Un joven de 17 años intenta sobrevivir entre una explosiva familia criminal y un detective que cree que puede salvarle.Un joven de 17 años intenta sobrevivir entre una explosiva familia criminal y un detective que cree que puede salvarle.Un joven de 17 años intenta sobrevivir entre una explosiva familia criminal y un detective que cree que puede salvarle.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 39 premios ganados y 60 nominaciones en total
- Hood #1
- (as Michael Vice)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's not really the narrative that's important here, although there are a number of fresh situations and off-hand moments that make it stand out (that opener is a real clincher). It works best when delivering a series of shocks and sudden twists that the viewer certainly doesn't see coming. No, it's the characterisation where ANIMAL KINGDOM really shines; this is a film for actors, showcasing a number of realistic performances from the cast.
Ben Mendelsohn is the one who really stands out in his star-making turn as the thoroughly creepy guy at the top of the chain, while Joel Edgerton and Sullivan Stapleton bring depth to their otherwise thuggish roles. James Frecheville plays it quiet and understated as the lead although the reliable Guy Pearce shines as a cop. Jacki Weaver may play one of the most understated and nasty characters ever. It's a decent film, certainly more compelling than most things Hollywood put out these days.
The film centers on Josh (James Frecheville)--a very quiet and introverted young man who comes from an incredibly sick and twisted family. The film begins with his mother overdosing from drugs and he moves in with his grandmother and his uncles--and this new home is MUCH more destructive and sick! The uncles all sell drugs and are very violent men--and eventually the police home in on these sick folks and then things get REALLY crazy. I could say a lot more, but I don't want to ruin the suspense.
While I like films that fight against convention and formula, I had a problem with this film that you perhaps might not. I wanted all this sickness and dysfunction to somehow work out for the good and for there to be SOME sense of meaning. Instead, the ending just reinforced the complete lack of meaning and left me very cold. Well made but VERY depressing and unsatisfying--it's hard to like a movie where you really don't like anyone.
Jackie Weaver as the Matriarch of this crime family was amazing.
It felt a little "talkie" until about half way through, but there is tension right from the beginning that carries you through. Every character is connected to every other as if by springs quivering with tension or compression and the movie really delivers holding the resolution to the final frame where everything shifts into a new alignment.
I really enjoyed Animal Kingdom, it does not glamorize the life of these crims the way Underbelly or Sopranos does, and the cops reflect the dirty history of the Melbourne's finest too (Guy Pearce reprising his role in LA Confidential as a rare Mr Clean). Overall I think David Simon (The Wire) would approve of Animal Kingdom.
Anyone who has wondered how murderers can be loved by their Moms (isn't that most everyone?) should see this movie, it isn't a TV experience it really works well on the big screen.
This is a movie about a young man (Josh or "J," played by James Frecheville) whose extended family are all criminals. Using the character of seventeen-year-old J as a sort of catalyst, the movie explores a variety of crime-related issues, from the effects of growing up in a world where criminal activity is the norm, to the escalation of crime that is a natural consequence of vigilantism (especially when the vigilantes are police).
The characters are all played very well, with exceptionally good performances given by Ben Mendelsohn, Jackie Weaver, Sullivan Stapleton and young James Frecheville in his debut as J.
While "Animal Kingdom" starts slowly (perhaps -too- slowly for some), it continually builds in intensity throughout the entire movie, culminating with an ending that is both shocking and yet inevitable. In particular, the movie has a very compelling scene played perfectly by Mendelsohn, with an awesome supporting role played by Luke Ford - I'm sure this scene repulsed many in the audience (it certainly repulsed me). At first, I feared that the scene was added by the director merely as a gratuitous exploitation of the audience's emotions. However, as the movie progresses, the scene's outcome becomes an integral part of the plot development, and is therefore necessary for the completion of the main story.
This movie will not be for everybody - the subject matter and the honest way in which the movie portrays it made the movie somewhat taxing at times to sit through. However, I think those willing to consider the necessity of telling the story of "Animal Kingdom" will find the movie entertaining and thought-provoking - I certainly did.
¿Sabías que…?
- TriviaPrior to filming, Ben Mendelsohn and Luke Ford made a conscious decision not to speak to each other as actors to help with their portrayal of two antagonistic brothers.
- ErroresJoshua J Cody is seen wearing a elastic hand prosthetic starting at around 00:01:19 - 00:02:19 the next scene shows his hand as normal.
- Citas
Detective Randall Roache: Look I know you got a problem Janine, but I don't see how this mess your boys are in has got anything to do with me. So if you've called me in here to see if there are some strings I can pull in your way of course. Is that what this is about?
Janine Cody: Hey Randall, before you go on, this boy who's currently being looked after, tell me if you agree with this, this boy who's being looked after, he knows who you are. And you know how these things go they're gonna ask him all sorts of questions about everything he's ever seen or done. Everyone he's ever met, the whole schmozzle. And you've done some bad things sweetie, haven't you? I want this part to be clear this is not about you doing me a favor or me blackmailing you or anything like that. It's just a bad situation for everyone. Ezra here's got the address, it shouldn't be too hard to set up a raid on the house. There'd be reasonable grounds, what with all the strange activity, the comings and goings, day and night, one of the neighbors might've seen a gun or something. This is your area of expertise, I'm not trying to tell you how to suck eggs. What do you think?
Detective Randall Roache: I really don't see how anything can be done, Janine.
Janine Cody: Randall, I feel sick about this. I'm not happy at all, not one little bit. But we do what we have to do, we do what we must. Just because we don't wanna do something doesn't mean it can't be done.
- ConexionesFeatured in At the Movies: Summer Special 2010/11 (2010)
- Bandas sonorasAll Out of Love
Written by Graham Russell & Clive Davis
Performed by Air Supply
(c) All Rights Reserved on behalf of Nottsongs
Administered by Warner Chappell Music Australia Pty Ltd
By kind permission of Warner CHappell Music Australia Pty Ltd
Courtesy of Big Time Phonograph Recording Co Pty Ltd
Under license from EMI Music Australia Pty Ltd
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Vương Quốc Tội Phạm
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- AUD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,044,039
- Fin de semana de estreno en EE. UU. y Canadá
- USD 61,968
- 15 ago 2010
- Total a nivel mundial
- USD 7,216,359
- Tiempo de ejecución
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1