Tras verse envuelta en un accidente de coche, una mujer es recluida en un refugio por un hombre que afirma que el mundo exterior ha sido afectado por un ataque químico.Tras verse envuelta en un accidente de coche, una mujer es recluida en un refugio por un hombre que afirma que el mundo exterior ha sido afectado por un ataque químico.Tras verse envuelta en un accidente de coche, una mujer es recluida en un refugio por un hombre que afirma que el mundo exterior ha sido afectado por un ataque químico.
- Dirección
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- Premios
- 16 premios ganados y 48 nominaciones en total
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
Decent mystery except the ending
It would have been solid 8 or 9 if it wasn't for the ending. Except that it was quite an intense mystery.
What are people throwing shade on this movie?
Pluses: 1. Great cast. Really good chemistry among them. Terrific performances from all. Mary Elizabeth Winstead gets better with every film she makes. 2. Story keeps you guessing until the end. 3. There are references in it to some popular films in the genre (that are likely film maker favorites) from the past 30 years or so. 4. Director shows great promise while still early in his career. 4. Story more important than special effects or pointless action sequences (always a plus for me). 5. Sound effects, usually unappreciated in non-action films, well used to add to the intensity of the drama.
Minuses: 1. We've probably all seen John Goodman play a similar character before. 2. There's a possible murder that took place prior to the film, a plot device never resolved.
Since the film has the word "Cloverfield" in the title, a lot of dim light bulbs thought this was a prequel or sequel to the other film and bad mouthed it because it isn't. Using Cloverfield in the title was likely just another reference to a favorite film.
Some people didn't understand the ending. Huh? They must have fallen asleep during the rest of the movie (when they realized it wasn't Cloverfield 2) or this generation is dumber than I fear it might be. The actions of Winstead's character at the end of the film make perfect sense in light of a monologue she delivered earlier, which apparently was ignored by those whining about the ending.
Don't listen to the naysayers. It isn't high art, but it's an entertaining film that will hold your attention to the end.
Minuses: 1. We've probably all seen John Goodman play a similar character before. 2. There's a possible murder that took place prior to the film, a plot device never resolved.
Since the film has the word "Cloverfield" in the title, a lot of dim light bulbs thought this was a prequel or sequel to the other film and bad mouthed it because it isn't. Using Cloverfield in the title was likely just another reference to a favorite film.
Some people didn't understand the ending. Huh? They must have fallen asleep during the rest of the movie (when they realized it wasn't Cloverfield 2) or this generation is dumber than I fear it might be. The actions of Winstead's character at the end of the film make perfect sense in light of a monologue she delivered earlier, which apparently was ignored by those whining about the ending.
Don't listen to the naysayers. It isn't high art, but it's an entertaining film that will hold your attention to the end.
A claustrophobic and suspenseful mystery-thriller.
Arguably, the worst aspects of '10 Cloverfield Lane (2016)' are those that tie into its franchise roots, which is understandable considering that this started life as a completely original screenplay before it was contorted to fit into the 'Cloverfield (2008)' "universe". These issues are really only limited to a somewhat rushed finale, though, and the final result is still a much finer film than its predecessor. It's an incredibly intriguing and evolving mystery-thriller that's consistently entertaining and suspenseful, as it uses its small core cast of well-realised characters to drive the tension within its (mostly) single, increasingly claustrophobic location to expert effect. It's incredibly compelling mainly because of its intense focus on character, while it's the several subtle twists and turns that keep us on the edge of our seat as our reading of the situation (always seen through the lens of the protagonist) continues to organically change. Ultimately, the piece becomes perhaps one of the most enjoyable entries in its genre. 8/10
Great claustrophobic story with fine performances... and a twist
Full disclosure: The year is 2007. A trailer hits cinema screens advertising a mysterious film named "Cloverfield." Nobody knows what it's about, except that it's riding on the wave of the found footage genre, and that it seems to depict a giant monster attack on New York. Speculation immediately breaks out all over the internet, but nowhere more fiercely than on the IMDb forums, with many folks being caught up in the genius viral marketing. I myself was one of those people, along with my wife. Yes, we met on IMDb's Cloverfield forum. She moved from the US to Australia a few years after, we got married, and we've lived together happily ever since.
Yes, that is the power of film; it can bring people together in the most unlikely ways possible.
So, it's with some excitement that we were blindsided by the brief and vague advertising campaign for 10 Cloverfield Lane. Does it have any connections to the original Cloverfield? What's JJ Abrams playing at here, exactly? Without giving too much away, it's not a direct sequel, but rather a sequel in tone. I'm assuming Abrams is going for an anthology style series here, with each entry being a different story tied together by their themes and science-fiction setting. It's clearly a marketing thing, but if that means we'll get more films like this, I'm certainly okay with it.
10 Cloverfield Lane eschews its predecessor's found-footage trappings, and immerses us in a classic style bottle thriller. The setting is limited and claustrophobic, and the cast small, but the story and tension will grab you and not let up until the end. The nature of the mystery means your opinion will hang very precariously on whether you like that ending, and I suspect it will be divisive. There's not a great deal of resolution, and if I'm correct in assuming this will be an anthology series from now on, I doubt we'll ever get any. But that's fine, because I don't think the story that would follow the film really needs to be told.
What matters are the performances. John Goodman is the real draw card here. He gives a stunning turn that is delightful, sympathetic and absolutely terrifying in equal doses. He's had so many great roles in the past, but he is unforgettable here. Mary Elizabeth Winstead is also very likable as the resourceful protagonist. Perhaps a little too resourceful at times, but for the most part we're with her happily throughout.
The film looks fantastic despite the cramped environs, with great use of color and shadow and some interesting cinematography. There are some nice designs and special effects toward the end of the film, even if they may be considered a little derivative. The score is tense and effective, and keeps you on the edge of your seat.
The script is great with very little flab, and if you like these kinds of stories which lock characters together in tight, paranoid spaces then you'll find a lot to enjoy here. Just don't go in expecting Cloverfield 2, because this is not it. It's its own beast, and has a brave ending that you'll either love or hate.
Yes, that is the power of film; it can bring people together in the most unlikely ways possible.
So, it's with some excitement that we were blindsided by the brief and vague advertising campaign for 10 Cloverfield Lane. Does it have any connections to the original Cloverfield? What's JJ Abrams playing at here, exactly? Without giving too much away, it's not a direct sequel, but rather a sequel in tone. I'm assuming Abrams is going for an anthology style series here, with each entry being a different story tied together by their themes and science-fiction setting. It's clearly a marketing thing, but if that means we'll get more films like this, I'm certainly okay with it.
10 Cloverfield Lane eschews its predecessor's found-footage trappings, and immerses us in a classic style bottle thriller. The setting is limited and claustrophobic, and the cast small, but the story and tension will grab you and not let up until the end. The nature of the mystery means your opinion will hang very precariously on whether you like that ending, and I suspect it will be divisive. There's not a great deal of resolution, and if I'm correct in assuming this will be an anthology series from now on, I doubt we'll ever get any. But that's fine, because I don't think the story that would follow the film really needs to be told.
What matters are the performances. John Goodman is the real draw card here. He gives a stunning turn that is delightful, sympathetic and absolutely terrifying in equal doses. He's had so many great roles in the past, but he is unforgettable here. Mary Elizabeth Winstead is also very likable as the resourceful protagonist. Perhaps a little too resourceful at times, but for the most part we're with her happily throughout.
The film looks fantastic despite the cramped environs, with great use of color and shadow and some interesting cinematography. There are some nice designs and special effects toward the end of the film, even if they may be considered a little derivative. The score is tense and effective, and keeps you on the edge of your seat.
The script is great with very little flab, and if you like these kinds of stories which lock characters together in tight, paranoid spaces then you'll find a lot to enjoy here. Just don't go in expecting Cloverfield 2, because this is not it. It's its own beast, and has a brave ending that you'll either love or hate.
Thrilling, Breathtaking...
First things first, after watch this movie you will learn that nothing is what it seems to be.
At the beginning you will appreciate what appears to be a well made drama, after a while you will be immersed in a thriller with some awesome actors providing you moments of fear, sadness, uneasiness, terror and disbelief.
The story will make you doubt the movie at first but don't let it make you give up of watching it. You will certainly be captured by the fast changes in the narrative transforming this movie from one thing to another, where in a moment you will be happy watching it and a second after you will be terrorized by something; or wanting to know what is really happening and a moment after seeing all your beliefs crushing down by another event that reveals itself.
It is a awesome movie that anyone who wants to watch different stories should invest an hour in it.
At the beginning you will appreciate what appears to be a well made drama, after a while you will be immersed in a thriller with some awesome actors providing you moments of fear, sadness, uneasiness, terror and disbelief.
The story will make you doubt the movie at first but don't let it make you give up of watching it. You will certainly be captured by the fast changes in the narrative transforming this movie from one thing to another, where in a moment you will be happy watching it and a second after you will be terrorized by something; or wanting to know what is really happening and a moment after seeing all your beliefs crushing down by another event that reveals itself.
It is a awesome movie that anyone who wants to watch different stories should invest an hour in it.
¿Sabías que…?
- TriviaBradley Cooper: Provided the voice of Michelle's fiancé, Ben, on her cellphone. J.J. Abrams reached out to Cooper, who he first met on Alias (2001), to record the brief phone call. Cooper recorded the audio on his phone, sent the file to Abrams, and the entire process was completed without the pair speaking to each other about it at all outside of text messages.
- ErroresWhen running from Howard before escaping the bunk, Michelle is bare-foot. She goes into her room to collect the "hazmat suit" and we see her boots on the floor there, but she leaves the room still bare-foot. Moments later, when she climbs on the table to go into the air-ventilation opening, she has those boots on.
- ConexionesFeatured in Super Bowl 50 (2016)
- Bandas sonorasI Think We're Alone Now
Written by Ritchie Cordell
Performed by Tommy James and Tommy James & The Shondells
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- 10 Cloverfield Lane
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 72,082,998
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,727,437
- 13 mar 2016
- Total a nivel mundial
- USD 110,216,998
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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