Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.Dos jovenes conspiranoicos capturan e interroga a una mujer de negocios que creen que es una invasora alienígena.
- Dirección
- Escritura
- Estrellas
- Premios
- 3 premios ganados y 17 nominaciones en total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
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Opiniones destacadas
Another Great Yorgos Lanthimos Film
I am a big fan of Yorgos Lanthimos as a director from his previous films like "Poor Things" and "Kinds of Kindness", both of which I think are among the best movies of recent years. I also liked "The Lobster".
Now he is back with his former collaborators, actors Jesse Plemons and Emma Stone in the new film "Bugonia", which I think is another contender for best film of the year.
The story is about two men who kidnap a CEO because they think she is an alien trying to destroy the earth. Emma Stone plays the CEO and Jesse Plemons plays one of the kidnappers.
They both give excellent performances worthy of an Academy Award nomination. And the film is superbly shot by the cinematographer Robbie Ryan. I think this is the most beautifully photographed movie I have seen all year. And the production design and the music score are both very good. I recommend this movie to anyone who has enjoyed the previous work of Yorgos Lanthimos. A bizarre but enjoyable film.
Now he is back with his former collaborators, actors Jesse Plemons and Emma Stone in the new film "Bugonia", which I think is another contender for best film of the year.
The story is about two men who kidnap a CEO because they think she is an alien trying to destroy the earth. Emma Stone plays the CEO and Jesse Plemons plays one of the kidnappers.
They both give excellent performances worthy of an Academy Award nomination. And the film is superbly shot by the cinematographer Robbie Ryan. I think this is the most beautifully photographed movie I have seen all year. And the production design and the music score are both very good. I recommend this movie to anyone who has enjoyed the previous work of Yorgos Lanthimos. A bizarre but enjoyable film.
A wonderfully acted cynical fable
London Film Festival review
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
Time for Jesse Plemons to get an Oscar
Don't get me wrong, Emma Stone is terrific here, carrying that same cool, unreadable spark that Tilda Swinton built a career on, only with a younger, brighter edge. Stone has already collected two Oscars, though, and what really catches you off guard is Jesse Plemons, who turns in a performance so sharp and so unsettling that you keep thinking you've never quite seen him push himself like this.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
"Bugonia" eases in with what looks like a simple setup, just two men talking, one dominating the dialogue while the other tries to keep pace, and before you realize it the whole thing has shifted into a story that moves fast yet stays grounded enough to feel like something that could unfold a few blocks from where you live. I was hooked from the first scene and stayed that way nearly all the way through, though the ending lingers longer than it needs to, just enough to place it a step below "Poor Things." Even so, it is unmistakably a Yorgos Lanthimos production, and it carries that same strange, irresistible flavor that makes his work so easy to sink into.
Why Bugonia Is Lanthimos' Boldest Film in Years
Watching *Bugonia* felt strange in the best possible way. Lanthimos throws you into a world where nothing feels entirely normal - the rules are odd, people react in unpredictable ways, and yet something about all this chaos feels oddly familiar. You laugh, but there's always tension underneath it, like you're waiting for something to go wrong. The emotions hit harder than expected, even in moments that seem absurd on paper.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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8Ehi7
Lanthimos-stone tackles sci fi, horror, comedy and drama
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The Movies of Yorgos Lanthimos
¿Sabías que…?
- TriviaAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- ErroresWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Créditos curiososThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- Bandas sonorasGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Bugonia
- Locaciones de filmación
- Sarakiniko Beach, Milos Island, Grecia(beach in the end)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 17,374,275
- Fin de semana de estreno en EE. UU. y Canadá
- USD 709,848
- 26 oct 2025
- Total a nivel mundial
- USD 34,800,847
- Tiempo de ejecución
- 1h 58min(118 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.50 : 1
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