Downton Abbey: Una nueva era

Fans of the tv show and earlier film will get the most out of this, with plenty of dangling plot threads deftly picked up and woven into a satisfying series of resolutions.

There's plenty of strongly emotional moments here. It plays like one of the Christmas specials but more so, and combines an appropriately high stakes 19th century historical family mystery with an examination of an industry on the cusp of a revolution, as metaphor for Downton and the Crawleys doing their best to survive in a changing world. Hints are given how they will manage it.

This is not the place to start with Downton, and the movie assumes wise viewers know that. With so many characters, with so much history, the audience are given not so much introductions as little reminders.

As is traditional, Maggie Smith gets most of the best lines, but there are no weak performances. There's even a scattering of wisdom here and there among the drollery and drama.

The plot interweaves two stories - one is an intriguing surprise about Lady Violet's past, the other is a more standard "new things happening at Downton", but at least it's better than the visit of the King and Queen that passed for a plot in the first movie.

Several characters have a fitting closure - Molesley's was a bit of a surprise, but not too forced; ditto for Barrow.

Acting is good as usual, and the new characters fit in nicely with the tried-and-tested cast. Scenography is top notch.

I'd definitely recommend it for fans of the TV series, and for those who were disappointed by the first movie.

I haven't watch the TV series outside a few random episodes I walked in on but this movie still managed to engage me right from the start. The humour is great, the acting is phenomenal and there are many emotional moments throughout the film. This film makes me proud to be British.

It's a perfect example on how to do strong female characters. For some reason Hollywood's method to creating strong female characters is just give them characteristics typically associated with men. This film manages to have strong female characters while actually keeping them female. Not only that but it's also the perfect example on how to include gay characters without it feeling forced.

I love that this is a film about making a film. I especially love how the film basically pokes fun at the entire industry. As someone who has worked on film sets, this movie perfectly depicts the behind the scenes of filmmaking. The sound guy in this movie is my favourite character since I have met many sound guys and they pretty much all act in the exact same way he does.

'Downton Abbey: A New Era' (2022)

Opening thoughts: Absolutely loved 'Downton Abbey' throughout its run and still do when watching repeats, so well made, written and acted (how could it not be with that cast) and not too demanding. It was always one of my most-anticipated programmes every year with each season and more often than not was a yearly highlight. Also enjoyed the first 'Downton Abbey' film a lot, it wasn't perfect but was a charming and entertaining piece of escapism that succeeded in many areas.

Was absolutely thrilled hearing that there was a follow up and 'Downton Abbey: A New Era' was seen without hesitation when it was finally available. And you know what? 'Downton Abbey: A New Era' was every bit as good for similar reasons and also a charming, polished and entertaining piece of escapism that doesn't try to do any more than necessary. It isn't perfect and is a little disappointing compared to the show, with the mistakes the first film made being repeated, but so much is also done right.

Bad things: 'Downton Abbey: A New Era' has its problems. The editing is a bit too abrupt at times, especially towards the end of scenes when ends of conversations jumped to scenery shots which made the film feel a little jumpy. Like the first film, there are a number of subplots and characters and again this reviewer couldn't help thinking that there were too many and some of them were too under-utilised. Especially when in the Riviera. A longer length of 15-20 minutes would have helped it and made it feel less like a season's worth of film.

Furthermore, it was sad that Nathalie Baye and especially Brendan Coyle have practically nothing to do, which is pretty criminal.

Good things: However, so much is good. It looks absolutely great, very sumptuous and clearly done with a lot of polish. Reminding me of what makes me love period dramas so much. Downton looks imposing and a feast for the eyes, like its own character, and its elegant interiors brings back fond memories of visiting national trusts. The photography is beautifully framed, the costumes evocative of its period and the scenery takes the breath away. The stunning French Riviera vistas stealing the show. The music avoids over-scoring and intrusion and the hypnotic main theme hasn't lost any of its magic. The direction is controlled and doesn't feel too television bound, opening up the drama enough. Sure, the arrangements may not be true to period but the music choices are very nostalgic.

Writing is witty and heart-warming, the disdainful put-downs and one liners from Violet really standing out. The story is not too dull and does compel, entertain and warm the heart, despite being over-crowded. Everything that happens at Downton is immensely charming and a lot of fun. The ending is incredibly touching and loved the 'Singin in the Rain' (a favourite of mine) influence. The cast are near-uniformly good, apart from the waste of Baye and Coyle. Michelle Dockery and Hugh Dancy are charming, Elizabeth McGovern is moving and Laura Haddock and Maggie Smith are uproariously funny.

Concluding thoughts: Concluding, not great but very well executed on the whole.

7/10.

Lovely to see the cast back again. Script and acting as good as ever. But this film was spoiled for me by the choice of director. In my opinion he just doesn't understand the essential appeal of the piece. Cut, cut, cut.......formulaic and totally out of keeping with the Downtown magic. Such a shame.he has turned this into just any old film rather than embracing the Downton feel. The whole thing feels a bit like a pastiche. Pace is all wrong and it lacks the period feel of both the tv series and the previous film. The whole effect is rather mechanical and lacking in charm which is a real pity.