Explore el minucioso proceso a través del cual Hemingway, creó algunas de las obras de ficción más importantes de la literatura estadounidense.Explore el minucioso proceso a través del cual Hemingway, creó algunas de las obras de ficción más importantes de la literatura estadounidense.Explore el minucioso proceso a través del cual Hemingway, creó algunas de las obras de ficción más importantes de la literatura estadounidense.
- Premios
- 1 nominación en total
Explorar episodios
Opiniones destacadas
He died before I was 10, and I've never read any of his books, though I've seen the movie adaptations. Heard all my life of his machismo and the suspected underlying homosexuality.
This documentary filled in a lot of the gaps - how he gained his reputation, abused his wives and children (basically everyone in his orbit), his genius for - and perseverance in - writing; his obvious late-life mental illness.
This documentary filled in a lot of the gaps - how he gained his reputation, abused his wives and children (basically everyone in his orbit), his genius for - and perseverance in - writing; his obvious late-life mental illness.
If you are going to judge any writer or artist since a moral standard, a contemporary politically correct moral standard, you can rid off almost all the great art of the past because if you are looking for saints, people who love cats and feed birds, that people could be your type of friendly person of today, but they never will produce a piece of art, you are looking on the wrong part of humanity.
What make great Hemingway is not he was a admirer of bull fights, like millions of others. Was not he hunt animals like millions of others. Was not he use rifles and guns, like millions of others. Was not he get drunk every single day of his life like millions of others. He could be one piece of crap like million of others. But he created some of the most fascinating and important books from the last century, on any language. He could be like your sorry and politically correct and double standard ass of today, but he wasn't. He could have a farm with beautiful little animals. Nobody cares for someone like that, unless he finally write something absolutely marvelous, like all the great books he wrote. If you like animal care, you can retire to a farm and watch over piggies, cows, bulls, chickens and worms, and wait for someone film a biopic about you.
But Hemingway wrote some of the most important and memorable books of the past century on any language. Some of those books are brutal, because he live a brutal life, someone who ends by took his own life the way he lives. Millions of people has done that, too. But if you write The Oldman and the Fish, A farewell to arms, From whom the belss tolls, Death in the afternoon, Green Hills of Africa, The Snows of Kilimanjaro, and win the Nobel Prize, man that's a life worth to live and worth to be told and retold.
I'm not American, but Mexican, but Hemingway is one of the most important writers not only from the US, but from the entire world. If that doesn't ring a bell, Moralists, you can go away to Gilligan's island. This is a biopic of an absolute admirable man, who could be like millions of others, like I just have said. Instead, he left a literary corpus that still is one of the American true treasures of their literary history, someone that can make you feel proud to be part of his nation, proud as human being, and also proud of reading him and find someone extraordinary, and not a poor drunk failure who liked to kiss cows and chickens in a remote farm.
If you like that, be my guest. But before that, please, read his books and if you doesn't end admiring his intelectual stature and his brilliance as a writer, then you don't know to read, and you deserve to live in the Fantasy island. This biopic is a masterpiece, well worth for the men who inspired it.
What make great Hemingway is not he was a admirer of bull fights, like millions of others. Was not he hunt animals like millions of others. Was not he use rifles and guns, like millions of others. Was not he get drunk every single day of his life like millions of others. He could be one piece of crap like million of others. But he created some of the most fascinating and important books from the last century, on any language. He could be like your sorry and politically correct and double standard ass of today, but he wasn't. He could have a farm with beautiful little animals. Nobody cares for someone like that, unless he finally write something absolutely marvelous, like all the great books he wrote. If you like animal care, you can retire to a farm and watch over piggies, cows, bulls, chickens and worms, and wait for someone film a biopic about you.
But Hemingway wrote some of the most important and memorable books of the past century on any language. Some of those books are brutal, because he live a brutal life, someone who ends by took his own life the way he lives. Millions of people has done that, too. But if you write The Oldman and the Fish, A farewell to arms, From whom the belss tolls, Death in the afternoon, Green Hills of Africa, The Snows of Kilimanjaro, and win the Nobel Prize, man that's a life worth to live and worth to be told and retold.
I'm not American, but Mexican, but Hemingway is one of the most important writers not only from the US, but from the entire world. If that doesn't ring a bell, Moralists, you can go away to Gilligan's island. This is a biopic of an absolute admirable man, who could be like millions of others, like I just have said. Instead, he left a literary corpus that still is one of the American true treasures of their literary history, someone that can make you feel proud to be part of his nation, proud as human being, and also proud of reading him and find someone extraordinary, and not a poor drunk failure who liked to kiss cows and chickens in a remote farm.
If you like that, be my guest. But before that, please, read his books and if you doesn't end admiring his intelectual stature and his brilliance as a writer, then you don't know to read, and you deserve to live in the Fantasy island. This biopic is a masterpiece, well worth for the men who inspired it.
This is a supherb telling of a biography of Hemingway and done in the inimitable style of Ken Burns. It is well paced and presented in such a way that every minute of the 4 1/2 hours or so of the documentary is relevant, except for the talking heads.
Most of the talking heads had nothing to say that was not their opinions, and very often the opinions of people that did not know the person are essentially worthless. To see how a very good documentary can be made without a single talking head, one only need to watch the Apollo 11 documentary film!
If it wasn't for the talking heads I would have given this a 10. Lastly, why does pbs insist on inserting their promos mid screen every 15 or so minutes? It can only be to disrupt the viewers experience, it can have no other purpose!
Most of the talking heads had nothing to say that was not their opinions, and very often the opinions of people that did not know the person are essentially worthless. To see how a very good documentary can be made without a single talking head, one only need to watch the Apollo 11 documentary film!
If it wasn't for the talking heads I would have given this a 10. Lastly, why does pbs insist on inserting their promos mid screen every 15 or so minutes? It can only be to disrupt the viewers experience, it can have no other purpose!
This was broadcast this week in 2-hour time slots on three consecutive nights on PBS. It is very well done and I can't imagine anyone watching it and NOT learning a lot new about the man. His life certainly was not one of a role model and perhaps his many, many faults, both personal and interpersonal, were a necessary part of developing the writing style that made him indelibly famous.
Perhaps even less well known are Hemingway's four rules for writing well:
USE SHORT SENTENCES.
USE SHORT FIRST PARAGRAPHS.
USE VIGOROUS ENGLISH.
BE POSITIVE, NOT NEGATIVE.
Back in my working days I took a course on effective writing, the essence was the same. I would add "use active voice, not passive voice" when you can.
Perhaps even less well known are Hemingway's four rules for writing well:
USE SHORT SENTENCES.
USE SHORT FIRST PARAGRAPHS.
USE VIGOROUS ENGLISH.
BE POSITIVE, NOT NEGATIVE.
Back in my working days I took a course on effective writing, the essence was the same. I would add "use active voice, not passive voice" when you can.
Despite the 6-hour running time, this documentary skips along the surface of Hemingway's life like a piece of flint.
Great writer? Yes. Great man? No. Hemingway was a narcissist, a liar, a brute, a womanizer, and a blowhard.
Hemingway basically lived off his wives and lost the friendship of everyone he ever knew. And while this documentary skips along with fleeting mentions of Gertrude Stein, Ezra Pound, James Joyce, John Dos Passos, Sherwood Anderson, F. Scott Fitzgerald, etc., it totally neglects an important Paris connection: Robert McAlmon.
It was McAlmon who published Hemingway's first book: "Three Stories and Ten Poems" thru his Contact Publishing. It was McAlmon who accompanied and paid for Hemingway's first trip to Spain to watch the bull fights. And it was McAlmon who was among the first people Hemingway turned on after his success with "The Sun Also Rises."
The novel's character Robert Loeb is based on Harold Loeb and also McAlmon. Hemingway turned on McAlmon and called him a gossip after he learned that McAlmon was "telling tales" about his his sexual proclivities and punched him out in a bar screaming. "Now tell that to your goddamned friends!"
McAlmon later got revenge in his memoir "Being Geniuses Together," and their relationship was further examined in "Letters from Oblivion," a novel by Edward Lorusso.
Great writer, yes. But Hemingway was one nasty piece of work!
Great writer? Yes. Great man? No. Hemingway was a narcissist, a liar, a brute, a womanizer, and a blowhard.
Hemingway basically lived off his wives and lost the friendship of everyone he ever knew. And while this documentary skips along with fleeting mentions of Gertrude Stein, Ezra Pound, James Joyce, John Dos Passos, Sherwood Anderson, F. Scott Fitzgerald, etc., it totally neglects an important Paris connection: Robert McAlmon.
It was McAlmon who published Hemingway's first book: "Three Stories and Ten Poems" thru his Contact Publishing. It was McAlmon who accompanied and paid for Hemingway's first trip to Spain to watch the bull fights. And it was McAlmon who was among the first people Hemingway turned on after his success with "The Sun Also Rises."
The novel's character Robert Loeb is based on Harold Loeb and also McAlmon. Hemingway turned on McAlmon and called him a gossip after he learned that McAlmon was "telling tales" about his his sexual proclivities and punched him out in a bar screaming. "Now tell that to your goddamned friends!"
McAlmon later got revenge in his memoir "Being Geniuses Together," and their relationship was further examined in "Letters from Oblivion," a novel by Edward Lorusso.
Great writer, yes. But Hemingway was one nasty piece of work!
¿Sabías que…?
- TriviaIn an interview with Yahoo Finance, Ken Burns stated that he was given six and a half years to make this series. "They gave me six and a half on Ernest Hemingway."
- ConexionesFeatured in Ken Burns: One Nation, Many Stories (2024)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How many seasons does Hemingway have?Con tecnología de Alexa
Detalles
- Tiempo de ejecución40 minutos
- Color
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta