Sobrevivientes: Después del terremoto

Concrete Utopia doesn't do anything particularly new for the dystopian thriller sub-genre, but it's consistently engaging and well-executed. Is an emotional force of a film. Not concerned with the disaster itself or the spectacle it could employ to focus on the moment of tragedy, the film offers epic landscapes but always keeps an intimate eye on the people in the high rise.

Concrete Utopia presents a disturbing picture of humanity that dribbles into the absolute worst when the social structure is dismembered and survival becomes the only need of the hour. Talking about the direction, Uhm Tae Hwa did a good job in capturing raw human nature in every possible way. The cinematography and acting, especially by Lee Byung Hun, were also enthralling.

Concrete Utopia is a gripping, disturbing, and powerful representation of the worst of society, yet equally showcasing the best qualities in humans and how hope, community, and decency will always exist through the dust and devastation.

My Rating : 8.5/10.

Giving this 7 star really mainly because Lee Byung Hun delivered as he always did. Stellar performance and script but clearly unrealistic ending whatsoever in a hopeful manner but still a show worth watching .Not much depth to the show so it's not too draggy along the way and the duration explains it because other than the survival that's going on and on there isn't any other topic or drama revolving around the show or characters. The characters can be more developed and would be nice to see more background story of the few main characters but i suppose it's not really necessary judging from the entire movie.

Best Korean film of the year (that I've seen so far).

It follows a group of residents in an apartment complex that's the only thing left standing after a devastating earthquake. Other survivors try to move in to escape the cold, but the residents won't have it. Thus begins an intense scenario where people have to try and maintain some sort of order while battling the elements and hostile invaders.

This is an impressive disaster drama that begins almost lightheartedly, but turns darker by the minute. There's a comedic flair to the film's first act, but it mostly dissipates by the second hour. However, no matter how any of the scenes are played, there's a bleakness to everything that unfolds. It's like your typical postapocalyptic premise as seen in modern western cinema, but slightly deeper and infused with existentialism. The characters are also more fleshed out than you'd expect. Far from being archetypal heroes or villains, these are flawed people who find themselves in a heavy situation and react to it accordingly.

The whole cast carries the film well (Lee Byung-hun being the standout), with impressive technical specs that make me wanna rewatch this on a bigger screen (if only). In any case, big, big recommendation for this one if you're into disaster thrillers.

P. S. The final scene is really cool and stylishly displays the inversion of common human values in times of crisis. You'll know when you see it.

After an epic earthquake disaster the concrete smoldering ruins of Seoul seem to stretch on as for as the eye can see.

In the centre of the massive disaster one building remains standing.

Dozens of outsiders from the surrounding area desperately seeking food and shelter from the cold. Feeling a threat to their very survival, the residents enact measures that questions the act of morals or survival.

Very well written, well done cinematography storytelling and great acting.

A must watch.

I had the opportunity to watch this at tiff this year. Tickets were sold out so I had to stand in Rush Line, two hours before the movie was being viewed,.

It was absolutely worth it.

Seoul is reduced to rubble when a powerful earthquake strikes in the winter. One concrete apartment tower remains standing in the ruins. Violence breaks out as people realize that resources and shelters are extremely limited. The residents of the sole standing apartment tower divide into camps of those with empathy for other survivors and outsiders, and those who feel they are separate from everyone else and must beat others into submission to survive. A man and woman living in one of the apartments each picks a different side.

"I can look at a person and recognize if they are cheating me," says the man chosen as the apartment complex leader. In Korea each such complex has its own culture and rules, and this man - a former soldier - quickly assumes command. However, this chosen leader is hiding a dark side. Sparks fly between the couple as well as the complex as a whole as people line up behind the leader, or choose to disobey.

Director Um Tae-hwa said he is interested in how people are transformed during a crisis. The film is based on a Cheerful Neighbor web-comic story about a similar disaster where people become selfish bullies, or not. "There is no absolute evil or good," he said. The complex characters of the film reveal this truth. They are not black and white, and that is a good thing. Um Tae-hwa appeared at the North American premier at the Toronto International Film Festival. "If you post comments about the film on social media," he said "I will read them."

I loved the theme of the film; people choosing to bully others or to be kind to them, when a crisis hits. There are people who choose rules, violence, and other forms of separation, and those who choose kindness, love, and sharing. The characters are intriguing as well, the acting is solid, and commentary interesting. The film isn't using computer generated imagery as a crutch and pleasantly relies on more traditional forms of film making. Thought is given to each situation as well as human warmth and humor.

So, see what prevails, love or the fist.