Every Day

this movie is listed as a comedy and there are a few comic moments. but i found most of the laughs in some of the overdone dramatic scenes. couldn't believe this as a real family. their daily life is almost to the point of being a 'pot boiler'.

the acting is good and nicely cast, but something is missing. a sweet story being told by some rather over done characterizations - in my opinion. but i enjoyed the movie as a whole. it's just sort of a hollow feeling when it's finished. emotionally the viewer expects something more solid.

my favorite scene is in the parking lot after Ned has his blowout at the staff meeting. and i appreciate having the son realize he made a mistake deceiving his parents - thus his reaction at the club.

very watchable story but .....!

What if what you thought you were missing in life you already had? A writer for a TV show, Ned (Schreiber) is stuck in a job where his boss demands more and more strange things. His wife Jeannie (Helen Hunt) has just brought her father home to take care of. His son is gay and Ned is trying to avoid admitting it, and his co-worker (Gugino) is another reason his life is spinning out of control. So many movies and TV shows come out that claim to be true to life, or "Reality Shows", they usually turn out to be so over the top they end up borderline spoofing the stars. This is one huge exception. While not being a reality show at all, this is the most true to life movie I have seen in a while. It was depressing in parts, but again because it seemed like they just took a family and watched how they live and made a movie from it, without changing anything. Ned is stuck trying to sort out what his life has become that he finds himself trying to be someone he isn't. This movie is another glaring example of how unless you have a $200 million budget and your movie make $400 million in theaters you will get no recognition or advertising. There are no big name stars in here like Tom Cruise or Katherine Heigle, and because of only casting good actors and relying on script and acting, it gets overlooked. Which is a travesty. I give it an A.

Would I watch again? - Yes I would, but again it would lose some of the effect.

I found this piece to ring so true to family life in America today. I loved that it did not sugarcoat how hard it is to raise kids or help aging parents or keep a marriage fresh.

This cast is superb and they have all brought their A game to the screen. They are reachable and poignant and they each have their own agenda that is faithfully followed throughout the story.

I really see this as an ensemble piece and, therefore, don't want to single any one cast member out. They each delved into the details of their characters to bring a real slice of life to us. It was easy to get lost in the writing, the story, and the emotions we can all relate to with the deft ability of the cast and how they were directed.

I highly recommend it.

Great cast in a mostly typical domestic pot-boiler. You could probably write the plot yourself after the initial set-up, and the climax is conventionally contrived to happen all in the same night. Not quite as funny or dramatic as it might have been throughout. The son's homosexuality is realistically handled especially the dynamic between him and his dad. But Eddie Izzard's boss-man lives in a world that doesn't touch reality - even Reality TV. This plot line threatens to de-rail the whole enterprise for me What sort of TV show is this??? Hunt's best line was left on the cutting room floor "It's not porn. It's cable."

Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."

The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.

The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.

The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.

The ugly. Nothing.

The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".