El vengador

Clyde Shelton's ( Gerard Butler ) wife gets murdered in the beginning of the movie and justice doesn't prevail because one of the killers is only sentenced for 10 years. Clyde is angry as hell and will make sure the people responsible for the horrible trial of the killers will all suffer and die. So basically you got yourself a revenge movie here. Clyde is killing them and isn't even hiding it, he admits it. Nick Rice ( Jamie Foxx ) is the DA on the case and needs to find out what the hell is going on. Now the fun part is that Clyde is performing the kills from within his prison cell, he even has to sit out in solitary and is still killing people, now how cool is that.

I totally dig the idea of a highly intelligent man orchestrating kills on specific times and places from his prison cell, all planned ahead of time. If you're a smart ass while watching this movie you'll find out there are a lot of plot holes so I recommend you not to think it all through. Heads up for Gerard Butler, this guy is making some mayor progress on this one after some sh!tty movies last year. I think we'll be seeing more of King Leonidas in the future so hurray to that. On the opposite, Jamie Foxx is on a decline. Ray was an excellent movie but after that it's just bad. As Nick Rice the DA he is just one stone face mofo, no emotion no nothing. Jamie and the ending of the movie are the only 2 things that suck. The movie is just handing out it's surprises like candy, like spoiling your daughter's birthday present a week before her actual birthday. Watch it with a time progress bar and stop the movie before the last 15 minutes, then close your eyes and make up your own ending and I promise you it will be way better then the awful piece of movie you just skipped...

This reminds me of the start of a great relationship, starts out wonderful, continues to grow, and then out of nowhere, BAM, it ends and you are left wondering what just happened.

As so many other reviewers have stated, it starts out with great suspense, originality, and creativity, and somewhere in the last 20 minutes, you are left wondering, did it really just end that way? Ouch! I found myself incredibly disappointed.

We all love Jaime Foxx's funny side, but really wanted to see something else happen to him in this film. I get the idea of the end, that he learned his lesson so to speak, but it was still really weak for what it could have been.

However, I'll still give it an 8 as it kept me quite intrigued throughout...so hard to find these days in a quality film.

I never rooted for Jamie Fox's character, I wanted Butler to kill everyone. The director failed to make me see Butler as a villain. If that was the intention, it didn't mesh. Fun movie though.

"Law Abiding Citizen" starts out like a modern-day version of "Death Wish," spends a few moments aping the "Saw" franchise, then settles in as a cat-and-mouse crime drama centered around the theme that the American legal system seems designed as much to thwart justice as to enact it.

The movie stands firmly in the long tradition of wish-fulfillment fantasies in which the victim of a broken legal system - functioning as a stand-in for an equally frustrated and helpless audience - finally says enough is enough and takes matters into his own hands, even going outside the limits of the law, if that's what it takes, to achieve justice.

As with the Charles Bronson character in "Death Wish," Gerard Butler's Clyde Shelton witnesses his wife and daughter being brutally raped and murdered by a couple of armed intruders. When the worst of the perpetrators cops a plea and is back out on the streets after a mere three years behind bars, Clyde is forced to take matters into his own hands. But he isn't content merely to bring down the killers themselves but to systematically go after everyone in the legal system – from strict-constructionist judges to hamstrung attorneys - who helped facilitate the injustice. That's where Nick Rice, well played by Jamie Foxx, comes in, the decent but by-the-book prosecutor who helped set up the deal and has now, along with everyone else involved with the case, become a prime target for Clyde's take-no-prisoners reign of terror and retribution.

The one thing that distinguishes "Law Abiding Citizen" from similar films in the genre is that it's not afraid to have a deeply troubled, possibly even psychotic, character at its core. For Clyde does not fit the mold of the typically lovable antihero. The audience is, in the early stages at least, asked to root him on as a conventional Angel of Retribution dispensing the justice that the court system saw fit to deny him, but so much of what he winds up doing steps so far over the line that we eventually balk at his tactics. It's this moral ambiguity that helps to mitigate some of the implausibility of Kurt Wimmer's screenplay, which often goes for effect at the expense of credibility. Indeed the movie's insistence at making him a sort of omnipotent, omnipresent existential force of nature to be reckoned with takes the movie out of the realm of reality and cheapens some of what it is trying to do. And, in the process of reaching its climax, the movie takes a plot turn so ludicrous and credibility-defying that the whole thing pretty much crashes and burns at the end.

That being said, Nick's interactions with Clyde are fun to watch and, thanks to taut direction by F. Gary Gray, there are some moments of genuine suspense scattered along the way. So if you can put your skepticism and critical-thinking skills on hold for the duration, you can have a pretty decent time with "Law Abiding Citizen."

Let's face it. Because a person is capable of pulling off the kinds of things done here, doesn't make the likelihood any greater. There is so much precision and luck involved in making things work that it would take a god pulling strings to allow these things to fall so easily into place. Even a silent partner is not going to do the job. I enjoyed the setup but the lengths gone through for revenge really pull it apart for me. The guy has so much power that he is completely in control. There would be a point in law enforcement where they would finally say, "Screw you!" The technology would have taken a fortune beyond imagination to work out. While I like the actors in this film, I can't recommend it's far fetched totality. Done in a more controlled and believable way, you have a stunner. It's just too much. And the ending is a real weakness.