Four Seasons

I've read Rosamunde Pilcher's books and loved the Shell Seekers the best. This one didn't seem to adapt very well on the screen. Great actors but maybe bad direction and a few times I picked up on things that made me think it was for the American audiences. One item is that it is not allowed in the UK is to have an outdoor wedding with a clergy officiating. The scenery was magnificent though.

There were some good spots, but overall unbelievable. These people shack up with each other at the drop of a hat, the money situations are mathematically impossible and the lip syncing is off-putting. And the fact that the main character looks like she's 14 years old is annoying because they could have made her look more her age.

I'm getting older, I have to pay more attention to what I spend my time doing, watching. I saw Franco Nero was in it, and it peaked my interest. He's just so doggone handsome. That's what I get for being so superficial.

So, 20 minutes of Franco Nero at the beginning of the 1st episode, and intermittent shots of the breath-taking Cornish coast dispersed among the next 6 hours of the series is absolutely all this lugubrious, stilted, awkward show has to offer... Well, wait, now Tom Conti give an endearingly laid back performance. Juliet Mills is charming as a curmudgeonly and sassy grande dame. And that's it. The three female leads, all German actresses, are maddeningly boring, the ingenue trying very hard to be charming and delightful one minute (smiling with her tongue showing ever so slightly), and neurotic and existential the next. And yes, as another reviewer wrote, she looks 14 years old. And she never met a plunging neckline she didn't like.

Finally, that insipid stereotypical 1h990s British musical score, sounds like the same composer who wrote the score for the original House of Cards (which is fabulous, btw).

Why on earth hire three German actresses to play the leads in this story about the British landed gentry?

Well, what's done is done. Luckily, the only people who are at risk of seeing this are those that subscribe to Acorn, so most of the population of the US does not risk of wasting 6 hours of their dwindling years on this half-baked series.

Very strange production. Bad casting, bad acting and even worse directing. The younger female lead looked and acted about 12, hence no chemistry with her male counterpart. The director thought by showing her cleavage in every outfit, no matter where she was or how inappropriate, would make her look more mature. It didn't work. Many of the other cast members seemed like extras rather than actual actors.

There are a few highlights, however. Of the few believable and enjoyable characters Juliette Mills (Lady Florence) stole every scene and Tom Conti (Charles) deserved credit for being one of the few truly likable and natural characters. I came to like Senta Bergen (Julia) and also thought Frank Finley (Alex) did a fine job.

Lots of over acting and stilted bogy language. Michael York's (Stephen) scenes were over the top.

If you enjoy sappy, predictable love stories with pretty scenery (Hallmark or Netflix-style) you'll probably enjoy this. And hey, I watched the whole thing despite my review. I had to see it through.

The first 10 minutes of this tells you that the rest of this poorly produced series is going to be bad, really, really bad. The acting is wooden and the dialog is simply preposterous. It's impossible to watch more than the first 10 minutes of the first episode. This must have been produced as some type of tax write off. It is uniquely terrible!