Seguridad

The move plot could be interesting but it gets messy and confusing pretty quick. A lot of stories tie together somehow but the resulting mix makes little sense.

Marco D'Amore and Fabrizio bentivoglio are good actors and did a nice job but I didn't like Maya Sansa at all, I'm sorry. She struggles to show any emotion, she seems to talk and act the same way despite of the scene she's in. It's also very difficult to understand what she says, because of the low and unclear voice.

The young guys, all of them, acted well.

Lack of character development... which tends to lead to poor acting... an extremely boring slow story with too many things in the mouth at the same time. Foreign films made years ago could get away with this and folks would call it art. There's too much good stuff out there these days.

The premise is quite good, but the slow execution, almost tiring, dragging, discouraged, it became tedious, but the original idea, of the benefits and harms of surveillance, which can be used in a derogatory way, as unnecessary and humiliating exposed, but as evidence of crimes, alibis and accusations... But if you manage to overcome the initial ostracism, we were delighted with an excellent work... Wonderful outcome, the film reminded me of the painful "Jagten"...

A new Italian mystery on Netflix. After the assault of a young woman in their seaside town, a security expert and his family become caught in a powerful wave of secrets and lies.

The first 50 minutes introduced many characters that had each of their own story. Even though it felt like the story was meandering for a long time, I hoped that these elements would converge and had significant meaning.

Well some of them did. Recently I have watched Oddtaxi, which was one of the most well-written anime that I have watched in terms of bringing all the plots details together. For this movie, I was only bored during the first 50 minutes, and I was engaged for the rest of the 2 hour runtime. This was because the main mystery itself had sufficient amount of buildup and made sense. However, thinking back, I realized there were many elements that didn't add anything to the story. Some notable ones were the security expert's insomnia, his wife's and daughter's stories. They pretty much only extended the runtime.

Even more, the plot revolved around the security system in this affluent town that had multiple cameras in people's house to watch for burglars and the 'undesirables'. The movie tried to have a message about this, and it was such nonsense and not justified at all.

Overall, a weak script that didn't tie all parts together. 5.5/10.

This is the type of existential movie we have a lot of, and love, here in Continental Europe but which are so alien to North American and UK viewers, so I can see why most English speakers gave it terrible marks.

Our cousins across the Alps are coming up with great dramas during this pandemic : La Vita davanti a sé, the Zero series, and now this one, Security.

Despite the title Security is not a police thriller or anything similar : it is just a good existential drama around the principal of a security company which installs security systems in rich people's houses in the beautiful real town of Forte dei Marmi - from this film and Google pictures I just want to go and visit it !

This film is all about personal dramas, family dramas, people's varying characters and how some people's character traits can lead to tragedies multiple steps down the line.

I loved it.