Chandramukhi

Marathi industry is just going backwards in movies, marathi movies just has 2 genre romantic musical and comedy that's it no sci-fi, psychological thriller, thriller. Marathi industry they just don't want to take a risk but they are just getting worse making a third class lavni movie over and over again this is just terrible, they just wanna make a cringe comedy movies and make them in a sequel with another cringe comedy taking no risk just playing it safe with their stupid movies can't believe Marathi industry had so many chances to change themselves and they just ruined it can't believe it this is just sad.

The hero is a young, handsome, genuine politician. The heroine is a beautiful, graceful, talented tamasha artiste. He applauds her poetry and her melody. She appreciates the fact that he actually treats her with dignity, like a "lady". Eventually and reluctantly, they become romantically obsessed with each other. But what happens when this affair becomes public? Marathi movie #Chandramukhi2022 boasts of good performances by the entire cast, especially Amruta Khanvilkar and Rajendra Shirsatkar. Ajay-Atul's music matches the mood of the film. Running time needs to be reduced by 20 minutes. Rating 3/5.

Very nice movie, mr prasad oak.very good direction and the story was also awesome.keep it up. The directors, the musicians and music directors.

Ajay atul have done a very good work.

Poor Direction... Poor Cinematography.. Everything is poor.. Not worth watching even once... I was so bored watching the movie. Seriously if you could not make good movies then dont make them...

At a time when Marathi talents are going places with their low cost premium content on web and other platforms here comes a mediocre take on a classic story!

A person who closely watches the Marathi Entertainment platter would be let down on this so called artistic genre.

Prasad has conveniently lazed himself with not working on the period creation. The screenplay, well is there one? May be he could have attempted Natak instead of a movie. Guess thats what transpired the whole movie, actors mouthed dialogues with a static camera doing nothing else.

Costumes and makeup was so loud that it drifted from the reality of the period.

Aditya seemed lost, Chandra...well she tried to emote judiciously but for her costumes and makeup.

Felt a very great disconnect between the story and characterisation. Cinematographer lost his chance to capture the essence of Sarang phata or the mood of the characters.

When one creates or tries to adapt a classic novel, a lot of hard work needs to be put into place. The main problem with Oak is he does not focus on the realistic display of costumes. The same was visible in Hirakani too, every villager had this spic and span clothes, makes you wonder which is this period.!!!

Sound is another dept which is poorly explored by Oak. Either he ignores the same or does not want to invest.

The sort of periodic development which is an integral part of this classic is conveniently wiped under the rug to give us this below average package devoid of the Soul!

Oak should work 360 degrees if he wants to reach out to a much mature and international vierwers. Else he may remain another feather of the industry to be easily forgotten.

The movie only stands out for Ajay-Atul!