Un joven condenado a siete años de prisión por robar una oficina de correos termina pasando tres décadas en régimen de aislamiento y su propia identidad suplantada por su alter ego Charles B... Leer todoUn joven condenado a siete años de prisión por robar una oficina de correos termina pasando tres décadas en régimen de aislamiento y su propia identidad suplantada por su alter ego Charles Bronson.Un joven condenado a siete años de prisión por robar una oficina de correos termina pasando tres décadas en régimen de aislamiento y su propia identidad suplantada por su alter ego Charles Bronson.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 7 nominaciones en total
- Nurse 1
- (as Mark Davenport)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Which is good, because the story isn't up to much. It's a loose dramatisation of the life of Michael Peterson, a man who robbed a post office and ended up becoming Charles Bronson, one of the most famous convicts of all time. To be honest, the events aren't all that interesting, and in other hands the continuous brawls with prison officers could become repetitive. Thank Heaven then for the presence of Nicolas Winding Refn (VALHALLA RISING) as director. This is a guy who understands cinema and the beauty of cinema, and he makes the film intensely watchable as a result. BRONSON looks a thing of beauty, even if that beauty is stark, brutal and minimalistic.
The man, which the British press calls 'the most violent prisoner in Britain," is one of the most complex, and highly disturbing characters to be depicted on screen this year. He always wanted to famous, Hardy states with such charisma at the opening of the film, but he can't sing, he can't dance, so he creates an alter ego during his time as a boxer prior to his prison sentence. Though the film is loosely based on the real man and his story, it doesn't matter, Refn treats the film with such artistic integrity and takes chances that most directors hope to accomplish in their careers. The narrative, though over-whelming at times, is unyielding in the manner in which it's told. For the most part however, Tom Hardy's gritty and aggressive performance will go down as one of the best kept secrets of 2009.
In watching the picture, the co-stars are nearly invisible as Hardy takes control of the screen and your attention. He enables the viewer to devote their time and energy with fear of severe consequences in not doing so. Hardy is an incredible talent and not sure if you'll see a more devoted actor to a character on film this year.
Refn's choice of music that fills the scenes with torment, discomfort, and sheer violence is a brilliance shown in his armor. Bronson is pure entertainment, and though it doesn't provide any moral or social significance in the acts of our lives, it's an admiral effort by British cinema.
***/****
Bronson was initially incarcerated for seven years for the robbery of a post office where he stole £26.18. However he has spent 34 years in prison and psychiatric wards so far, and is still there, spending 30 of them in solitary confinement. He has been involved in fighting, brawls and hostage taking which led to his increased sentence, and he seems to enjoy it. No lives have been lost.
This is an excellent performance from Tom Hardy –funny, thoroughly engaging and intense. He physically transformed himself for this role and obviously studied Bronson vigorously to accurately portray his mannerisms.
A thoroughly compelling film. A must see!
Tom Hardy plays Michael Peterson who was initially incarcerated for 7 years after robbing a Post Office but this sentence turned into a 34 year stretch after numerous cases of violence in prison. Of these 34 years 30 were spent in solitary confinement. In his short period outside he assumed the fighting name of Charles Bronson after the Death Wish star. It is his alter ego which dominates the film.
Hardy is magnificent, prowling around people almost growling, a hulking, brooding, unpredictable beast who almost doesn't care what happens to him, preferring gaol where his is someone to the outside where he is no-one.
Many reviewers have been troubled by the lack of insight into the character of Bronson, however this is unsurprising as the story itself is narrated by Bronson himself, cutting back to a fantasy audience where he parades in varying levels of makeup, the star of his own show.
Refn handles this material with aplomb, filling it with tracks and pans, the occasional slice of slow motion, an interesting and varied colour palate and impeccable taste in music. Kubrick and A Clockwork Orange have been mentioned in almost every review, but there are clear influences of Bertolucci, perhaps mostly The Conformist in its detached style and use of colour.
By the time the film ends we are unsure who to feel sorry for, lost in a world of hard lines and constant violence. A very interesting film that marks out Hardy and Refn as exciting talents in modern cinema.
¿Sabías que…?
- TriviaCharles Bronson was not allowed to see the film, but said that if his mother liked it, that would be enough for him. According to Refn, his mother loved it. In 2011 Bronson was finally allowed to see the film and called it "theatrical, creative and brilliant".
- ErroresAt (11:00) The tutor asks Charles "What's the matter, Charlie?" But in this stage of the story Charles Bronson still had his original name Michael Peterson. He had not yet changed his name to Charles Bronson.
- Citas
Charles Bronson: [Real Life Charles Bronson Quote] How would you feel, waking up in the morning without a window? My window is a steel grid, I 'ave to put my lips against that steel grid and suck in air, that's my morning... 'cause I got no air in my cell. I have to eat, sleep and crap in that room twenty-three hours of a twenty-four hour day. You tell me, what human being deserves that? Apart from the stinking paedophile or a child killer. I don't deserve that, I done nothing on this planet to deserve that. My bed is four inches off the floor, it's a concrete bed, my toilet hasn't even got a seat on it or a lid, and I 'ave to live like this month after month after month, and the way it's looking it's year after year after year. Now is that's right then so be, but let somebody else 'ave a fucking go at it, 'cause I've had twenty-six years of this bollocks and it's time to come out, and I want the jury at my trail to come and see how I'm living. But I'm not living, I'm existing.
- ConexionesFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
- Bandas sonorasVa pensiero (Chorus of the Hebrew Slaves)
from Verdi's "Nabucco"
Written by Giuseppe Verdi
Performed by Orchestra e Coro del Teatro alla Scala (as Chorus and Orchestra of La Scala, Milan)
Conducted by Lovro von Matacic
Licensed courtesy of EMI Records Limited
Selecciones populares
- How long is Bronson?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Bronson: el prisionero más peligroso
- Locaciones de filmación
- Welbeck Abbey, Worksop, Nottinghamshire, Inglaterra, Reino Unido(Rampton psychiatric hospital)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 230,000 (estimado)
- Total en EE. UU. y Canadá
- USD 104,979
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,940
- 11 oct 2009
- Total a nivel mundial
- USD 2,260,712
- Tiempo de ejecución
- 1h 32min(92 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1