Ghasideyeh gave sefid

Finally quality cinematography after a long time. Fortunately this is because of movies from countries like Iran where this gem comes from. 1 hour and 41 minutes with not a single boring second. It grips you from the beginning without letting you down until the end. A manifestation against death penalty, showing a very original aspect of the facts, so I cannot reveal anything otherwise I am gonna spoil the whole movie. After a while the whole plot points out brilliantly the connection between loss, justice, rules, forgiveness and punishment by people and God; the perfect confession to a crime which falls apart despite the strong evidence. In any case this movie is ideal for every judge and prosecutor out there, it's a very deep lesson to crisis above people for their actions. It also contains some very provoking parts from the Coran, some are quite chilling as this one: the meaning of our life lies at the consequences of our actions. Go and watch it.

The life of a woman, Mina, is transformed when she discovers that her husband was executed by the Iranian state by mistake - this is the premise of an impactful, dramatic, and, above all, courageous film, by directors Maryam Moghadam and Behtash Sanaeeha, where institutional injustice is debated, against the backdrop of the unbelievable religious misogyny of Iran's culture. Mina then begins a silent battle against the cynical justice system, with the help of Reza, who poses as a friend of her husband, hiding the fact that he is the judge responsible for her conviction and murder. Corroded by guilt, Reza approaches Mina and her daughter, trying to alleviate their precarious situation, without revealing his real identity. The film is a plunge into the question of the validity of the death penalty and its consequences, especially in a closed and theocratic society, where remorse and guilt do not find resonance in the face of arguments based on the "will of God". Curiously, this country, so rigid and persecutory, is capable of producing a film frontally criticizing its system of archaic laws and showing an inescapable truth: the search for justice stands out even when all conditions are unfavorable.

Have you been wept recently watching a movie. Watch this movie. Its a family drama. Its is rare to see good people in real day life thats why we have these cinemas to watch and look upon ourselves.

On the day on which BERLINALE winner Jafar Panahi (Golden Bear 2015 for "Taxi Tehran") was arrested in Tehran, it is of course even more important to remember Iranian cinema. This film also tells of guilt and forgiveness with formal rigor. Together with her husband Behtash Sanaeeha, the Swedish-Iranian actress, director and screenwriter Maryam Moghaddam (*1970) was nominated for the Golden Bear at the BERLINALE 2021.

Mina's husband (Maryam Moghaddam) was sentenced to death and executed a year ago. Since then, she has had to look after her deaf daughter Bita (Avin Purraoufi) alone. Her brother-in-law (Pourya Rahimisam) makes an unpleasant effort to look after her. Suddenly it turns out that Mina's husband was innocent. The judge Reza (Alireza Sanifar), whom Mina has never seen, has remorse and begins to take care of Mina and her daughter. Of course, this can't remain undetected forever...

What does it mean to have to live normal everyday life and special crisis situations in a religious dictatorship like Iran? Especially in a big city juggernaut like Tehran! However, there can be no normal everyday life for single women in Iran. And even for young guys like Reza's son, the only way out is often to escape into an overdose. After all, drugs are not a problem in Tehran. Films from Iran are often like a message in a bottle that smuggles secret messages. This is also the case here, where little Bita was named after a film character from 1972, who was played by the Persian superstar Googoosh (*1950, according to Wikipedia) in the pre-revolutionary period.

A great film in which every look, every gesture and every detail counts. Let's hope that Panahi and all his imprisoned colleagues will be released soon!!!

A story about guilt, healing and redemption, although the latter two are very hard to come by, if not impossible here.

It kept me on edge as Mina faces discrimination and harassment from her in-laws and her conservative neighbour, and as soon as we find out who her quiet benefactor is. He hardly stood a chance but he couldn't help himself.

Didn't understand the white cow metaphor and was a little confused by the glass milk scene. I think it should have ended right then and there, but anyway, it's a quiet little movie about social and political oppression and I sure hope they make more of them. It's a small wonder they're able to.