Kumari

Let me get this straight first, this is by no means a bad film, but screenplay doesnt give the story enough strength to give the audience the needed effect.

The first 20mins of prelude had some of the best story telling i have seen in some time but from there the screenplay meanders. Cinematography was top notch with some brilliant shots, nusic was okayish though i dont think it fits a period fantasy film.

Aishwarya lekshmi gives it her all.

There are portions of the film that we wish we had a forward button and the climax showdown looked amateurish.

As i said in the beginning its not a bad film by any means but leaves a lot to be desired.

A decent attempt to make Tummbad in a traditional Kerala household setting, which unfortunately ended up becoming a cheap replica of the original, with a few redeeming qualities.

The visuals were enchanting but anyone who has seen Tummbad can make the connection within the opening act (my 5 yr old daughter could spot it by then.)

Shine Tom and Aishwarya were majestic but the Demigods were reminiscent of the 80's Hollywood creature-flick atrocities, which kind of made the final few shots unpalatable.

The movie has taken inspiration from a variety of sources but managed to incorporate them beautifully, the character development and atmosphere building were impeccable.

If it hadn't been for the lackluster climax, this would've been a spiritual successor to the genre defining cult classics like "Manichitrathazhu" and "Anandabhadram", alas, it wasn't to be.

If you haven't seen Tummbad, brace yourself for a memorable watch that will stay with you for a long time, both for it's aesthetics and pitiable climax sequences.

Overall, a decent attempt at recreating the on-screen magic of Tummbad.

An amazing concept, but fails to impress in execution.

First 15 minutes of the movie, I was very hopefull that this is going to be a nice movie. The concept of the folklore story was very exciting. The movie nicely establishes the plot but failed to emotionaly invest me in the story. The visuals were amazing. The cinematography by Abraham joseph was a big positive. Aishwarya lakshmi was good. The songs were nice, especially the one introducing kumaris character. Amazing set designs. The technical department did a great job. All the actors who came as extras did a good job.

As a fantasy movie, the movie fails to set the rules in the world. So feels pretty inconsistent in most parts. Shine tom chakos character did not work for me (his sound modulation didnot work either). Could have focused on writing a little more.

Good effort, nice concept, but misses the mark somewhere.

Let me come straight to the point, Surabhi Lakshmi was terrific. The casting was perfect, the colour grading & all is perfect as well. But it's the screenplay which falls flat after that 1st half & the animations could have been better. The character of Shine Tom Chacko can be a little irritating at times but he did shine in his role. Aishwarya lekshmi did her part well especially during the 2nd half. The timelines in the movie is quite confusing as the songs & certain aspects do not match with the time period. The songs were unnecessary & few of the BGM seems a mismatch to the time period. Aesthetically the movie is quite appealing but the story seems thin. The opening sequence is literally the same as tumbbad. Give it a watch for a Saturday night movie.

First the good points * Interesting horror side engaging with tales of demons, spirits tantra and a look at ancient kerala and landlords thamburatti, *Simple costumes, real outlook without glamour and fanfare * Authentic tantrik practices and temple worship system depicted

Spoilers * Car, Bikes, Wrist watch are shown but then in the landlord house there is no electricity and oil lamps are used * Dhruvan cuts off three fingers in later part of movie the fingers are back again * In modern time of car, bikes the labour and birth of child is done in house with midwives.

Murder is committed in open fields no cops or police

Actual year is not disclos.