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Basado en archivos recientemente desclasificados, explora la vigilancia y el acoso del gobierno estadounidense a Martin Luther King, Jr.Basado en archivos recientemente desclasificados, explora la vigilancia y el acoso del gobierno estadounidense a Martin Luther King, Jr.Basado en archivos recientemente desclasificados, explora la vigilancia y el acoso del gobierno estadounidense a Martin Luther King, Jr.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 17 nominaciones en total
Martin Luther King
- Self
- (material de archivo)
J. Edgar Hoover
- Self - FBI Director
- (material de archivo)
David Garrow
- Self - Author, Bearing the Cross
- (as David J. Garrow)
Clarence B. Jones
- Self - Attorney, Speechwriter for Martin Luther King, Jr
- (as Clarence Jones)
H. Rap Brown
- Self - Civil Rights Activist
- (material de archivo)
Arthur Goldberg
- Self - Former U.S. Ambassador to the U.N.
- (material de archivo)
Merv Griffin
- Self - TV Host
- (material de archivo)
Lyndon B. Johnson
- Self - 36th President of the United States
- (material de archivo)
Kenneth Keating
- Self - U.S. Senator from New York
- (material de archivo)
John F. Kennedy
- Self - 35th President of the United States
- (material de archivo)
Robert F. Kennedy
- Self - Former United States Attorney General
- (material de archivo)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
IN BRIEF: A well made documentary about this great leader but flawed man and the FBI 's vicious attempt to discredit him.
JIM'S REVIEW: (RECOMMENDED) Sam Pollard's gripping documentary, MLK/FBI, chronicles the Civil Rights movement and the FBI's shameful discrediting of one of its leaders, the Rev. Martin Luther King, which was orchestrated by its bureau chief, J. Edgar Hoover. Having the FBI conduct surveillance of MLK with the sole purpose to humiliate and destroy his image with the public, the film uses declassified documents, archival footage, and Hollywood propaganda film to state its case. (The entire FBI tapes are slated to be available to the public in 2027, so only some documentation, photographs, and interviews are the film's basis.)
The documentary is fascinating in its thorough researching of those turbulent times during the 50's and 60's from the start of the Civil Rights protests until MLK assassination, with comments from historians about his legacy. The filmmakers try to encapsulate the unrest in our nation during those polarizing times and it confirms the governmental tactics used to wiretap its citizenry and lump MLK with the evils of communism while labeling MLK with other more military-minded Black protest groups as subversives. Call them "domestic terrorists" before that term was commonplace, but the film resonants with today's racist climate.
The documentary is not totally successful in its narrative structure and one wishes their scope was narrowed down and more concise in its storytelling and also focused more on Hoover's backstory and obsessive mission to destroy another man. Granted there is too much to comprehend as the film covers nearly two decades and most history buff would savor this retelling. But this is an important film for all to experience and its lingering message is truly thought-provoking. Most telling is the turnaround by a supportive President Lyndon Johnson and the FBI Bureau after MLK is awarded the Nobel Peace Prize. Indeed, politics does have strange bedfellow.
The director's sense of irony is also at play as he begins his documentary with this quote from a film clip of former President Ronald Reagan:
"In most stories, villains are usually defeated and the ending is a happy one. I can make no such promise with this picture you are about to watch. The story isn't over..."
MLK/ FBI is a noble effort by Mr. Pollard and his crew. Their film is very well constructed and edited with skill by Laura Tomaselli, making this history lesson a cautionary tale for all Americans to heed. And yes, the story isn't over! (GRADE: B)
JIM'S REVIEW: (RECOMMENDED) Sam Pollard's gripping documentary, MLK/FBI, chronicles the Civil Rights movement and the FBI's shameful discrediting of one of its leaders, the Rev. Martin Luther King, which was orchestrated by its bureau chief, J. Edgar Hoover. Having the FBI conduct surveillance of MLK with the sole purpose to humiliate and destroy his image with the public, the film uses declassified documents, archival footage, and Hollywood propaganda film to state its case. (The entire FBI tapes are slated to be available to the public in 2027, so only some documentation, photographs, and interviews are the film's basis.)
The documentary is fascinating in its thorough researching of those turbulent times during the 50's and 60's from the start of the Civil Rights protests until MLK assassination, with comments from historians about his legacy. The filmmakers try to encapsulate the unrest in our nation during those polarizing times and it confirms the governmental tactics used to wiretap its citizenry and lump MLK with the evils of communism while labeling MLK with other more military-minded Black protest groups as subversives. Call them "domestic terrorists" before that term was commonplace, but the film resonants with today's racist climate.
The documentary is not totally successful in its narrative structure and one wishes their scope was narrowed down and more concise in its storytelling and also focused more on Hoover's backstory and obsessive mission to destroy another man. Granted there is too much to comprehend as the film covers nearly two decades and most history buff would savor this retelling. But this is an important film for all to experience and its lingering message is truly thought-provoking. Most telling is the turnaround by a supportive President Lyndon Johnson and the FBI Bureau after MLK is awarded the Nobel Peace Prize. Indeed, politics does have strange bedfellow.
The director's sense of irony is also at play as he begins his documentary with this quote from a film clip of former President Ronald Reagan:
"In most stories, villains are usually defeated and the ending is a happy one. I can make no such promise with this picture you are about to watch. The story isn't over..."
MLK/ FBI is a noble effort by Mr. Pollard and his crew. Their film is very well constructed and edited with skill by Laura Tomaselli, making this history lesson a cautionary tale for all Americans to heed. And yes, the story isn't over! (GRADE: B)
A very thorough documenting of MLK's political activism and attempts by the FBI and others to shut him down for political and ideological reasons.
Using the latest info available on him, it connects all of the dots and reveals his work to bring about equality and his frustrations with the forces who were preventing that.
Using the latest info available on him, it connects all of the dots and reveals his work to bring about equality and his frustrations with the forces who were preventing that.
Very good documentary that goes depth inside USA undemocratic and racist state, far away from widespread shallow speech and self-image of a country of freedom and democracy. As usual in dictatorahips, FBI not only inbestigated but also harassed Martin Luther King in order to dampen anti-racist struggle in the country. Lots of good information, footage and interviews are found in this important documentary on the Black question and on the serious discussion of what democracy is.
The film is tightly structured and narrated over archive footage of king, with some other contemporary footage mixed in. In terms of visual material, the film does not bring any new unforseen archive films to the table and a lot of the images used in the film are used several times. With the original sound bites however, the film does a great job in opening the context to the audiences. What the film lacks in new visual material, it gains in its content as it is based on new research of the FBI archives. Great learning material for history or social studies classes.
This documentary tackles a very interesting part of history. It is a story I don't often see taught in school. It features a lot of big figures is U. S. History. It is the 1960's, we have J. Edgar Hoover, Lydon Johnson and of course, Martin Luther King Jr. Take those characters and put them in the U. S. 1960's setting, with the Civil Rights, Cold and Red Scare. Put all these ingredients together and you have your self a fascinating recipie.
Looking at the situation from the lense of today, it is easy to see that Hoover is acting selfishly and irrationally, but this documentary does a good job of rationalizing his actions, without justifying them.
It is also quaint to remember a time when the FBI needed wiretaps in order to listen in to American's phone calls.
Not much to say, the film does its job well. It informs its audience of an interesting story in an interesting matter.
Looking at the situation from the lense of today, it is easy to see that Hoover is acting selfishly and irrationally, but this documentary does a good job of rationalizing his actions, without justifying them.
It is also quaint to remember a time when the FBI needed wiretaps in order to listen in to American's phone calls.
Not much to say, the film does its job well. It informs its audience of an interesting story in an interesting matter.
¿Sabías que…?
- TriviaOfficially released on what would have been the Rev. Dr. Martin Luther King, Jr.'s 92nd birthday.
- Citas
Self - Author, Bearing the Cross: The FBI was not a renegade agency. It was fundamentally a part, a core part of the existing mainstream American political order.
- ConexionesFeatures Fui comunista para el F.B.I. (1951)
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- How long is MLK/FBI?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 45,200
- Fin de semana de estreno en EE. UU. y Canadá
- USD 21,603
- 17 ene 2021
- Total a nivel mundial
- USD 91,833
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
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