Strah

Critically acclaimed title "Fear" comes near illusion searing, uncompromising and utterly fascinating woman portrait Norma /Svetla/ of the film community. Remains the best drama ever made about the movies because it sees through the illusions, even if Norma doesn't. Subtle, savage and insightful but with such a big heart it is as moving as it is informative about the value of making art that moves. The dialogue is so spare and cynical it has not grown old-fashioned. She is self-sufficient, she lives by herself, she has her own fears, anxieties, imaginary battles. She cannot respond to blows from the outside. Love is too busy with itself and therefore does not think realistically, that is why troubles follow it. By the time difference, also by the generation gap, love and hate, politics and economics, the gap between rich and poor. In life there are thousands of possibilities, millions of choices. The title "Fear" accomplishes that which only a truly great film can: enveloping the viewer in the story, forging an unbreakable link with the characters..!? Admiration to all cast and crew..!?