Asesino del futuro

Time travel films open up all manner of questions because of the paradoxes every action and reaction produce. If X occurred, surely Y would happen, which means X wouldn't happen after all… And so it is with Looper.

Alas, to avoid dishing out hugely unpopular plot spoilers I need to skirt around the concerns, so you'll just have to come round with cake and we can discuss it in private. But there are some pretty substantial issues with Looper that cause questions to be asked and lead to more than a couple of possible explanations as to what exactly is going on. Don't see it alone; you'll need a friend around to discuss it on the journey home.

Equally, don't be put off. You don't need to be Einstein to enjoy Looper, as some of the audience proved…

In 2072, time travel is both possible and illegal and murder is more easily solved because corpses are harder to lose. However mobs and Mafiosi types are prevalent and have ingeniously devised a solution: tie your victim up and send him back in time to a location where a looper will be waiting to blow his/her brains out. However, when a looper's contract is up, they find themselves blowing the brains out of their older self. Except when looper Joe (Joseph Gordon-Levitt) stares down the barrel at a version of himself that is thirty years older, Old Joe (Bruce Willis) outsmarts him and so begins a cat and mouse chase where there are multiples of each species and most of them aren't called Joe.

Confused? Good. Don't think any more or you'll confound yourself with your wondering and wandering along all the possible flows and tributaries that lead from them. Like, Is he actually... Dammit.

Along with the quirks, possibilities and matters left to interpretation, there are one or two clear boo-boos that cut against the rules writer/director Rian Johnson (Brick, The Brothers Bloom) has set himself. I'm sure you can work out from the subject matter that there are occasional murders so I'm giving nothing away by stating that a particular murder in 2027 cuts against the rules. It's not a major problem in terms of enjoyment but it does cast a shadow over everything if minor errors are not avoided.

There's only one way to watch Looper: suspend all disbelief, put your logic in stasis and get on with enjoying the romp. With that frame of mind employed, it's a superb film. No, it's not as intelligent a film as Inception, but it kicks the ass of Wanted and Gordon-Levitt is potentially a bigger star in the making than either Leonardo DiCaprio or James McAvoy.

I'm not sure that I buy Gordon-Levitt as a young Willis but the transition is simple and effectively executed and it needn't stand in the way of a couple of hours of great entertainment. He's matured as an actor and, though he's been stamping around Hollywood for a good couple of decades, it's the last five years or so that have really seen him ascend the ranks and there's no sign of his climb slowing with both Spielberg's Lincoln and Don Jon's Addiction (which he also wrote and directed) in the can and Premium Rush earning plaudits on both sides of the Atlantic.

As for Willis, it's good to see him earning his fee again in a film worthy of his presence rather than phoning it in for a fat wad in the truly awful The Expendables 2. Emily Blunt (Sara) and Jeff Daniels ably provide support, the former, sadly, barely stretched and the latter, as Abe, the loopers' boss, clearly enjoying himself. Equally, Paul Dano gives a wonderful, trademark sniveling wretch performance that is all too brief. But Looper belongs to Gordon-Levitt and One Tree Hill's Pierce Gagnon as the child, Cid, whose middle name is probably Damian. Unnerving is an understatement!

There is a very strong argument that the best person to direct a film is the writer because s/he knows it better than anyone. Clearly that wasn't the case with Maximum Overdrive (Stephen King being the fine writer who should never be allowed either in front of or behind a camera again) but with Looper it's a very strong case in point.

Johnson, though he bends his rules, has created a multi-layered, rapidly paced trip that is littered with bodies and to-die-for quips, to wit, "I cleaned you up. And put a gun in your hand." He juggles the time zones effortlessly and maintains the excitement while allowing sufficient moments for us to pause, cogitate and catch up before whipping us to the next sprint, jump or shoot-out. Though he has nothing (publicly) on the slate, there'll be plenty more from him in the next few years.

As is increasingly the case, my biggest complaint with last night's viewing has nothing to do with the film itself but with the screening, namely the blown speakers all along one side of the auditorium (big thumbs down to Cineworld) and the moron in front who played with his phone and gave muted shrieks of excitement every time there was a shot or splatter of blood, even taking the time to relive it with his friend. Who are these people? Why are they allowed to breathe? When will time travel come to my aid? Ah, but these are niggles and hopefully you won't be subjected to such when you watch Looper. And do see it. Maybe you'll absolutely hate the confusion it causes you, but if you don't mind giving a film some real thought and you enjoyed the possibilities of Inception, then Looper is for you.

Just don't think too hard. As Abe laments, "This time travel crap; just fries your brain like an egg…"

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"Looper" by Rian Johnson is an impressive film with an original story. Centers in the future where assassins known as "Loopers" kill targets who are transported from the past by the mob. Joe, a skilled assassin discovers he has to kill his older self sent from the past and unveils a plot that will effect his life of both his and his older self. The movie is great and relies on the term of "cat and mouse" game between all characters. Joseph Gordon Leavitt is a great actor and portrays perfectly every role of his. As the main character he does a good job. Bruce Willis is amazing yet again, his performance reminded me of his role in "12 Monkeys": a traveler from time who is a skilled assassin and needs to stop a plot from happening. Emily Blunt is as always, Emily Blunt. I mean there's nothing wrong with her performance but her character is annoying and reminded me of her role in "Sicario". The film in general is good and has it's moments but I wouldn't watch it again or recommend it immediately after seeing the movie.

No Spoilers will be shown, the story is basically the public knowledge shown on the trailers.

The story is about this man named Joe who is played by both Joseph Gordon-Levitt and Bruce Willis. Basically his job is a looper. In the Year 2074 civilization has created time travel however it is highly illegal to use it. It is then controlled by the highest criminal mafia in the world. In the future they cannot kill a person, so instead they send them back 30 years and the looper will kill them. When the young Joe saw the Old Joe standing there, he hesitated and the plot clashed.

The story was very confusing at first, but the movie does a good job to explain to us as it goes along. To be honest at first I thought this was going to be bad, the story took some time to build up, and the plot just didn't seem to have any structure. Once the movie did pick up, boy did it pick up. It became intense as the hunter became the hunted.

The story had emotion, action, we laughed and cried. Many places where things appeared to be stupid ended actually be part of the story and working out. There are though, a lot of silly moments in the story that to my opinion could have been left out and the story would have been just as good. The acting was very good. Also kinda shows how much Bruce Willis is getting old, but can still pack a punch. I give this movie an 8.5/10!

Rian Johnson (The Brothers Bloom, Brick) is the writer and director of this sci-fi film. Like his other projects, this has original if slightly off-kilter thinking in its story. It is not a regular sci-fi movie. There are some crazy ideas going on here. Time travel is not enough. There is also telekinesis, post collapse apocalypse, mob killings, and pre-planned suicide for hire (yeah figure that one out). Does it all make logical sense? I can't tell. But it sure was fun trying to follow it. Joseph Gordon-Levitt is great as the young Bruce Willis. Emily Blunt is refreshingly new. Also staring is Paul Dano and Piper Perabo.

When one deals with time travel as the process has not been discovered everything written or filmed about is always speculative. For instance the Jean-Claude Van Damme film Time Cop shows something quite different when we meet our future and past selves as Joseph Gordon-Levitt and Bruce Willis do here in Looper.

Instead of the forces of law and latent fascism getting control of time travel in Time Cop, Looper has organized crime doing it and eliminating problems that Robert DeNiro in Casino remarked are usually swallowed up by the Nevada desert. Levitt is a Looper one who travels ahead to the future, specifically trained as an assassin and then goes back to his present origin and as targets come through a time portal, they get eliminated. Then at some point, the future selves are eliminated and the present selves just go on with normal lives as we define normal.

Bruce Willis is Levitt's future self only he doesn't like the idea of elimination. And the big boss Jeff Daniels doesn't like how Levitt screwed up the elimination of Willis. The chase is on.

Another question answered by Laurence Olivier in The Boys From Brazil said that we should not eliminate a cloned Hitler. Here a telekinesis gene has entered our gene pool and someone in the distant future has been harnessing its full potential to battle organized crime. That's an even bigger mission that the Levitt/Willis problem.

Looper is a nice and original take on time travel with an outstanding cast giving some standout performances. Note particularly Emily Blunt as the mother of young Pierce Gagnon who has powers and abilities far beyond those of other mortal beings. And young Gagnon is something to see as well.

Looper is definitely worth the price of admission.