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IMDbPro

Origin

  • 2023
  • PG-13
  • 2h 21min
CALIFICACIÓN DE IMDb
7.2/10
7.6 k
TU CALIFICACIÓN
POPULARIDAD
4,299
577
Aunjanue Ellis-Taylor in Origin (2023)
The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions.
Reproducir trailer2:25
4 videos
97 fotos
DramaHistoria

El sistema implícito que ha dado forma a Estados Unidos y la crónica de cómo las vidas actuales se definen por una jerarquía de divisiones humanas.El sistema implícito que ha dado forma a Estados Unidos y la crónica de cómo las vidas actuales se definen por una jerarquía de divisiones humanas.El sistema implícito que ha dado forma a Estados Unidos y la crónica de cómo las vidas actuales se definen por una jerarquía de divisiones humanas.

  • Dirección
    • Ava DuVernay
  • Guionistas
    • Ava DuVernay
    • Isabel Wilkerson
  • Elenco
    • Aunjanue Ellis-Taylor
    • Jon Bernthal
    • Niecy Nash
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    7.6 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,299
    577
    • Dirección
      • Ava DuVernay
    • Guionistas
      • Ava DuVernay
      • Isabel Wilkerson
    • Elenco
      • Aunjanue Ellis-Taylor
      • Jon Bernthal
      • Niecy Nash
    • 76Opiniones de los usuarios
    • 104Opiniones de los críticos
    • 75Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 8 premios ganados y 32 nominaciones en total

    Videos4

    Official Trailer
    Trailer 2:25
    Official Trailer
    Official Teaser Trailer
    Trailer 1:17
    Official Teaser Trailer
    Official Teaser Trailer
    Trailer 1:17
    Official Teaser Trailer
    Origin
    Trailer 2:25
    Origin
    Origins
    Trailer 1:17
    Origins

    Fotos97

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    Elenco principal99+

    Editar
    Aunjanue Ellis-Taylor
    Aunjanue Ellis-Taylor
    • Isabel Wilkerson
    Jon Bernthal
    Jon Bernthal
    • Brett Hamilton
    Niecy Nash
    Niecy Nash
    • Marion Wilkerson
    • (as Niecy Nash-Betts)
    Emily Yancy
    • Ruby Wilkerson
    Finn Wittrock
    Finn Wittrock
    • August Landmesser
    Victoria Pedretti
    Victoria Pedretti
    • Irma Eckler
    Jasmine Cephas Jones
    Jasmine Cephas Jones
    • Elizabeth Davis
    Isha Blaaker
    Isha Blaaker
    • Allison Davis
    • (as Isha Carlos Blaaker)
    Vera Farmiga
    Vera Farmiga
    • Kate
    Audra McDonald
    Audra McDonald
    • Miss Hale
    Connie Nielsen
    Connie Nielsen
    • Sabine
    Blair Underwood
    Blair Underwood
    • Amari Selvan
    Nick Offerman
    Nick Offerman
    • Dave the Plumber
    Stephanie March
    Stephanie March
    • Binky
    Myles Frost
    Myles Frost
    • Trayvon Martin
    Suraj Yengde
    • Suraj Yengde, Ph.D.
    • (as Suraj Yengde PhD)
    Donna Mills
    Donna Mills
    • Mrs. Copeland
    Mike Topoozian
    • Sales Executive
    • (as Mike 'Spike' Topoozian)
    • Dirección
      • Ava DuVernay
    • Guionistas
      • Ava DuVernay
      • Isabel Wilkerson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios76

    7.27.6K
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    Resumen

    Reviewers say 'Origin' delves into caste systems, showcasing oppression's interconnectedness. It is lauded for its ambitious narrative, strong performances, and thought-provoking themes. However, some criticize its disjointed structure, dialogue-heavy approach, and perceived lack of depth in addressing societal divisions' root causes. Omissions of historical contexts like colonialism and a focus on specific groups are noted. Despite these issues, many find the film impactful and essential for reflecting on systemic oppression.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    7mojimyjam

    What about native Americans

    Great movie but the author and/or director completely forgot or ignored the plight and treatment native Americans from them caste hypothesis/equation, Seriously!? Why?

    I would think Native Americans should have given some sort acknowledgment from origin standpoint as they were first to be "casted" prior to African Americans.

    I haven't read the book, but the movie does feel like abrupt in trying to connect and transition amongst different story lines or historical situations.

    Then summarization in the end is just beautifully done. But movies felt too dense and compact in terms of content as the authors personal life events and challenges were being tried to intertwined hit socially and racial complexities.
    9Socolorfull

    Heartbreaking and Illuminating

    Heartbreaking and illuminating, all at once. You might think a movie about a more academic leaning book might be boring and dry, but this film is quite the opposite. It's full of emotion, as we get the story of Isabel Wilkerson's personal life and the trials she faced leading up to the publication of Caste, as well as reinactments of significant historical events that inspired the thesis.

    Some parts of the movie lost my attention, but for the most part, I thought this was extremely well done. The acting was, all around, fantastic. The breakdown of the thesis at the core of the movie made sense, and the storytelling about the author herself kept the movie compelling.

    I hope you leave the move also looking for ways to defy caste.
    7CinemaSerf

    Origin

    The acting is all really quite adequate here, but it's not really that important to the fascinating underlying premiss that underpins the theory that race, in itself, might not be the reason for the hierarchical nature of a society that always manages to create sub-classes. Aunjanue Ellis-Taylor offers her own engaging perspective on author Isabel Wilkerson who is invited by a publisher to offer a more considered and less reactionary appraisal of race relations following the murder of a young black man who just happened to be in the wrong place (a white neighbourhood) at the wrong time. The audience know full well from the outset what has happened here, so that's not especially important to the plot either - it's her search for a rationale. That search attempts to draw parallels between the plight of the African American citizenry with the victims of Holocaust and of the system of caste that prevails in India. By spending a section of the film in Germany and then in India, we are exposed to a more internationalist view of just why society is made up of the have lots, the haves and the have nots - and at just how little much of that has changed for centuries. The comparison she develops works surprisingly convincingly, if not without it's flaws, and Ellis-Taylor acts well as a sort of sponge for the philosophies that emerge. The one element that it rather studiously avoids is religion. That isolation does rather compromise the authenticity of any conclusion as it doesn't acknowledge that so often the behaviour and structures of cultures are dictated by those atop them in some form of priesthood - whether they be Brahmin or Cardinal. There are a few familial sub-plots to add a bit of drama to the story, but I found them a little unnecessary as the theory elaborates more. It does come from a very specific American perspective - I'd be interested to see how it might turn out if it were to be remade from a Jewish or Indian point of view, but as it is - it's a thoughtful exercise in what makes human strata function and endure.
    7dclastcolony-12110

    Ignored Colonialism

    The movie deserves much credit for tackling a difficult and complex subject -- the role of race in relation to caste in subjugation and oppression.

    The movie examines race in America and caste in India as well as the Holocaust in Germany. However, it fails to mention colonialism, which oppressed one half of the planet no less in the early years after World War 2. This is a serious omission.

    Even during the discussion of caste in India, the colonial oppression of India by the British that lasted till 1947 is not addressed. And it might be added, the British took full advantage of the Caste system to consolidate their rule of the country.
    10stefhonregina

    One of the most underrated movies I've ever seen

    I just happened upon this movie as I usually do with movies. I was so delightfully surprised. What an important issue to cast light upon. Casting was perfect. This is definitely an intelligent watch. The producer/directors did not need to get flashy to get their point across, instead, they did it with great writing/screenplay and some gut wrenching moments. I love the intelligent conversations that were had by the characters as well as the flashbacks of the characters who were extremely affected by the caste system. I highly recommend this for anyone who is looking to learn something and also watch a good movie.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      A Washington Post article titled "Budgets for 'prestige' films dried up. So Ava DuVernay found a new way." was released on 12/4/23; it details how DuVernay financed the film partly through grants, including from the Ford Foundation, which enabled her to make a bigger film.
    • Errores
      When Brett and Isabel are riding in the Audi, the speedometer is at zero and doesn't move.
    • Citas

      Isabel Wilkerson: And yes, not one of us was around when this house was built.

      Isabel Wilkerson: But here we are. The current occupants of a property with stress cracks built into the foundation, and a roof that must be replaced.

      Isabel Wilkerson: We are the heirs to whatever is right or wrong with it. We didn't erect the uneven pillars. But they are ours to deal with now.

      Isabel Wilkerson: The cracks won't fix themselves. Any more deterioration is on our watch.

    • Bandas sonoras
      I Am
      Written by Stan Walker, Michael Fatkin, Vince Harder, Te Kanapu Anasta

      Performed by Stan Walker

      Produced by Michael Fatkin

      Courtesy of Aki Aki, Sony Music Group, Universal Publishing Group, Harder Music Group

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    Preguntas Frecuentes

    • How long is Origin?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de enero de 2024 (Brasil)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Истоки
    • Locaciones de filmación
      • Nueva Dehli, India
    • Productoras
      • ARRAY Filmworks
      • India Take One Productions
      • J4A
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 38,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 4,689,830
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 117,063
      • 10 dic 2023
    • Total a nivel mundial
      • USD 4,837,191
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 21 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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