Una actualización de la película de 1996 "Twister", centrada en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteorológi... Leer todoUna actualización de la película de 1996 "Twister", centrada en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteorológica.Una actualización de la película de 1996 "Twister", centrada en un par de cazadores de tormentas que arriesgan sus vidas en un intento de probar un sistema experimental de alerta meteorológica.
- Dirección
- Guionistas
- Elenco
- Premios
- 36 nominaciones en total
Resumen
Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
Opiniones destacadas
Twister is an absolute travesty, a cinematic disaster that not even its colossal budget could save. It's painfully clear that this film was cobbled together with the sole intention of squeezing every last dime out of impressionable teenagers, capitalizing on the nostalgia of the original classic. The sheer audacity of the filmmakers to slap a big, famous headline on this monstrosity is infuriating.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.
They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.
Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
Twisters is odd because it's not really a sequel to the original Twister (1996), nor is it a remake. It's its own thing. And that's kind of a good thing. This film is highly predictable, which takes away a lot of the suspense, but it still manages to present a few exciting moments. Also, I expected the visual effects to far surpass the ones from the 90s, but they honestly seem about the same. And there are far too many characters for me to care about any of them individually, except for Glen Powell, who is a whirlwind of charisma. Even with all its eye-rolling moments, I enjoyed watching Twisters.
Twisters is certainly well made with a talented core cast. It is far from a bad film, but I found the story to be familiar and predictable as far as disaster films go.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
Twister is an almost three decades older movie yet it has unquestionably superior cinematography, editing, sound editing, surround sound mixing, score and soundtrack. It also has much more creative and visually memorable tornado sequences.
Does Twisters have higher resolution CGI? Yes, the CGI is higher resolution but it's not used right and the quality has barely improved since the one decade older tornado movie "Into The Storm".
There is zero mention of climate change and the human causes of more extreme weather.
There's a rodeo sequence (really?) that could have easily been replaced with some other activity like monster truck show or whatever.
They could have made the tornadoes more dark, ominous and violent like in Twister. It also lacks thrilling shots of crazy debris almost hitting the characters.
The could have made it suspenseful and less predictable by adding and killing off some well developed and likable characters.
High frame rate 3D would have been the appropriate choice for an action movie like this, but they cheaped out..
The budget of Twisters is double the budget of Twister. Unbelievable.
You can clearly tell that it was directed by someone who has no talent or experience with directing action.
Twisters is not a sequel to Twister. It's a pointless re-imagining of Twister.
There would have been a chance for some cinematic magic again if they hired the right people to make a sequel to Twister: Director: James Cameron or Jan De Bont Writers: David Koepp and Anne-Marie Martin.
Does Twisters have higher resolution CGI? Yes, the CGI is higher resolution but it's not used right and the quality has barely improved since the one decade older tornado movie "Into The Storm".
There is zero mention of climate change and the human causes of more extreme weather.
There's a rodeo sequence (really?) that could have easily been replaced with some other activity like monster truck show or whatever.
They could have made the tornadoes more dark, ominous and violent like in Twister. It also lacks thrilling shots of crazy debris almost hitting the characters.
The could have made it suspenseful and less predictable by adding and killing off some well developed and likable characters.
High frame rate 3D would have been the appropriate choice for an action movie like this, but they cheaped out..
The budget of Twisters is double the budget of Twister. Unbelievable.
You can clearly tell that it was directed by someone who has no talent or experience with directing action.
Twisters is not a sequel to Twister. It's a pointless re-imagining of Twister.
There would have been a chance for some cinematic magic again if they hired the right people to make a sequel to Twister: Director: James Cameron or Jan De Bont Writers: David Koepp and Anne-Marie Martin.
¿Sabías que…?
- TriviaJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- ErroresIn the movie, tornadoes kept popping up and catching crowds unaware.
In Oklahoma TV stations compete aggressively to offer the best severe weather coverage. When conditions are right for potential severe each station would have at least three - if not more - teams of trained spotters deployed, a helicopter for each station, and multiple forms of advanced radar to track storms.
While there are a number of amateur, academic and even weather-tourism spotters around, the majority of spotters would be affiliated with television stations, and citizens know to be following weather reports, resulting in significant advanced notice of approaching storms.
- Créditos curiososThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- Bandas sonorasSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
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- How long is Twisters?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 155,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 267,762,265
- Fin de semana de estreno en EE. UU. y Canadá
- USD 81,251,415
- 21 jul 2024
- Total a nivel mundial
- USD 372,262,265
- Tiempo de ejecución
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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