- Premios
- 3 premios ganados y 16 nominaciones en total
Alex Barber
- Kid Beachgoer
- (sin créditos)
Madison Jessica Bennett
- Kid Beachgoer
- (sin créditos)
Sebastian Deerkop
- Beach Goer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Leave the World Behind' delivers a suspenseful experience with standout performances from Julia Roberts and Mahershala Ali, and striking cinematography. The film's examination of societal themes, like technology dependence and racial tensions, is highlighted, though some find these elements overly pronounced. The ending sparks debate; some commend its ambiguity and realism, while others deem it unsatisfying and abrupt. Despite varied opinions, the film's tension and atmosphere are widely appreciated, making it a compelling, thought-provoking watch.
Opiniones destacadas
Started out with lots of promise for a thoughtful, tense thriller. But unfortunately that didn't come to pass. And unfortunately the ending didn't make up for the thin soup we were asked to digest for the previous hour and a half.
I can't even say the acting was terrific, because it just seemed so . . . Adequate. And the direction was off and on, with some really good moments but way too many closeups of faces just wordlessly. . . Looking.
Bless them all for trying but it just didn't hold my attention. Although I hung in there until what I hoped would be a revelatory and redeeming ending. But alas, no.
I can't even say the acting was terrific, because it just seemed so . . . Adequate. And the direction was off and on, with some really good moments but way too many closeups of faces just wordlessly. . . Looking.
Bless them all for trying but it just didn't hold my attention. Although I hung in there until what I hoped would be a revelatory and redeeming ending. But alas, no.
Amanda and Clay take their kids for a weekend break in luxury home. On The first night, communications break down, and a strange man and woman appear at the front door, claiming to be the home owners.
It's only right that I start by saying, I didn't care for the book, I read it back in January, I couldn't get into it, the film adaptation, however, I rather enjoyed.
We've all seen end of the world films before, it put me in mind of Children of Men, War of The Worlds, The Stands etc, I don't think this is as memorable, or as poignant, but it's worth seeing.
I liked some of the imagery, the ship, the flamingos, and I did like the strangeness, the curiousness of it, at no point do you seem to know what's going on. Teslas at the end of the world, that was funny.
It's so interesting seeing Roberts playing a character like Amanda, I only just finished watching pretty woman, Vivian is sassy, but cute and pretty sweet, nice to see her playing someone a little more unpleasant, I really did enjoy her scenes with Ruth.
That ending.....no comment.
I could watch Mahershala Ali in anything, he's such a fine actor, Ethan Hawke very good also.
I get why some dislike it, and on another day it may have driven me round the twist, but this afternoon, I enjoyed it.
7/10.
It's only right that I start by saying, I didn't care for the book, I read it back in January, I couldn't get into it, the film adaptation, however, I rather enjoyed.
We've all seen end of the world films before, it put me in mind of Children of Men, War of The Worlds, The Stands etc, I don't think this is as memorable, or as poignant, but it's worth seeing.
I liked some of the imagery, the ship, the flamingos, and I did like the strangeness, the curiousness of it, at no point do you seem to know what's going on. Teslas at the end of the world, that was funny.
It's so interesting seeing Roberts playing a character like Amanda, I only just finished watching pretty woman, Vivian is sassy, but cute and pretty sweet, nice to see her playing someone a little more unpleasant, I really did enjoy her scenes with Ruth.
That ending.....no comment.
I could watch Mahershala Ali in anything, he's such a fine actor, Ethan Hawke very good also.
I get why some dislike it, and on another day it may have driven me round the twist, but this afternoon, I enjoyed it.
7/10.
Facing the apocalypse in a unique way is not an easy thing to do in movies, but director/screenwriter Sam Esmail takes Rumaan Alam's 2020 novel and turns it into an unrelenting 2023 psychological thriller that captures the current extremist political landscape and isolationist world view with sharp acuity. No one real is explicitly mentioned, but so much of the threat presented in the spiraling plot felt not only relevant but palpable. It starts with a last-minute family vacation in a Long Island mansion and the two strangers who enter their lives. Julia Roberts plays an unapologetically mistrustful woman with familiar conviction, while Ethan Hawke does what he can as her laid-back husband. As the mysterious stranger, Mahershala Ali has to play it close to the vest, while Kevin Bacon has an effective turn late in the story. I could've done without some of the contrived camera angles and predictable music cues, but overall the film got me thinking what I would do under similar circumstances.
People will cry about the ending, but the ending is the best part of the film. I won't go into details but the ending isn't the ending, it's the beginning. How people can't see that is beyond me.
The film is apocalyptic horror comedy essentially. Also a dive into what makes us human and how we judge others but in reality we're just living in our own delusion. It's very meta and most people won't get it. That's fine.
I really liked the tension, the acting, the score and the comedic break scenes (dancing, etc). The other way this film excels is how it uses exposition. They use character, dialogue and subtleties to slowly bring the plot. It's not for everyone but if you like cinema that's not made to be easily digested, you will like it. Well done! 7.3/10.
The film is apocalyptic horror comedy essentially. Also a dive into what makes us human and how we judge others but in reality we're just living in our own delusion. It's very meta and most people won't get it. That's fine.
I really liked the tension, the acting, the score and the comedic break scenes (dancing, etc). The other way this film excels is how it uses exposition. They use character, dialogue and subtleties to slowly bring the plot. It's not for everyone but if you like cinema that's not made to be easily digested, you will like it. Well done! 7.3/10.
Why is it irritating? Because this movie doesn't know what it wants to be. It wants to be everything, it is everything but then it's nothing. It just doesn't payoff any of the things that it lead you to believe that it is. You can't give it 0 stars because it feels like it's way better than that but you can't give it 10 stars because it feels like it doesn't deserve any stars. You just feel empty and irritated after watching it. At the end of the movie you just feel like you studied for the wrong test. If this movie would have finished any of the twist it started it would be a solid 8 but yet nothing.
¿Sabías que…?
- TriviaThe picture of the waves in the upper bedroom changes during the movie. The tide is rising. Same applies for the black and white picture in the living room which resembles a changing Rorschach' picture.
- ErroresAiring on the television is the outdated Emergency Broadcast System (EBS). This was an emergency warning system used in the United States from 1963 to 1997, at which point it was replaced by the Emergency Alert System (EAS) which became operational on January 1, 1997.
However, it is against FCC regulations to use the EAS and its related tones in TV and movies. NBCUniversal was fined $530,000 in 2014 for airing an Olympus Has Fallen trailer that used real EAS alerts.
Its likely the movie used the old EBS alerts to get around that issue.
- Citas
Amanda Sandford: We fuck each other over all the time, without even realizing it. We fuck every living thing on this planet over and think it'll be fine because we use paper straws and order free-range chicken. And the sick thing is, I think deep down we know we're not fooling anyone.
- Bandas sonorasThe Rev3nge
Written by Joey Bada$$ (as Jo-Vaughn Virginie Scott), Powers Pleasant, Sucuki (as Tim Friedrich), Adam Pallin, and Gregor Sperzel
Performed by Joey Bada$$
Courtesy of Pro Era/Cinematic Music Group and Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Leave the World Behind
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 2h 18min(138 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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