Proof Sheet

This movie is very good. It brought back the nostalgia for Film Noir. Yet, it is better because the director recognized the twists and turns of the genre, taking you on a rollercoaster ride. The actors are very convincing in their character roles. The audience is hooked within the first three minutes of the film, leaving you wanting for more. The talent of Richard Kilroy (director) becomes very obvious with his attention to detail in every frame placing him - in my opinion - among the great directors. This move must be seen by all who appreciate this genre. I have no doubt that when it is released, Proof Sheet will rise to the top possible bagging the Best Director and Best Picture awards. A truly excellent movie which no serious fan of good movies should miss.

Angel takes us on a ride through the dark side, his curiosity and compassion for a young woman drives him deeper into this dangerous world. I found myself engaged from beginning to end. Set in the 1970s before digital cameras became popular and online information was not so accessible, As the story unfolds, Angel has to use his his wit and wiles to discover more about this young woman. She needs help but is concerned about involving someone else .

With each twist and turn Angel experiences person growth, self-reflection and learning. An empowering and uplifting journey that restores my faith in empathy and compassion for our fellow man.

PROOF SHEET Review by Karen A. Kerbis, aka "La Gringa Novelera" 22 January 2023

A millennium ago, Rod Stewart famously sang "Every Picture Tells a Story.

" He was right. But in the new thriller Proof Sheet, the question at the heart of its mystery is every picture might tell a story, but what is the story being told? And as the movie's hero Angel (Leo Llenas) learns, that's not such an easy question to answer. In his case, the closer he comes to the answers, the more questions he has, and the more danger he finds himself in.

Typically, film noir heroes are jagged grown-ups who have been through a lot, with a past that haunts the present. Barely 21, Angel seems too young to have a past. But, as the story unfolds, it becomes clear he is haunted by two ghosts. Angel is tormented by abandonment, which explains why when he meets a beautiful young woman Reina (Catherine Lidstone, The Chosen), sees an opportunity to become important to her, even though he has no idea what kind of trouble she's in, or how she knows his Uncle Gilbert (Alejandro Delgado, The Bold & the Beautiful).

Someone drops off a roll of film to be developed with images that suggest Reina is in danger. Angel is on the case and sets off to investigate what happened to her and why. Angel is sure that something frightful has happened to Reina. But, the more he learns, the less he understands. Leo Llenas does a tremendous job as a young man who has to learn a lot of hard truths very quickly. He rapidly outgrows the innocence of childhood, shedding that skin with convincing authenticity. We root for him.

Proof Sheet unfolds in a Latino neighborhood of Los Angeles in 1999, boasting an outstanding cast predominantly comprised of Latino actors. Personally, I find it perplexing that we don't encounter movies (and casts) of this nature more frequently. Frankly, it's invigorating to witness a mystery unravel in a community where people, who happen to be Latinos, are simply trying to live their lives. This stands in contrast to the usual scenarios, such as upper-class British characters at an English country house for a murder mystery weekend or the recurring theme of grim Norwegians investigating yet another serial killer in the bleakness of the Arctic Circle. I could go on, but you get the idea.

A sense of doom pervades the movie, thanks to director Richard Kilroy, who also co-wrote the script with Eduardo Santiago. Proof Sheet takes place in the week between Christmas and New Year, 1999 - the Eve of the Third Millennium. There was plenty of anxiety to go around back then, as people worried about the ability of banks, government, you name it, to manage the change in automated systems from 1999 to 2000 In Proof Sheet, the Millenium anxiety gnaws on the edges, but it's there, and another thing to worry about. This is a new film noir, made by people who grew up on the genre but have brought it into the present without being campy, which is not easy to do. In fact, it's done remarkably well here.

The movie is nothing if not atmospheric, with tributes to the masters in some pivotal scenes you can't miss, paying homage to classic scenes from masters like Hitchcock and Lynch.

Famed Cuban-born actress Maria Conchita Alonso (The Running Man, Predator II) has a pivotal role as Chrisanta, a psychic who is just scary enough for me to want to seek out her advice every day, either because she is always right, or because I would hope that would keep her from putting a curse on me.

Either way, it works, and it is great fun to see her again.

Midway through the movie, Angel meets his father, and shows him the proof sheet that is driving his search for Reina; His father suggests that the photos might just show a less ominous "surprised" version of Reina, and could very well mean nothing. "Don't trust what you see. It can get you killed," Angel's police-detective father warns him.

The question is, will Angel follow that advice?

I loved the freshness of this contemporary LA Noir with its all Latino cast. The actors are amazing, the turns surprising, the characters engaging, the narrative compelling, and LA looks so darn great! I"m a Noir fan, and this very personal-feeling Noir is a fabulous addition to the canon.

Too many Hollywood Noirs think if they hit the same tropes, if they cast the usual tough guys and load it with guns, they're given a free pass to make the same ol' same ol'. But this was not a creaky 'homage', this was a compelling ensemble of characters we haven't yet seen in Noir and rarely in any genre, working class Latinos --and especially the young star, what a performance! One to watch.

So, I gotta spill the beans about this film that I caught at a Festival in Los Angeles while on vacation - I love independent films, but this one, man, oh man, it's like a wild rollercoaster ride through a maze of clues and jaw-dropping moments that had me glued to my seat. If it was in the theaters I'd be watching it again to see all the clues I missed the first time around.

Angel, the main character in this story, let me just say, he's a total rockstar, and adorably sexy. Starting off all innocent and BAM! - he's hit with the harsh realities of life (I feel completely related). You can't help but cheer for the guy as he digs deeper into the mystery behind some freaky photos on a proof sheet.

What I loved most is how this film throws you into a Latino neighborhood in LA of 1999. It's like a breath of fresh air, seeing a group of Latino actors killing it on-screen. I mean, why don't we get more movies like this?

A shoutout to the director - he's got some serious skills. The whole movie oozes this doom-and-gloom vibe, set in that freaky week between Christmas and New Year, right at the turn of the millennium. Talk about adding some extra spice to the mix!

But, the real kicker is when Angel goes to his cop-dad for advice. The old man drops a truth bomb - "Don't trust what you see. It can get you killed." That line stuck with me through the whole flick, making me second-guess everything Angel was uncovering.

Proof Sheet ain't your run-of-the-mill mystery. It's like a new-age film noir, mixing the old-school magic, very Hitchcockian, with a modern twist. If you're into wild rides, surprises that'll make your jaw hit the ground, and a bit of that classic noir vibe, Proof Sheet is your ticket. Trust me, you won't regret it.