorasL'Amour est Bleu
Music by André Popp
Performed by Paul Mauriat
Courtesy of Mercury France Ltd. under license from Universal Music Enterprises
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- How long is The Last Stop in Yuma County?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- La última parada de Arizona
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 94,344
- Fin de semana de estreno en EE. UU. y Canadá
- USD 41,520
- 12 may 2024
- Total a nivel mundial
- USD 94,344
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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