Phasma Ex Machina

The first quarter of the film shows great promise. But quickly the film turns into a complete slop fest of awkward (can't look at the screen) acting, amateur screen writing (the film has no solid path/direction), and strange musical transitions.

The good:

• The Idea - Some of the acting - Cinematography

The Bad: - Everything else.

The above reviews are completely misleading. There are so many obscure scenes in this film that take away from the solid premise. This could have been an AMAZING low budget horror film. A rewrite of the script, some better onset acting coaches, and you might just have yourself a killer of a film.

Watch this: With a bottle of wine and some friends. Know what you are getting into, and you'll have a good time.

C+

Have you ever stood completely still in your house and felt the hairs on the back of your neck stand on end, or felt a sudden burst of chilled air in an otherwise warm room? Maybe what you are feeling isn't just a random altering of sensations, but rather a supernatural occurrence correlating to electronic emissions in power lines in and around your house.

Now, what would happen if say, you were an expert electrician whose knowledge of all things electrical is equaled only by your passion to resurrect your recently deceased parents by means of something resembling a large home stereo? You don't need a degree in electrical engineering to know that going against nature or bringing back something – especially through the use of science – you're not supposed to will and can only end badly. Lest we forget the lessons learned in Jurassic Park? Speaking of Spielberg's dinosaurs, it's no spoiler to say that director Matt Osterman's Phasma Ex-Machina doesn't have a T-Rex, a high speed chase, or even Jeff Goldblum for that matter. But what this film does have is an original ghost story script with just enough menacing moments to leave you with an eerie creeped out feeling when all is said and done. It also has a refreshing and more true-to-life (even in the supernatural realm in which it lives) ending seldom seen in bigger budgeted more conventionalized Hollywood type films. It would be interesting to see what this young filmmaker could do if given a bigger budget. I for one am looking forward to seeing what else he has to offer.

Have you ever lost someone who was very close to you? Do you feel in any way guilty about / responsible for it? What if you could somehow bring them back?

Your answers to these questions will affect the way in which you view this film.

GHOST FROM THE MACHINE (aka: PHASMA EX MACHINA) uses a combination of science fiction and the supernatural to tell a tale of death, extreme remorse, and the unfortunate result.

As with its dark cousin THE MONKEY'S PAW, we're shown that some things are best left alone, and that we'd better be damned careful what we wish for.

A well-made, low-budget horror fable...

This is a more important movie than one might imagine. The premise is based on a rather odd science to do with ions still existing after death. According to the movie the theory was developed by a famous inventor many decades ago. So it has that as a premise, but the point is more the idea that possesses the grieving son, in that he must do all that is humanly possible to help bring back his parents, if only for the guilt he feels toward and the love he has for his younger brother. And that is the essential premise of this easy to watch and carefully plotted drama. The movie goes much further into the grief theme with other characters and a careful postulation toward the nature of after life. It rang true for me also how community responds to loss as well, with other sympathetic characters making a significant contribution. As an interesting sci fi movie (mind you, there are no special effects) it succeeded for me, and as a horror movie there is at least one genuine scary moment (with an appropriately unsettling yet simple lead up), one genuinely horrific realisation of the consequence of the experiment and a very tense scene of horror and drama just before the close. The acting is superb, particularly the lead and the younger brother. A lovely movie about two brothers suffering loss, somewhat remarkable as there is no significant contribution of a soundscape. It's so subdued that it creates a very eerie piece of suburban drama, a real oddity.

In Phasma Ex Machina, Cody (played by Sasha Andreev) is devastated by the sudden deaths of his parents; even though he's just barely an adult, he has sole custody of younger brother James (Max Hauser), whom he is unintentionally neglecting because of the force of his grief. A year and more later, he has become obsessed with creating a machine that will "bring them back," using electromagnetic fields and negative ions to create something of a bridge between one world and the next. After all, just because people have "passed over" into death doesn't mean the realm they go to is immune from the laws of physics, right? Cody is able to buy arcane electronic equipment, creating his own Vandergraaf Generator and using solar adaptors made and sold by Tom (Matthew Feeney), an older man just coming to terms with the death of his wife six years ago and just starting to form a relationship with a new woman. But Cody is on to something, and Tom's not as much over his grief as he thinks he is. Add to that the fact that nobody can control who might "come back," and, well, anything might happen....

This is a first film by writer/director Matt Osterman, who hosted the World Premiere at the FantAsia Festival in Montreal, and I've got to say, it's perfect. In every way, this is a perfect film - the writing, the direction, the framing of the story, the cinematography, the acting, everything. The only actor I'd heard of in this is Laurie King (who plays a middle-aged neighbour of the boys, in a small but key role), but every one of these actors is spot on. Completely naturalistic in behaviour and authentic in dialogue - you really believe these are real, ordinary people doing things that real, ordinary people do, or would like to do. I was especially impressed with Sasha Andreev, who looks a bit like a cross between Freddy Rodriguez and Casey Affleck, and whose acting is as good as the latter's without the annoying adenoidal voice. Even the ending of the film is perfect, in that not everything comes out alright, but that's okay because that is the way life really is.

Really. This film should be getting a decent release in the US - it helps a lot that it's American-made and in English, perhaps our only FantAsia film without subtitles; I've read rumours that major studios are already lining up for a Hollywood remake, but you know they'll mess that up. So do what you can to encourage a release, please; it's very much worth it! Go to HTTP://www.phasmamovie.com/ - the official website - and check out the trailer for yourself.

This is quite possibly the best film I've seen all year - not best FantAsia film, but film, period. A gazillion stars!