La decisión de partir

As "Decision To Leave" (2022 release from South Korea; 139 min) opens, the body of a mountain climber is found. Was he pushed or did he slip? Detective Hae-Jun leads the investigation of this "unaccountable death without witnesses", and his first target is the surviving wife, Seo-Rae, an emigrant from China without much outward signs of any grief... At this point we are 10 minutes into the movie.

Couple of comments: this is the latest from writer-producer-director. Park Chan-wook, who previously brought us "The Handmaiden" and "Stoker", among others. Here he brings us what at first appears to be a murder mystery, but it isn't long before the movie morphs into something different altogether. The movie is super plot-heavy so the less said about it, the better. Just watch! I will say that the movie's overall tone and atmosphere is transfixing from start to finish. The photography on location in Korea (thankfully staying away from the usual suspect Seoul) is outstanding. But in the end it's all about the movie's powerful storytelling, a trademark of many of Park's previous films.

"Decision To Leave" premiered at this year's Cannes film festival to immediate critical acclaim (and Park winning the festival's "Best Director"). The movie is currently rated 94% Certified Fresh on Rotten Tomatoes, and for good reason, I am already going on record that this film without a doubt will get a "Best Foreign Film" Oscar nomination. The movie opened at my local arthouse theater here in Cincinnati this weekend, and I couldn't wait to see it. The early evening screening where I saw this at on the day after Thanksgiving was attended so-so (I counted 10 people including myself). I can only hope that as word of mouth gets around, along with the expected year-end award nominations coming out, this will garner wider attendance. If you are in the mood for a top-notch foreign film that starts out as a murder mystery but evolves into something else altogether, I'd readily suggest you check this out, and draw your own conclusion.

Hmm. I really wanted to like this movie, since I'm a big fan of The Handmaiden by Park Chan-wook. I went in with solid expectations, but unfortunately, for the most part this didn't work for me really.

Let's start with the positive things though. What did I like? The overall cinematography was pretty impressive, with clever camera work elevating each scene. Some camera angles where really interesting in how they framed the characters in the scene, both using close-ups and also with unconventional camera placements. The acting was good, especially from Tang Wei who portrays her character with a great sense of mystery. Also, I very much liked the soundtrack.

But, I'll be honest here, this movie confused the hell out of me. Even though I really tried to follow along with the plot. The movie introduces and reveals so much information all the time and moves between scenes with such a fast pace that it's pretty hard to process everything. On top of that, the narrative is constantly jumping back and forth in time and place, suddenly revisiting old scenes and conversations briefly, which just adds to the confusion. It's not that I dislike complex storytelling, the earlier mentioned The Handmaiden has plenty of interwoven and layered narrative that still manages to tell an understandable and engaging story. Decision to Leave feels in comparison like a needlessly complicated movie with a runtime that is too long for its own good. There are a lot of twists and turns going on, but it just gets a bit tiresome by the end.

I assume that this is a movie that probably becomes better on subsequent viewings, but currently I'm not sure if I have the energy or interest to give this another go. As it stands now, I think this movie is only decent and nothing more really, which is a bit unfortunate.

(Seen at the 2022 Stockholm International Film Festival)

This is romantic movie about impossible love.

Apart from Park Chan-wook's trademark attention to detail in cinematography, blocking and production design, there really isn't much to be interested at. This movie tries to blend some comedy to tragic crimes and wrap it in this bizarre romance. However for romance to work, it must show somehow. These characters are so cold and distant, you can't believe that either of them love anybody at anytime. The overall theme is this theory of two personal trait groups, where two different persons just can't work out. This is true and sad thing in real life as you start to figure out relationships.

Even though the "theme's" idea is important for people to recognize to navigate in life, it hardly is new idea in movies. It isn't big enough revelation to hang in this movie for it's lengthy run time.

It seems the script was "boring", because many scenes experiment with distortion in perspective in cinematography and somehow for me they seem afterthought and not something that was planned in the script writing process. I could be wrong, but for me instead being new interesting way to visualize, they seemed gimmicky way to keep viewers interest.

There are a lot of language stuff here, even more so with two asian languages for us western folk, so I can't really say if I missed something very important ( I read afterwards and I don't think what I missed really made a difference in the way I see the characters). No matter the language love and passion should be seen without any words and the point of the film anyways (said by the director) was to not use these common words for love.

Decision To Leave follows a dangerously obsessive relationship with thrilling, emotional and unpredictable results. Balancing a tender and unusual romance with a genuinely gripping mystery.

Park Hae-il and Tang Wei are both incredible, both subtly restrained and vulnerable at the same time with chemistry that's ridiculously palpable and their game of cat and mouse is effortlessly enthralling as the power dynamic constantly changes.

Park Chan-Wook's direction is superb, the film is constantly visually inventive in a way that enhances the psychological aspects and the cinematography by Kim Ji-Yong is absolutely gorgeous. The music by Cho Young-Wuk is excellent with a sense of suspense and mystery reminiscent of old Hollywood.

A body has been found beneath a cliff, you are a copper, and you should find what made him stiff, was it suicide or murder, an accident, lets dig down further, speak to his wife, try to discover any rift. It's not too long before you're caught inside a spell, a kind of fog descends that clouds and hangs and dwells, conflicting feelings are consumed, Chinese Whispers are perfumed, exchanges made, that lock you in, a widows cell. Time passes and you take a new commission, until out shopping and you fall into remission, a second bolt gives you a jolt, brings you to another halt, the rising tides, conceal and hide, your indiscretion.

Great performances, especially from Tang Wei, and a story to get you thinking, that is what great directors and great films are supposed to do after all.