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If you haven't read the book, then this is a pretty good stand alone bog standard horror. It's creepy and original in parts but sadly, it captures none of the desolation and gothic pagan horror of the book.

Worst of all, the great twist at the end of the novel has been completely left out here, which is a massive let down.

If you've read the book, then you'll most likely be disappointed with this effort. Apart from the fact that it's not set in England in seedy bedsit land, with the whole seedy prostitution thing and unremitting hopelessness, but is taken to America (yawn) and pumped so full of Hollywood botox all the character and desolate horror is wiped clean out of it.

Shame. But then predictable. I'm hoping they remake it with a British production that captures all the mood and atmosphere of the novel.

If you didn't like the movie, go read the book. It's one of the best horror novels I've read.

I'm quite drunk but that was actually enjoyable. I thought going into it, it would be a boring none scary Netflix horror. However I was completely wrong. It was very ere all the time and was actually scary, you can't knock it. The story might've been a bit hard to follow hence why it gets a 6 and nothing higher. But a 6 is a lot higher then I thought I'd be giving this at the start. This has nothing to do with the film but the main character was so sexy it's ridiculous. All in all though genuinely not a bad horror and decent horrors are really hard to come by nowadays. Might I add also, Netflix films have improved so much. You get so much better Netflix films now then when you did at the start, I'm really enjoying them.

A lot of new stuff on Netflix is pretty pathetic. I love horror so figured I'd have a look. The main character has a good back story and stuff that happens along the way makes this more than a slasher film. It creates some real compassion for her. The last scenes are impressive. I tend not to listen to reviewers who have 'read the book' because they don't get that the language of film is different to that of literature (pretty much what Peter Jackson said of LOTR and look at the success of that). Horror is like comedy; it's subjective. Have a look, you might enjoy it.

Competent thriller/horror with folk horror overtones. Not groundbreaking in any way but nevertheless some very unique and interesting ideas. Great acting and sensational cinematography. The narrative kept the origins of the box murky which added to the mystery and suspense. The "house" was wonderfully imagined and contributed to the ambiance. A few traditional jump scares but they didn't detract from the film. All in all I thoroughly enjoyed it.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.