The Way It Came
- El episodio se transmitió el 9 oct 2020
- 53min
CALIFICACIÓN DE IMDb
7.9/10
4.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaWracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.Wracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.Wracked with guilt, Dani is haunted by her own heartbreaking loss. Flora and Miles find ways to cope, and Bly's staff remember the dead over a bonfire.
- Dirección
- Guionistas
- Elenco
Tahirah Sharif
- Rebecca Jessel
- (solo créditos)
Henry Thomas
- Henry Wingrave
- (solo créditos)
Daxton Grey
- Young Edmund
- (as Daxton Gujral)
Opiniones destacadas
Dani finds someone that she can open up to, she explains her past, and the tragic loss that haunts her to this day.
This certainly packs an emotional punch, as I said previously, if you're here looking for a horror thrill, you'll be sorely disappointed, it isn't focused on delivering chills and thrills, it's
Dani's story was a mix of fascinating and heart breaking, it was good to learn why she is the way she is, and maybe the haunting element is coming from her, and not from Bly Manor, this has thrown what I thought was happening on its head.
It thought this was a great episode, 9/10.
This certainly packs an emotional punch, as I said previously, if you're here looking for a horror thrill, you'll be sorely disappointed, it isn't focused on delivering chills and thrills, it's
Dani's story was a mix of fascinating and heart breaking, it was good to learn why she is the way she is, and maybe the haunting element is coming from her, and not from Bly Manor, this has thrown what I thought was happening on its head.
It thought this was a great episode, 9/10.
"The Way It Came," the fourth episode of The Haunting of Bly Manor, deepens the emotional and psychological intricacies of the story, while also shedding light on Dani's haunted past. The episode begins to unravel the source of the spectral figure haunting Dani, introducing viewers to her tragic history with her late fiancé, Edmund. Through poignant flashbacks, the audience is offered a window into Dani's guilt and grief, which have manifested in the ominous image of Edmund's glowing glasses. Simultaneously, the narrative explores Dani's growing connection to Jamie, a relationship that starts to provide a sense of hope amidst the gloom of Bly Manor. This blend of emotional vulnerability and supernatural tension creates a compelling dynamic, enriching the overall narrative.
Victoria Pedretti once again delivers an exceptional performance as Dani, portraying the character's inner turmoil with raw authenticity. Her ability to convey layers of emotion without overt dialogue adds depth to the story, making her struggles deeply relatable. Amelia Eve as Jamie complements Pedretti's portrayal, offering a grounded and compassionate presence that contrasts with the eerie ambiance of the manor. The chemistry between the two actors is palpable, hinting at a budding romance that provides a refreshing counterpoint to the series' darker themes. These performances are supported by the continued excellence of the ensemble cast, particularly Rahul Kohli as Owen and T'Nia Miller as Hannah, whose subtle performances lend gravitas to even the quieter moments.
Liam Gavin's direction ensures that the episode maintains a delicate balance between horror and human drama. The pacing of the narrative allows for moments of reflection, letting the emotional beats resonate without sacrificing the tension that defines the series. The cinematography, particularly in the flashback sequences, uses warm lighting and soft focus to evoke a sense of nostalgia, contrasting sharply with the cold, shadowy visuals of Bly Manor. This visual dichotomy underscores the tension between past and present, hope and despair. However, the transitions between timelines can occasionally feel abrupt, disrupting the otherwise seamless flow of the episode.
The episode's script by Laurie Penny delves deeply into themes of guilt, repression, and the lingering effects of trauma. Dani's inability to confront her feelings about Edmund's death is mirrored by the spectral imagery that haunts her, a powerful metaphor for the way unresolved emotions can manifest in the physical world. The dialogue is both sharp and emotionally resonant, revealing the characters' vulnerabilities while advancing the plot. Additionally, the subtle hints at Jamie's backstory add layers to her character, foreshadowing future developments. Despite its strengths, the script occasionally leans too heavily on exposition, particularly during the flashbacks, which slightly diminishes the impact of the visual storytelling.
As the midpoint of the series, "The Way It Came" succeeds in advancing the overarching narrative while providing crucial character development for Dani. The episode's exploration of guilt and redemption adds depth to its haunting themes, grounding the supernatural elements in human experience. By intertwining personal trauma with the ghostly mysteries of Bly Manor, the story transcends traditional horror tropes, offering a meditation on love, loss, and the possibility of moving forward. While not without its imperfections, the episode serves as a poignant reminder of the emotional weight that lies at the heart of The Haunting of Bly Manor, leaving viewers both haunted and hopeful as the story continues to unfold.
Victoria Pedretti once again delivers an exceptional performance as Dani, portraying the character's inner turmoil with raw authenticity. Her ability to convey layers of emotion without overt dialogue adds depth to the story, making her struggles deeply relatable. Amelia Eve as Jamie complements Pedretti's portrayal, offering a grounded and compassionate presence that contrasts with the eerie ambiance of the manor. The chemistry between the two actors is palpable, hinting at a budding romance that provides a refreshing counterpoint to the series' darker themes. These performances are supported by the continued excellence of the ensemble cast, particularly Rahul Kohli as Owen and T'Nia Miller as Hannah, whose subtle performances lend gravitas to even the quieter moments.
Liam Gavin's direction ensures that the episode maintains a delicate balance between horror and human drama. The pacing of the narrative allows for moments of reflection, letting the emotional beats resonate without sacrificing the tension that defines the series. The cinematography, particularly in the flashback sequences, uses warm lighting and soft focus to evoke a sense of nostalgia, contrasting sharply with the cold, shadowy visuals of Bly Manor. This visual dichotomy underscores the tension between past and present, hope and despair. However, the transitions between timelines can occasionally feel abrupt, disrupting the otherwise seamless flow of the episode.
The episode's script by Laurie Penny delves deeply into themes of guilt, repression, and the lingering effects of trauma. Dani's inability to confront her feelings about Edmund's death is mirrored by the spectral imagery that haunts her, a powerful metaphor for the way unresolved emotions can manifest in the physical world. The dialogue is both sharp and emotionally resonant, revealing the characters' vulnerabilities while advancing the plot. Additionally, the subtle hints at Jamie's backstory add layers to her character, foreshadowing future developments. Despite its strengths, the script occasionally leans too heavily on exposition, particularly during the flashbacks, which slightly diminishes the impact of the visual storytelling.
As the midpoint of the series, "The Way It Came" succeeds in advancing the overarching narrative while providing crucial character development for Dani. The episode's exploration of guilt and redemption adds depth to its haunting themes, grounding the supernatural elements in human experience. By intertwining personal trauma with the ghostly mysteries of Bly Manor, the story transcends traditional horror tropes, offering a meditation on love, loss, and the possibility of moving forward. While not without its imperfections, the episode serves as a poignant reminder of the emotional weight that lies at the heart of The Haunting of Bly Manor, leaving viewers both haunted and hopeful as the story continues to unfold.
Wasted 50 minutes giving us information we were already aware of. They literally took all of the mystery behind the man in the mirror away by shoving him in our faces 30 times an episode. If they spent half as much time answering any questions as they do raising new ones or repeating old information maybe I'd be more invested. I really wanna like this show but it's making it so difficult. Every character is so bland I just really don't care about any of the relationships in the slightest.
While yes I think we all knew it was coming, it got me, like wow. Great episode in terms of storyline progression and character development.
Greetings from Lithuania.
Story moved forward in episode 4. We got more revelations regarding characters and especially their past, which is somehow gets reflected in this mansion. Performances were good and as with previous titles I got more involved into this series with each minute. A really solid show so far.
Story moved forward in episode 4. We got more revelations regarding characters and especially their past, which is somehow gets reflected in this mansion. Performances were good and as with previous titles I got more involved into this series with each minute. A really solid show so far.
¿Sabías que…?
- TriviaFour different ghosts can be seen in the backgrounds in this episode. In the house after Owen comes to the door, you can see a colonial dressed person standing in the back of the room. Later among the dolls. One of the doll head moves. Outside a ghost is sitting on a log watching Dani burn the glasses. And the ghost that leaves muddy footprints is seen walking through the house.
- ErroresWhen the group is drinking around the fire, the call of a barred owl is heard, but there are no barred owls in the UK..
- Citas
Dani Clayton: [Holding up a fire poker] I thought he was Peter Quint!
Owen: Which is ridiculous. I'm much better-looking.
- ConexionesReferences El viaje fantástico de Simbad (1973)
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Detalles
- Tiempo de ejecución
- 53min
- Color
- Relación de aspecto
- 2.00 : 1
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