The Jolly Corner

"The Jolly Corner," the sixth episode of The Haunting of Bly Manor, serves as a haunting exploration of guilt, self-reflection, and unresolved trauma, centering on the enigmatic Henry Wingrave. Played with exceptional nuance by Henry Thomas, Henry's character arc in this episode takes viewers into the recesses of his mind, where his guilt manifests as a malevolent doppelgänger. This figure is a constant reminder of the betrayals and mistakes that led to his estrangement from his family and the children he is meant to care for. The episode juxtaposes these internal struggles with the eerie mysteries of Bly Manor, creating a compelling balance between psychological depth and supernatural tension.

The episode opens with Henry's increasing isolation, both physically and emotionally. His estrangement from Bly Manor stems from his illicit affair with Charlotte, his brother's wife, and his subsequent guilt over the role he played in fracturing their family. As his doppelgänger appears, it becomes clear that this sinister version of himself is a psychological projection, embodying his self-loathing and inability to move forward. Through carefully interwoven flashbacks, viewers witness the devastating impact of Henry's choices, including his realization that Flora is his biological daughter-a revelation that deepens the emotional complexity of his character. This internal conflict is paired with the ongoing mysteries at Bly Manor, where the supernatural elements take a backseat to Henry's personal demons, making this a particularly introspective chapter in the series.

Henry Thomas delivers one of his most compelling performances in this episode, expertly conveying the layers of guilt, denial, and eventual self-confrontation. His interactions with his doppelgänger are gripping, blending raw emotion with moments of understated horror. These scenes are elevated by the writing, which captures the nuances of self-recrimination and the ways in which guilt can consume a person. Amelie Bea Smith and Benjamin Evan Ainsworth, as Flora and Miles, also shine in their limited but impactful scenes, grounding the narrative with their unsettling behavior and subtle hints at the greater hauntings of Bly. The supporting cast continues to provide an essential framework for the story, though this episode is undoubtedly Henry's moment to shine.

Director Yolanda Ramke crafts a visually arresting episode, using shadows, reflections, and dim lighting to create an atmosphere of claustrophobia and introspection. The recurring imagery of mirrors and doubles emphasizes the theme of self-confrontation, while the muted color palette reflects Henry's emotional desolation. The editing, with its seamless transitions between flashbacks and present-day sequences, mirrors the fragmented nature of Henry's psyche. However, the pacing may feel slow to some viewers, as the episode prioritizes character exploration over advancing the main plot. This deliberate pace allows for a deeper dive into Henry's mind but risks alienating those expecting more immediate narrative developments.

Thematically, "The Jolly Corner" explores the weight of guilt and the difficulty of forgiveness, both from others and oneself. It reflects on how unresolved trauma and unspoken truths can shape a person's actions, as seen in Henry's inability to face Bly Manor or his responsibilities. The episode also continues the series' exploration of memory and time, using Henry's psychological turmoil as a microcosm for the manor's broader mysteries. While the narrative's introspective focus might not resonate with all audiences, its thematic richness and emotional depth provide a profound commentary on human frailty and redemption.

In conclusion, "The Jolly Corner" is a standout episode of The Haunting of Bly Manor that prioritizes emotional resonance over traditional scares. By delving into Henry Wingrave's psyche, it offers a deeply personal and psychologically rich story that complements the series' overarching themes. While the slower pacing and abstract elements might challenge some viewers, the episode's exploration of guilt, identity, and redemption solidifies its place as a pivotal chapter in the series. As Henry begins to confront his inner demons, the audience is left to reflect on the ways in which we all carry the weight of our choices-an idea that lingers long after the credits roll.

Henry's alter-ego is more funny than scary. Laugh out loud every time he made the clown face.

A compelling series which draws you deeper and deeper every episode. The real horror is our own pasts.

However, as others have already said, as a viewer in the UK, I found myself jarringly taken out of the drama by consistent errors in British English. Math not maths, 'enn-velope' not 'on-velope', one brother having an upper class accent, the other Estuary English. (I could probably also pick holes in Henry's shirt tailoring, but I can live with that).

Can't imagine it would take much to have got this sorted.

Greetings Lithuania.

6th episode was a bit draggy and to long. Story coming more and more together, yet it's a bit uneven and these more mystery then emotions. One revelations comes and one new mystery appears. But good production values, good acting and still involving story keep me going to see next episode. Uneven but mostly positive series so far.

Maths. Maths!! How difficult is it for an American writer to know that the English don't say Math. Great episode but really frustrating.