Trom

TROM is a nordic noir just like several other Scandinavian crime stories that have come out. Set on the Faroe Islands (Føroyar), the story involves idealistic activism and dubious corporate actions that has roots to official parts of the country.

The setting is beautiful, with absolutely stunning fly-overs of fjords, green rocks, sheep, tiny houses and crashing waves. Not much mentioned that there are any cities larger than 2 houses.

The characters all seem like the type of people you will find at the west coast of Denmark: rough fisher-men types, with a forever depressed look. No smiles to see here.

What bothers me the most about this series is that Faroese and Danish is mixed at random. The Danes speak Danish, Faroese speak Faroese - and they always understand each other completely. This is far from the reality. Such language mix can be shown between Sweden and Denmark, or maybe Norway / Denmark. But no Dane will randomly understand Faroese - and if they do, they'll also be able to speak it. As a native Dane, it becomes annoying to take such freedoms. Like when someone in a show is interviewing a random person (ex: arabix), asks questions in English, and is responded in Arab. Interpreters obviously cut away.

Quit watching after end of episode 2 where a serious technical plot hole was needed to make the story continue.

For this reason, 3 stars gone.

The scenery is breathtaking for the most part. The plot is lame & has been done many times over - big man who controls too much, a police officer who is economical with the truth & has a son to protect & investigative journalists, one of whom gets killed etc etc. Plot is probably worth 5/10 maybe, local actors 5.5, main cast saves acting overall, so 6.5 - 7/10. Ending sets up for season 2 if it gets made.

Good story, amazing landscape, but the acting from faroes cast is not good, sone are better and only 2 are good.

They are unemotional, they know the script, but are not in charecter. The danish cast is top acting, and the faroes are breathtaking.

Sadly, the early episodes offered nothing new in the world of Nordic Noir and at times, the drama moved along soporifically, harboring only a modicum of intrigue and suspense.

Thankfully, my lasting impression was improved by the beautiful Faroese scenery and an energetic and well constructed final episode. Yet there is no mistaking that the production was, on the whole, too derivative and a little bland.

Were the makers' unresolved cliffhangers potent enough to make me watch a second season? I'm undecided. - 7.5/10.

This is another take on having scenery as a main 'character' of the storytelling instead of the actual crimes and cases. The only outstanding acting came from the junior female officer who seemed to be the only one who did the actual investigating using her brain. The other characters were fairly unrealistic and disappointing in their roles here. The writing wasn't really up to the level of some other Scandinavian shows of the recent past. Most off-putting for me is the fact that the Faroe Islands still hunt whales. There was no indication this is a necessary activity for keeping people alive or employed, so I put it in the 'propaganda' category. The most interesting aspect was that many buildings have grass roofs and that there are anti-whaling protests going on. But this series is just too thin to sustain much loyalty for another season.