CALIFICACIÓN DE IMDb
6.8/10
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Cuando André, de 85 años, sufre un derrame, Emmanuelle se apresura a ir junto a él. Enfermo y paralizado, André le pide a su hija que lo ayude a morir. Pero, ¿cómo puedes cumplir con una pet... Leer todoCuando André, de 85 años, sufre un derrame, Emmanuelle se apresura a ir junto a él. Enfermo y paralizado, André le pide a su hija que lo ayude a morir. Pero, ¿cómo puedes cumplir con una petición así cuando se trata de tu propio padre?Cuando André, de 85 años, sufre un derrame, Emmanuelle se apresura a ir junto a él. Enfermo y paralizado, André le pide a su hija que lo ayude a morir. Pero, ¿cómo puedes cumplir con una petición así cuando se trata de tu propio padre?
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- 4 nominaciones en total
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Opiniones destacadas
This movie is well worth the running time, not far short of 2 hours. The actors portray their handling of a family tragedy involving an elderly parent with great panache and sensitivity, without degrading to the maudlin. There are more lighthearted moments - a natural reaction, perhaps, to coping - and the direction allows the unfolding story to be entirely true to life and quite believable. There are a few twists along the way, which add to the interest, and the screenplay never falters.
It might have been nice to see a little more of Charlotte Rampling as the estranged wife - but her character has its own problems, and the direction makes this clear. The interplay between the medical authorities, the daughters and the assisted suicide service is very ably handled, too. Great work, need more of it.
It might have been nice to see a little more of Charlotte Rampling as the estranged wife - but her character has its own problems, and the direction makes this clear. The interplay between the medical authorities, the daughters and the assisted suicide service is very ably handled, too. Great work, need more of it.
With very precise acting and without any traces of kitsch, "Everything Went Fine" by renowned French director, Francois Ozon ("Frantz"), is a masterful reflection on assisted suicide. The movie is based on the eponymous autobiography of the main character, Emmanuelle. Accordingly, the film takes a very personal look at her father and his desire to end his life in a self-determined way, but also at the conflicts into which this plunges his immediate environment. In particular, the numerous legal, bureaucratic and not least financial pitfalls are illuminated by the film in an unpretentious manner.
For all the authentic feelings the film portrays, it resists any temptation toward pathos or over-dramatization. The biography of the dying father, his difficult marriage heavily burdened by his bisexuality, the critical relationship with his daughter ("You've always been my favorite son") -- all this is only lightly hinted at. In fact, the movie manages to tackle a deeply existential topic with surprising lightness.
All in all, this is certainly the work of a master director, but not quite a genuine masterpiece. Nevertheless, "Tout s'est bien passé" is well worth seeing and thinking about -- though it doesn't necessarily make you cry. At least not before the final credits roll.
For all the authentic feelings the film portrays, it resists any temptation toward pathos or over-dramatization. The biography of the dying father, his difficult marriage heavily burdened by his bisexuality, the critical relationship with his daughter ("You've always been my favorite son") -- all this is only lightly hinted at. In fact, the movie manages to tackle a deeply existential topic with surprising lightness.
All in all, this is certainly the work of a master director, but not quite a genuine masterpiece. Nevertheless, "Tout s'est bien passé" is well worth seeing and thinking about -- though it doesn't necessarily make you cry. At least not before the final credits roll.
A must see in terms of realism around acting and directing. Andre Dussolier gives his best performance ever as a man victim of a stroke. It is painful, poignant and disturbing. It makes you think about many things during and after the watching. You can think about MILLION DOLLAR BABY, because of the euthanasia issue evoked here. If you had anyone arond you victim of a stroke, this film will probably be unbearable or on the contrary will help you to overcome your grief. It could have been a TV movie; the perfect topic for coach audiences. François Ozon has nothing more to prove anyway. Sophie Marceau is also worth seeing, as usual.
Based on the late Emmanuèle Bernheim's novel Everything Went Fine, French filmmaker François Ozon's light-hearted drama/comedy Tout s'est bien passé is filled with heart and humanity. Starring Sophie Marceau, Charlotte Rampling, André Dussollier, Géraldine Pailhas and Hanna Schygulla, the film beautifully encapsulates the human condition. Fantastic performances with a heartbreaking story. A portrait of what it is to be ill and ageing.
This is a film that touches on something deeper.
This is a film that touches on something deeper.
François Ozon's "Tout s'est bien passé" ("Everything Went Fine" in English) looks a topic that gets little focus in cinema: a patient's choice whether or not to commit suicide. This issue came to prominence when the US state of Oregon passed an ordinance allowing physician-assisted suicide in 1994. In 2001, the Netherlands became the first country to allow it.
This is one of those movies that requires you to pay attention the whole time: no explosions, high-speed car chases or corny one-liners. This is serious stuff. I wouldn't call it a great movie, but it takes a respectable approach to this controversial topic, showing all sides, as well as the difficulty of this in France (which for the record is ranked as having the best healthcare system in the world; in "Sicko", Michael Moore even showed France's robust welfare state).
Worth seeing if you get a chance. I also recommend reading about Oregon's Death with Dignity Act.
This is one of those movies that requires you to pay attention the whole time: no explosions, high-speed car chases or corny one-liners. This is serious stuff. I wouldn't call it a great movie, but it takes a respectable approach to this controversial topic, showing all sides, as well as the difficulty of this in France (which for the record is ranked as having the best healthcare system in the world; in "Sicko", Michael Moore even showed France's robust welfare state).
Worth seeing if you get a chance. I also recommend reading about Oregon's Death with Dignity Act.
¿Sabías que…?
- ConexionesFeatures La frontera del miedo (2007)
- Bandas sonorasPiano Sonata No. 3 in F minor Op. 5 I. Allegro maestoso
Composed by Johannes Brahms
Performed by Julius Katchen
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Everything Went Fine
- Locaciones de filmación
- Lancieux, Ille-et-Vilaine, Francia(Emanuèle in Brittany, house over Plage de la Cerisaie)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 2,211,500
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Relación de aspecto
- 1.85 : 1
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