Maremoto

We enjoyed it a lot. Norway continues to pump out good flicks and series. It's great we can see other countries movies.. it, more than the internet, makes the world a smaller, safer place. Assuming we get rid of Putin, Xi and other nefarious evil characters on world stage. I think someday in next couple decades we will find world peace. Think I'm naisve? I remember when Norway was thought to be in that same category along with many others who now are great countries (some better than USA). If I had foresight I'd moved my family to Norway 30 yrs ago.

Worth a watch for sure.

I enjoyed the film. The acting was good, the effects believable and the underlying message important.

I want to urge people who visit this site in order to decide whether or not to watch a particular film to concentrate on the subject, the director, the actors and the writers. If some or all of those intrigue you, go for it. Pay as little attention as possible to the reviewers' remarks and opinions as they are often misleading and/or wrong. Do not let them sway you. Respect the time and effort people have put into creating the films and form your own opinions.

I think this movie is a great example of good, Norwegian quality. It includes great actors, respectable CGI, and a deep, cinematic experience. In my opinion, this one is better than both the Norwegian The Wave (2015) and The Quake (2018), and can easily beat several of Hollywood's disaster movies. Recommending!

It felt a little long and dragged out for the 104 min runtime, but it was still a solid and entertaining production, with excellent cinematography and S/VFX. Casting and performances were spot on. It's a good one-time watch, and a well deserved 7/10 from me.

Another Norwegian disaster movie which was a success in the Norwegian theatres. I wasn't expecting much from this, as the trailer seemed lame, telling the movie was overacted. I'm happy to say it was not. Before showing it abroad, they should make a new trailer, or it will be more lightly to bomb.

It started off with The Wave (Bølgen) in 2015 (Director: Roar Uthaug, Writers: John Kåre Raake and Harald Rosenløw-Eeg) which was 9/10.

Followed by The Quake (Skjelvet) (The Quake) in 2018 (Director: John Andreas Andersen, same writers as The Wave) which was 7/10.

Followed by The Tunnel (Tunnelen) in 2019 (Director: Pål Øie, Writer Kjersti Helen Rasmussen) which also was 7/10.

And now The Burning Sea (Nordsjøen) in 2021. (John Andreas Andersen, Writers: Harald Rosenløw-Eeg and Lars Gudmestad) which I think is 8/10.

Before this Norwegian disaster movies did hardly exist, maybe with the exception of People in the sun (Mennesker i Solen) from 2011 which has a funny approach and which I think is under-appreciated and I also loved to an 8/10.

The team behind The Wave was also behind The Quake, which is some kind of follow-up, and now this The Burning Sea, while The Tunnel was an exception.

Well, this is a step up, both when it comes to the catastrophe as well as in effects. The CGI is, like in them all superb. No wonder Hollywood searches Norway for CGI-talents, as all these movies are made on what would be a shoestring budget in Hollywood. The story is also good, and quite believable, though of course there are plot holes, and things that are not drawn out too much, hence the length of the movie.

I was on the egde of my theater seat along the way. Even if I didn't like very much the kid-story took too much place. Bu well done! I hope for more Norwegian disasters!