CALIFICACIÓN DE IMDb
5.3/10
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TU CALIFICACIÓN
Una familia de cuatro miembros que pasa la noche en un aislado campamento de caravanas sufre el acecho y el acoso de tres psicópatas enmascarados.Una familia de cuatro miembros que pasa la noche en un aislado campamento de caravanas sufre el acecho y el acoso de tres psicópatas enmascarados.Una familia de cuatro miembros que pasa la noche en un aislado campamento de caravanas sufre el acecho y el acoso de tres psicópatas enmascarados.
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Opiniones destacadas
The music is the best part of the movie. I loved the 80s themed soundtrack, especially during the pool scene. The movie slowly ramps up tension and when it hits full bore it never stops. Its relenting. The characters do stupid things of course, but that's par for the course for these movies. In the end you do care enough to want them to survive . I admit the film doesn't really bring anything new to the table, but what it does bring it does really well. I'd recommend to fans of the slasher genre and of the original movie.
"The Strangers: Prey at Night" is another unoriginal and stupid slasher, with a storyline that is on the shelf of any mediocre screenwriter ready to be reprocessed and usually said "based on true events". The most impressive is that even this type of storyline is able to produce good and scary low-budget slashers, such as the French-Romanian "Ils" ("Them" - 2006) or the Austrian "Funny Games" (1997) by Michael Haneke. Both films are tense and make the viewer nervous with the frightening atmospheres. The cruelty in "Funny Games" is impressively cold and therefore horrifying.
In "The Strangers: Prey at Night", there is no character development or motive and the situations are stupid with many cliches. The family splits in the beginning, aware that their relatives have been slaughtered, instead of immediately driving to the police station. The father sees what happened to his wife, but does not shoot the killer. The survivors have many chances to leave the camping area and to possess weapon, but are surprised in the most clichés situations. The police officer has his throat cut in another typical clichés, when the good girl believes that is safe. Advice when most needed is least heeded, but do not spend your time watching this movie. There are much better options in the genre. My vote is three.
Title (Brazil): "Os Estranhos: Caçada Noturna" ("The Strangers: Prey at Night")
In "The Strangers: Prey at Night", there is no character development or motive and the situations are stupid with many cliches. The family splits in the beginning, aware that their relatives have been slaughtered, instead of immediately driving to the police station. The father sees what happened to his wife, but does not shoot the killer. The survivors have many chances to leave the camping area and to possess weapon, but are surprised in the most clichés situations. The police officer has his throat cut in another typical clichés, when the good girl believes that is safe. Advice when most needed is least heeded, but do not spend your time watching this movie. There are much better options in the genre. My vote is three.
Title (Brazil): "Os Estranhos: Caçada Noturna" ("The Strangers: Prey at Night")
If you like your horror films to have the main characters do every stupid thing possible then watch this.
Ten years ago as an impressionable teenager, I saw "The Strangers" at a midnight showing with one of my best friends. To date, it stands as the most taut moviegoing experience of my life. After nearly a decade of production hell, the sequel-"The Strangers: Prey at Night" has finally come out of the woodwork. This followup has the same trio of villains pursuing victims in cat-and-mouse games, but this time it's an entire family staying at a deserted resort who are the target.
Perhaps I'm biased because I truly love the original film, but I found "Prey at Night" to be a significant letdown as a followup to Bryan Bertino's 2008 film, which was a masterful exercise in tension. I was skeptical of a sequel even being possible given how well Bertino exercised his formula in the first film-what else could really be done? "Prey at Night" essentially takes the formula of the first film, dresses it in de rigeur '80s style (complete with an exclusive '80s soundtrack), and amplifies the gore. It's mostly in good fun-but it's also completely devoid of suspense, tension, and unease.
There are a few sequences that are masterfully-executed-including a protracted sequence in a neon-lit swimming pool, and a mother-daughter attack in a trailer- but the in-between that stitches these better scenes together is repetitive and predictable, and the cinematography often gives the feel of a made-for-TV movie. The characters are also an issue in that they feel too much like stock characters; the lead being a chain-smoking bratty teenage girl running around in a Ramones t-shirt, followed by her likable brother, and two hip parents who are in the process of carting little-miss-trouble off to boarding school. In spite of the contrived characters, the acting is fairly good from all involved, including the actors portraying the three strangers.
There are a few moments of true tragedy and true catharsis in the film which are well-orchestrated, but I cannot help but compare "Prey at Night" to its predecessor. This sequel is a very different film that has its hits, but it frankly has more misses. As a frivolous run-of-the-mill slasher, it's rather enjoyable, but it lacks the emotional gravitas that made the first film so arresting and nerve-shredding. 5/10.
Perhaps I'm biased because I truly love the original film, but I found "Prey at Night" to be a significant letdown as a followup to Bryan Bertino's 2008 film, which was a masterful exercise in tension. I was skeptical of a sequel even being possible given how well Bertino exercised his formula in the first film-what else could really be done? "Prey at Night" essentially takes the formula of the first film, dresses it in de rigeur '80s style (complete with an exclusive '80s soundtrack), and amplifies the gore. It's mostly in good fun-but it's also completely devoid of suspense, tension, and unease.
There are a few sequences that are masterfully-executed-including a protracted sequence in a neon-lit swimming pool, and a mother-daughter attack in a trailer- but the in-between that stitches these better scenes together is repetitive and predictable, and the cinematography often gives the feel of a made-for-TV movie. The characters are also an issue in that they feel too much like stock characters; the lead being a chain-smoking bratty teenage girl running around in a Ramones t-shirt, followed by her likable brother, and two hip parents who are in the process of carting little-miss-trouble off to boarding school. In spite of the contrived characters, the acting is fairly good from all involved, including the actors portraying the three strangers.
There are a few moments of true tragedy and true catharsis in the film which are well-orchestrated, but I cannot help but compare "Prey at Night" to its predecessor. This sequel is a very different film that has its hits, but it frankly has more misses. As a frivolous run-of-the-mill slasher, it's rather enjoyable, but it lacks the emotional gravitas that made the first film so arresting and nerve-shredding. 5/10.
FILM: 5.5
As I settled in for my first watch of The Strangers: Prey at Night, I couldn't help but think of its predecessor, a nerve-wracking journey into terror that gripped audiences with its slow-burning intensity. With such a solid foundation, a sequel seemed inevitable, yet it took a decade to materialise-a delay that left me wondering if it would live up to expectations.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
¿Sabías que…?
- ErroresDuring the shot when the trucks explodes from the gasoline, it is clear that "The Stranger" is not actually in the truck. The next shot has him back in the vehicle.
- Versiones alternativasThere is an Unrated Version that runs for 86 minutes on the U.S. Blu-ray which also contains an alternate ending as a bonus feature.
- ConexionesFeatured in Chris Stuckmann Movie Reviews: The Strangers: Prey at Night (2018)
- Bandas sonorasKids in America
Performed by Kim Wilde
Written by Marty Wilde, Ricki Wilde (as Ricky Wilde)
Licensed courtesy of Rak Publishing/Cherry Red Records
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Detalles
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 24,586,708
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,402,271
- 11 mar 2018
- Total a nivel mundial
- USD 31,039,126
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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