Una mujer policía cyborg y su compañero cazan a un pirata informático conocido como Puppet Master. Esta película es una versión revisada de Ghost in the Shell.Una mujer policía cyborg y su compañero cazan a un pirata informático conocido como Puppet Master. Esta película es una versión revisada de Ghost in the Shell.Una mujer policía cyborg y su compañero cazan a un pirata informático conocido como Puppet Master. Esta película es una versión revisada de Ghost in the Shell.
- Batou
- (voz)
- Diplomat
- (voz)
- Section 9 Staff Cyberneticist
- (English version)
- (voz)
- …
- Additional Voices
- (English version)
- (voz)
- Diplomat
- (English version)
- (voz)
- Batou
- (English version)
- (voz)
- Old Man
- (English version)
- (voz)
- (as George Celik)
- Additional Voices
- (English version)
- (voz)
- Togusa
- (English version)
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaA Basset Hound recurs several times in the film: in a commercial, on the street in flyers on the wall, in the garbage man's picture. The Basset Hound actually has no significance symbolically or thematically. The director just likes Basset Hounds.
- ErroresWhen the Section 9 members discuss about the "host shell" female cyborg, there's a shot with the brain hologram out of focus in the foreground. In this shot, the original (1995 movie) hologram is shown, instead of the new CGI one.
- Citas
Batou: Chief, you ever question the ethics of the neurosurgeons who monkey around inside your brain?
Section 9 Department Chief Aramaki: They undergo psychiatric evaluations, especially those in security. They're subjected to a stringent screening of their personal lives. Of course, the ones who check are only human.
Batou: I guess once you start doubting, there's no end to it.
- ConexionesEdited from Ghost in the Shell (1995)
In the 2.0 remake, the color palette was changed to a earthy, brown look that we know from so many video games and movies. Additionally the image is drowned in blur and bloom effects. Watching the movie you can clearly tell which scenes are CGI and which are hand-drawn, whereas these elements integrated well in the original. To make matters worse, many of the CGI scenes do not hold up to the original hand-drawn scenes. The jaw-dropping intro and title sequences from the original GITS are ruined for that very reason. The city has lost it's dirty, melancholy mood and is now indistinguishable from designs in other movies.
A similar treatment has been given to the audio. All new sounds are toned down in impact. Vehicles, machinery and weapons now sound like plastic. The new sounds alone destroy the combat scenes beyond recognition. On the upside, the original voices and music were preserved.
Why Ghost In The Shell received this treatment I can not understand. Supposedly it was to adapt GITS to the look of it's successor "Innocence" (Ghost In The Shell 2). The merits of such an undertaking can be disputed on a general level, yet GITS 2.0 is a perfect example of how not to execute such a task. Viewers should be able to recognize "Ghost In The Shell" as "Innocence"'s predecessor from the title, the story and promotional material.
- tilo-probst
- 29 may 2012
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Detalles
Taquilla
- Total a nivel mundial
- USD 489,807
- Tiempo de ejecución1 hora 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD