Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.
- Dirección
- Escritura
- Estrellas
- Premios
- 3 premios ganados y 17 nominaciones en total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
Time for Jesse Plemons to get an Oscar
Don't get me wrong, Emma Stone is terrific here, carrying that same cool, unreadable spark that Tilda Swinton built a career on, only with a younger, brighter edge. Stone has already collected two Oscars, though, and what really catches you off guard is Jesse Plemons, who turns in a performance so sharp and so unsettling that you keep thinking you've never quite seen him push himself like this.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
The Truth about Aliens
Lanthimos strikes again! And it's another masterpiece. Black Comedy, Satire, Social critic on internet conspiracy theories, weird, absurd, witty, bloody and last but not least a nihilistic comment on mankind working on its own extinction.
And what an intelligent screenplay it is! And all in all an exciting and entertaining movie with surprising twists. How many times can you leave the theatre feeling refreshed and inspired, because you know you have just watched something you have never seen on a screen before? Emma Stone and Jesse Plemons deliver great performances, on top of their skills. It's such a pleasure to watch actors with their depth and intensity.
I loved the whole experience, it's a brilliant movie, strongly recommended.
And what an intelligent screenplay it is! And all in all an exciting and entertaining movie with surprising twists. How many times can you leave the theatre feeling refreshed and inspired, because you know you have just watched something you have never seen on a screen before? Emma Stone and Jesse Plemons deliver great performances, on top of their skills. It's such a pleasure to watch actors with their depth and intensity.
I loved the whole experience, it's a brilliant movie, strongly recommended.
Plemons dropped a nuclear bomb of a performance.
Plemons sinks into this role like wet cement.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
If Heath Ledger's Joker was chaos on fire, Plemons is the silence that burns before the explosion. The yin to that yang. No makeup, no theatrics, just a man quietly losing his grip one inch at a time. You can't look away.
His scenes of him 'brainwashing' his cousin exudes a natural darkness I cannot recall ever seeing on screen before.
A darkly funny and surreal thriller
Bugonia is a classic Yorgos Lanthimos movie as it examines the darkest parts of human nature in a characteristically darkly comedic fashion but it also offers something different when it operates as a tense thriller. It's a neatly structured film that only gets better once things properly escalate in a genuinely shocking way and it reaches a satisfying conclusion. This is another recent release which really feels of the moment.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
Jesse Plemons is amazing by being fully committed to the naivety of his character which makes him equally threatening and gullible. Emma Stone is effortlessly confident and funny as she slowly begins to control the situation, continuing her winning collaboration with Yorgos in a way that shows her full potential once again. It's the constantly shifting power play between these two that keeps it so investing and unpredictable.
Director Yorgos Lanthimos delivers one of his strongest films to date where the trademark surrealism feels more appropriate thanks to the premise whilst working with some of his most consistent collaborators behind the camera. Robbie Ryan's cinematography knows how to make each scene look beautiful and surreal at the same time, complimented by Jerskin Fendrix's suitably paranoid score ensuring everything feels ominous when needed.
8Ehi7
Lanthimos-stone tackles sci fi, horror, comedy and drama
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The Movies of Yorgos Lanthimos
¿Sabías que…?
- TriviaAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- ErroresWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Créditos curiososThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- Bandas sonorasGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
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The Year in Posters
The Year in Posters
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Bugonia
- Locaciones de filmación
- Sarakiniko Beach, Milos Island, Grecia(beach in the end)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 17,374,275
- Fin de semana de estreno en EE. UU. y Canadá
- USD 709,848
- 26 oct 2025
- Total a nivel mundial
- USD 34,800,847
- Tiempo de ejecución
- 1h 58min(118 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.50 : 1
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