Agrega una trama en tu idiomaA heated game of poker causes three men incarcerated for nonviolent offenses to brutalize their cellmate before taking drastic measures in order to cover up their crime.A heated game of poker causes three men incarcerated for nonviolent offenses to brutalize their cellmate before taking drastic measures in order to cover up their crime.A heated game of poker causes three men incarcerated for nonviolent offenses to brutalize their cellmate before taking drastic measures in order to cover up their crime.
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Opiniones destacadas
The events in this movie happened a few years ago in a German youth-prison, exactly like director/writer Uwe Boll tells. I researched and found accurate reports from that time on some German online newspapers. The only fiction in the movie may be the interviews with the offenders, but their's and the victim's character's have many similarities with the real ones.
People may detest this unusual movie, because it's really merciless with the audience, and the audience here may not be the same like in some other Boll movies. But in this case brutality is not shown to entertain, entertaining graphic violence has mostly a fictional aspect, which is not present here, it is shown to make the audience uncomfortable, to disturb.
To watch this movie means to participate with, to be in a small room together with three young men who are torturing and killing another one, who is too weak to help himself. And we can't help him.
Boll did his homework for this movie. The story follows exactly the real events, the young actors are very believable - for me Furlong does the most convincing part - the dissecting camera is always where it should (not) be, and the cut is well-made to give the audience some air to breathe; at least we get some insights about what drives such twisted minds.
Stoic is not a big movie, it's not for a big audience at all. It's not even an artwork. But it's a good, honest documentary horror movie about what people are able to do if civilization is only a few steps away.
People may detest this unusual movie, because it's really merciless with the audience, and the audience here may not be the same like in some other Boll movies. But in this case brutality is not shown to entertain, entertaining graphic violence has mostly a fictional aspect, which is not present here, it is shown to make the audience uncomfortable, to disturb.
To watch this movie means to participate with, to be in a small room together with three young men who are torturing and killing another one, who is too weak to help himself. And we can't help him.
Boll did his homework for this movie. The story follows exactly the real events, the young actors are very believable - for me Furlong does the most convincing part - the dissecting camera is always where it should (not) be, and the cut is well-made to give the audience some air to breathe; at least we get some insights about what drives such twisted minds.
Stoic is not a big movie, it's not for a big audience at all. It's not even an artwork. But it's a good, honest documentary horror movie about what people are able to do if civilization is only a few steps away.
I don't really get all the Uwe Boll bashers out there. I don't watch his video game films because, quite frankly, I think if you want to have a video game experience you should PLAY a video game. Call me crazy.
I watched "Stoic" because I loved "Rampage"---I loved the originality of it, I admired it's clarity of vision, and I liked the outlandishness of the piece. Boll's "I-don't-give-a-f***" attitude definitely did show through in that hyper-violent orgasm and it does so again with "Stoic."
What's odd about "Stoic" is that it would almost play better as a stage production. It's based on a real event that occurred in a German prison, where a harmless dare escalated into deadly consequence. It's really pretty simple, as Sam Levinson states in the preamble: "This system doesn't work!" And why should it? You put four guys in one small room, with varying degrees of maladaptive personalities, subject them to endless tedium and little activity---what do you think would happen? There is a reason why most US prisons don't do four-to-a-cell, after all.
The acting is very good for the most part (Levinson gets a bit melodramatic, but it's passable). Furlong is creepily chilling in his passive-aggressiveness. It's not the type of movie that generates a lot of tension (probably why few people like it). It does generate DREAD however and it isn't pleasant to watch even in a sicko-torture-porn type of way...there are no "oh wow" EFX...it's just...degrading. Would I watch it again? Probably not. Would I recommend it to my parents? Hell no.
Yet, I find myself giving it a relatively high-score. For those interested in how group dynamics tend to obliterate the ability or desire to think for one's self, "Stoic" is an relatively bold statement. One wonders if Boll was thinking of his rubber-stamping detractors when he made it.
I watched "Stoic" because I loved "Rampage"---I loved the originality of it, I admired it's clarity of vision, and I liked the outlandishness of the piece. Boll's "I-don't-give-a-f***" attitude definitely did show through in that hyper-violent orgasm and it does so again with "Stoic."
What's odd about "Stoic" is that it would almost play better as a stage production. It's based on a real event that occurred in a German prison, where a harmless dare escalated into deadly consequence. It's really pretty simple, as Sam Levinson states in the preamble: "This system doesn't work!" And why should it? You put four guys in one small room, with varying degrees of maladaptive personalities, subject them to endless tedium and little activity---what do you think would happen? There is a reason why most US prisons don't do four-to-a-cell, after all.
The acting is very good for the most part (Levinson gets a bit melodramatic, but it's passable). Furlong is creepily chilling in his passive-aggressiveness. It's not the type of movie that generates a lot of tension (probably why few people like it). It does generate DREAD however and it isn't pleasant to watch even in a sicko-torture-porn type of way...there are no "oh wow" EFX...it's just...degrading. Would I watch it again? Probably not. Would I recommend it to my parents? Hell no.
Yet, I find myself giving it a relatively high-score. For those interested in how group dynamics tend to obliterate the ability or desire to think for one's self, "Stoic" is an relatively bold statement. One wonders if Boll was thinking of his rubber-stamping detractors when he made it.
Tl;dr: Ignore the spammed rating, we all know Uwe Boll is a reliably terrible director, but he pulled off this one good film in his life. Good acting, good premise, believable characters who's motives are understandable given the context. It's pretty bleak, but if that's what you're into, it's a great way to spend an hour and half.
If I have any complaints about the movie, it's in the editing and (lack of) script. First of all, the movie is frequently intercut with interviews/interrogations of the surviving inmates. However, there is nobody in the movie actually questioning them. Often they'll answer a question and the audience doesn't have any context. It's my understanding that much of this film was improvised, which really helped the conversational madness of the scenes in the cell. But occasionally, you could tell an actor was stuck trying to think of something to say, which leaves a few awkward pauses and strange phrasing.
Other than that, for a movie that mostly takes place in a single room, it's quite entertaining. The pacing is great; you'll never be bored. There's some great acting, especially from Sam Levinson who you truly believe is traumatized. In his interview segments, he gives a very emotional performance. He acted with his hands a bit too much, but other than that, I'm shocked he hasn't done more serious mainstream dramatic roles.
The worst performance comes from John Connor from Terminator 2 (once I realized who he was, that's all I could think of him as). He's not terrible, but he plays the most remorseless character, so it seems like he's trying too hard to be a generic sociopath. The German dude was pretty good too.
Obviously the movie is dark and depressing, but if that's the kind of thing you're into, I highly recommend it.
If I have any complaints about the movie, it's in the editing and (lack of) script. First of all, the movie is frequently intercut with interviews/interrogations of the surviving inmates. However, there is nobody in the movie actually questioning them. Often they'll answer a question and the audience doesn't have any context. It's my understanding that much of this film was improvised, which really helped the conversational madness of the scenes in the cell. But occasionally, you could tell an actor was stuck trying to think of something to say, which leaves a few awkward pauses and strange phrasing.
Other than that, for a movie that mostly takes place in a single room, it's quite entertaining. The pacing is great; you'll never be bored. There's some great acting, especially from Sam Levinson who you truly believe is traumatized. In his interview segments, he gives a very emotional performance. He acted with his hands a bit too much, but other than that, I'm shocked he hasn't done more serious mainstream dramatic roles.
The worst performance comes from John Connor from Terminator 2 (once I realized who he was, that's all I could think of him as). He's not terrible, but he plays the most remorseless character, so it seems like he's trying too hard to be a generic sociopath. The German dude was pretty good too.
Obviously the movie is dark and depressing, but if that's the kind of thing you're into, I highly recommend it.
First off - before I get to the movie itself... I just wanted to speak to the morons who ALWAYS automatically vote 1 for everything Boll does - without even watching the damn movie. Its just a really childish and insanely stupid thing to do.
I personally have really enjoyed his past few films... you just never know what to expect when you sit down and watch a Uwe Boll movie and I commend that! In The Name of the King in particular for its insanely over-the-top obviously made to be laughed at entertainment. I mean really -- KING Burt Reynolds??? (best "last conversation before dying" scene I've ever watched... I laughed for like 15 minutes)... and a Ray Liotta Magi who constantly says the most hilarious stuff throughout the movie. And the choreography of the fight scenes was actually quite commendable (sadly not violent, but its all good) - anyways....
... and then Seed, Postal, Tunnel Rats (best war movie I've seen in years - phenomenal flick) --- all 3 are fantastic movies in their own right. Far Cry was god awful and so was Alone in the Dark 2 (sorry Uwe)
And then we have STOIC! - In the same dark/depressing vein that made Tunnel Rats such a kick ass movie... this thing takes you on a wild ride. A ride NOT for the squeamish to be more precise... and not for people who can only watch "Hollywood blockbuster" crap to be entertained. Thankyou to the other reviewer for this movie; I did not know most the movie was "improv" on the actors part and that's an incredibly awesome move on Bolls part to boot... gave the movie a feeling of reality you don't see much anymore. The last half hour in particular is some seriously intense stuff. The acting was also very good... after watching American History X like 19 times + Animal Factory (highly underrated movie), and of course Detroit Rock City + even Dark Reel was pretty damn entertaining... I've always really liked Furlong -- and I'm really happy to see him again in top form. The other actors too were excellent; especially Sam Levinson as the most sympathetic/remorseful of them all.
So go find this movie and watch it - then find Tunnel Rats and watch that... and then STOP giving this man the automatic 1's he does not deserve (except for maybe Far Cry... dude, that was just BAD)!!!
I personally have really enjoyed his past few films... you just never know what to expect when you sit down and watch a Uwe Boll movie and I commend that! In The Name of the King in particular for its insanely over-the-top obviously made to be laughed at entertainment. I mean really -- KING Burt Reynolds??? (best "last conversation before dying" scene I've ever watched... I laughed for like 15 minutes)... and a Ray Liotta Magi who constantly says the most hilarious stuff throughout the movie. And the choreography of the fight scenes was actually quite commendable (sadly not violent, but its all good) - anyways....
... and then Seed, Postal, Tunnel Rats (best war movie I've seen in years - phenomenal flick) --- all 3 are fantastic movies in their own right. Far Cry was god awful and so was Alone in the Dark 2 (sorry Uwe)
And then we have STOIC! - In the same dark/depressing vein that made Tunnel Rats such a kick ass movie... this thing takes you on a wild ride. A ride NOT for the squeamish to be more precise... and not for people who can only watch "Hollywood blockbuster" crap to be entertained. Thankyou to the other reviewer for this movie; I did not know most the movie was "improv" on the actors part and that's an incredibly awesome move on Bolls part to boot... gave the movie a feeling of reality you don't see much anymore. The last half hour in particular is some seriously intense stuff. The acting was also very good... after watching American History X like 19 times + Animal Factory (highly underrated movie), and of course Detroit Rock City + even Dark Reel was pretty damn entertaining... I've always really liked Furlong -- and I'm really happy to see him again in top form. The other actors too were excellent; especially Sam Levinson as the most sympathetic/remorseful of them all.
So go find this movie and watch it - then find Tunnel Rats and watch that... and then STOP giving this man the automatic 1's he does not deserve (except for maybe Far Cry... dude, that was just BAD)!!!
I have always been a big fan of eddie furlong's so when i saw his name on the cover of this film at the video store i of course wanted to rent it, that is until i saw who had directed it now i know the very large stigma that comes with anything uwe boll directs but never the less i rented it anyway hoping that perhaps it would not be the same as some of his other films i have seen.
Wow. just wow, i don't really know how to explain my feelings on this film. Firstly i would like to say that this is in no means what so ever a bad film it is in fact the opposite, it blew me away. I was incredibly surprised at how quickly it had drawn me in, the acting was impeccable and the story absolutely heartbreaking. Certain scenes had me sitting in front of my television mouth agape with tears in my eyes which is very unexpected from a Uwe Boll film.
I am absolutely serious when i say watch this film, it will make up for a lot of the disappointments that came from his previous works. This movie says a lot about the human condition and the things we will do to save our own asses.
Wow. just wow, i don't really know how to explain my feelings on this film. Firstly i would like to say that this is in no means what so ever a bad film it is in fact the opposite, it blew me away. I was incredibly surprised at how quickly it had drawn me in, the acting was impeccable and the story absolutely heartbreaking. Certain scenes had me sitting in front of my television mouth agape with tears in my eyes which is very unexpected from a Uwe Boll film.
I am absolutely serious when i say watch this film, it will make up for a lot of the disappointments that came from his previous works. This movie says a lot about the human condition and the things we will do to save our own asses.
¿Sabías que…?
- TriviaBased on true events that occurred in Siegburg Prison, Germany, in 2006.
- Versiones alternativasThe film was released in Germany in two versions, a edited FSK-18 release and a uncut version that was not rated.
- ConexionesReferenced in The Nostalgia Critic: Alone in the Dark (2009)
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- How long is Stoic?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución
- 1h 31min(91 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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